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                    <TEI xmlns="http://www.tei-c.org/ns/1.0"><text xml:lang="eng"><body><div n="urn:cts:latinLit:phi1002.phi001.perseus-eng2" type="translation" xml:lang="eng"><div n="11" type="textpart" subtype="book"><div n="3" type="textpart" subtype="section"><div n="181" type="textpart" subtype="section"><p> But there is no law of heaven which prohibits the possession of all or
                            at any rate the majority of styles by one and the same person. I must
                            conclude this topic with a remark which applies to all my other topics
                            as well, that the prime essential is a sense of proportion. For I am not
                            trying to form a comic actor, but an orator. Consequently, we need not
                            study all the details of gesture nor, as regards our speaking, be
                            pedantic in the use we make of the rules governing punctuation, rhythm
                            and appeals to the emotions. </p></div><div n="182" type="textpart" subtype="section"><p> For example, if an actor has to speak the following lines on the stage:
                                <note anchored="true" place="unspecified"> Ter. <hi rend="italic">Eun.</hi> I. i. 1. </note>
                        <quote rend="blockquote"><quote><l part="N">What shall I do then? Not go, even now,</l><l part="N">Now when she calls me? Or shall I steel my
                                        soul</l><l part="N">No longer to endure a harlot's
                                        insults?</l></quote></quote> he will hesitate as in doubt,
                            will vary the modulations of his voice, together with the movements of
                            hand and head. But oratory has a different flavour and objects to
                            elaborate condiments, since it consists in serious pleading, not in
                            mimicry. </p></div><div n="183" type="textpart" subtype="section"><p> There is, therefore, good reason for the condemnation passed on a
                            delivery which entails the continual alteration of facial expression,
                            annoying restlessness of gesture and gusty changes of tone. And it was a
                            wise saying that the ancient orators borrowed from the Greeks, as is
                            recorded by Popilius Laenas, to the effect that there is too much
                                <quote>business</quote> in such delivery. </p></div><div n="184" type="textpart" subtype="section"><p> The instructions given by Cicero on this subject, as on all others, are
                            quite admirable; I allude to the passages <pb n="v10-12 p.349"/> which I
                            have already quoted from his <hi rend="italic">Orator,</hi>
                        <note anchored="true" place="unspecified">§ 122.</note> while there are
                            similar observations in the <hi rend="italic">Brutus</hi>
                        <note anchored="true" place="unspecified"><hi rend="italic">Brut.</hi>
                                xxxviii. 141. </note> with reference to Marcus Antonius. But to-day
                            a rather more violent form of delivery has come into fashion and is
                            demanded of our orators: it is well adapted to certain portions of a
                            speech, but requires to be kept under control. Otherwise, in our attempt
                            to ape the elegances of the stage, we shall lose the authority which
                            should characterise the man of dignity and virtue. </p></div></div></div><pb n="v10-12 p.353"/><div n="12" type="textpart" subtype="book"><head>Book XII</head><head>Introduction</head><div n="pr" type="textpart" subtype="chapter"><div n="1" type="textpart" subtype="section"><p> I now come to what is by far the most arduous portion of the task which
                            I have set myself to perform. Indeed had I fully realised the
                            difficulties when I first designed this work, I should have considered
                            betimes whether my strength was sufficient to support the load that now
                            weighs upon me so heavily. But to begin with, I felt how shameful it
                            would be to fail to perform what I had promised, and later, despite the
                            fact that my labour became more and more arduous at almost every stage,
                            the fear of stultifying what I had already written sustained my courage
                            through every difficulty. </p></div><div n="2" type="textpart" subtype="section"><p> Consequently even now, though the burden that oppresses me is greater
                            than ever, the end is in sight and I am resolved to faint by the wayside
                            rather than despair. But the fact that I began with comparatively
                            trivial details deceived me. Subsequently I was lured still further on
                            my voyage by the temptations of the favouring breeze that filled my
                            sails; but the rules which I was then concerned to give were still of a
                            familiar kind and had been already treated by most writers of rhetorical
                            textbooks: thus far I seemed to myself to be still in sight of shore and
                            I had the company of many who had ventured to entrust themselves to the
                            self-same winds. </p></div><div n="3" type="textpart" subtype="section"><p> But presently when I entered on the task of setting forth a theory of
                                <pb n="v10-12 p.355"/> eloquence which had been but newly discovered
                            and rarely essayed, I found but few that had ventured so far from
                            harbour. And finally now that the ideal orator, whom it was my design to
                            mould, has been dismissed by his masters and is either proceeding on his
                            way borne onward by his own impetus, or seeking still mightier
                            assistance from the innermost shrine of wisdom, I begin to feel how far
                            I have been swept into the great deep. </p></div><div n="4" type="textpart" subtype="section"><p> Now there is <quote rend="blockquote"><cit><quote><l part="N">Nothing before and nothing behind but the sky
                                            and the Ocean.</l></quote><bibl default="false"><hi rend="italic">Aen.</hi> iii. 193.
                                    </bibl></cit></quote> One only can I discern in all the boundless waste of
                            waters, Marcus Tullius Cicero, and even he, though the ship in which he
                            entered these seas is of such size and so well found, begins to lessen
                            sail and to row a slower stroke, and is content to speak merely of the
                            kind of speech to be employed by the perfect orator. But my temerity is
                            such that I shall essay to form my orator's character and to teach him
                            his duties. Thus I have no predecessor to guide my steps and must press
                            far, far on, as my theme may demand. Still an honourable ambition is
                            always deserving of approval, and it is all the less hazardous to dare
                            greatly, when forgiveness is assured us if we fail. </p></div></div><div n="1" type="textpart" subtype="chapter"><div n="1" type="textpart" subtype="section"><p> The orator then, whom I am concerned to form, shall be the orator as
                            defined by Marcus Cato, <quote>a good man, skilled in
                                speaking.</quote>
                        <note anchored="true" place="unspecified"><hi rend="italic">cp. I. Pr.</hi> 9. </note> But above all he must
                            possess the quality which Cato places first and which is in the very
                            nature of things the greatest and most important, that is, he must be a
                            good man. This is essential not merely on account of the fact that, if
                            the powers of eloquence serve only to lend arms to crime, there can be
                            nothing more pernicious than <pb n="v10-12 p.357"/> eloquence to public
                            and private welfare alike, while I myself, who have laboured to the best
                            of my ability to contribute something of value to oratory, shall have
                            rendered the worst of services to mankind, if I forge these weapons not
                            for a soldier, but for a robber. But why speak of myself? </p></div><div n="2" type="textpart" subtype="section"><p> Nature herself will have proved not a mother, but a stepmother with
                            regard to what we deem her greatest gift to man, the gift that
                            distinguishes us from other living things, if she devised the power of
                            speech to be the accomplice of crime, the foe to innocency and the enemy
                            of truth. For it had been better for men to be born dumb and devoid of
                            reason than to turn the gifts of providence to their mutual destruction.
                        </p></div><div n="3" type="textpart" subtype="section"><p> But this conviction of mine goes further. For I do not merely assert
                            that the ideal orator should be a good man, but I affirm that no man can
                            be an orator unless he is a good man. For it is impossible to regard
                            those men as gifted with intelligence who on being offered the choice
                            between the two paths of virtue and of vice choose the latter, nor can
                            we allow them prudence, when by the unforeseen issue of their own
                            actions they render themselves liable not merely to the heaviest
                            penalties of the laws, but to the inevitable torment of an evil
                            conscience. </p></div><div n="4" type="textpart" subtype="section"><p> But if the view that a bad man is necessarily a fool is not merely held
                            by philosolphers, but is the universal belief of ordinary men, the fool
                            will most assuredly never become an orator. To this must be added the
                            fact that the mind will not find leisure even for the study of the
                            noblest of tasks, unless it first be free from vice. The reasons for
                            this are, first, that vileness and virtue cannot jointly inhabit in the
                            selfsame heart and that it is as impossible for one and the same mind to
                            harbour good <pb n="v10-12 p.359"/> and evil thoughts as it is for one man
                            to be at once both good and evil: </p></div></div></div></div></body></text></TEI>
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