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                <requestUrn>urn:cts:latinLit:phi1002.phi001.perseus-eng2:11.2.32-11.2.51</requestUrn>
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                <urn>urn:cts:latinLit:phi1002.phi001.perseus-eng2:11.2.32-11.2.51</urn>
                <passage>
                    <TEI xmlns="http://www.tei-c.org/ns/1.0"><text xml:lang="eng"><body><div n="urn:cts:latinLit:phi1002.phi001.perseus-eng2" type="translation" xml:lang="eng"><div n="11" type="textpart" subtype="book"><div n="2" type="textpart" subtype="section"><div n="32" type="textpart" subtype="section"><p> There is one thing which will be of assistance to everyone, namely, to
                            learn a passage by heart from the same tablets on which he has committed
                            it to writing. For he will have certain tracks to guide <pb n="v10-12 p.231"/> him in his pursuit of memory, and the mind's eye
                            will be fixed not merely on the pages on which the words were written,
                            but on individual lines, and at times he will speak as though he were
                            reading aloud. Further, if the writing should be interrupted by some
                            erasure, addition or alteration, there are certain symbols available,
                            the sight of which will prevent us from wandering from the track. </p></div><div n="33" type="textpart" subtype="section"><p> This device bears some resemblance to the mnemonic system which I
                            mentioned above, but if my experience is worth anything, is at once more
                            expeditious and more effective. The question has been raised as to
                            whether we should learn by heart in silence; it would be best to do so,
                            save for the fact that under such circumstances the mind is apt to
                            become indolent, with the result that other thoughts break in. For this
                            reason the mind should be kept alert by the sound of the voice, so that
                            the memory may derive assistance from the double effort of speaking and
                            listening. But our voice should be subdued, rising scarcely above a
                            murmur. </p></div><div n="34" type="textpart" subtype="section"><p> On the other hand, if we attempt to learn by heart from another reading
                            aloud, we shall find that there is both loss and gain; on the one hand,
                            the process of learning will be slower, because the perception of the
                            eye is quicker than that of the ear, while, on the other hand, when we
                            have heard a passage once or twice, we shall be in a position to test
                            our memory and match it against the voice of the reader. It is, indeed,
                            important for other reasons to test ourselves thus from time to time,
                            since continuous reading has this drawback, that it passes over the
                            passages which we find hard to remember at the same speed as those which
                            we find less difficulty in retaining. </p></div><div n="35" type="textpart" subtype="section"><p> By testing ourselves to see <pb n="v10-12 p.233"/> whether we remember a
                            passage, we develop greater concentration without waste of time over the
                            repetition of passages which we already know by heart. Thus, only those
                            passages which tend to slip from the memory are repeated with a view to
                            fixing them in the mind by frequent rehearsal, although as a rule the
                            mere fact that they once slipped our memory makes us ultimately remember
                            them with special accuracy. Both learning by heart and writing have this
                            feature in common: namely, that good health, sound digestion, and
                            freedom from other preoccupations of mind contribute largely to the
                            success of both. </p></div><div n="36" type="textpart" subtype="section"><p> But for the purpose of getting a real grasp of what we have written
                            under the various heads, division and artistic structure will be found
                            of great value, while, with the exception of practice, which is the most
                            powerful aid of all, they are practically the only means of ensuring an
                            accurate remembrance of what we have merely thought out. For correct
                            division will be an absolute safeguard against error in the order of our
                            speech, </p></div><div n="37" type="textpart" subtype="section"><p> since there are certain points not merely in the distribution of the
                            various questions in our speech, but also in their development (provided
                            we speak as we ought), which naturally come first, second, and third,
                            and so on, while the connexion will be so perfect that nothing can be
                            omitted or inserted without the fact of the omission or insertion being
                            obvious. </p></div><div n="38" type="textpart" subtype="section"><p> We are told that Scaevola, after a game of draughts in which he made the
                            first move and was defeated, went over the whole game again in his mind
                            on his way into the country, and on recalling the move which had cost
                            him the game, returned to tell the man with whom he had been playing,
                            and the latter acknowledged that he was <pb n="v10-12 p.235"/> right. Is
                            order, then, I ask you, to be accounted of less importance in a speech,
                            in which it depends entirely on ourselves, whereas in a game our
                            opponent has an equal share in its development? </p></div><div n="39" type="textpart" subtype="section"><p> Again, if our structure be what it should, the artistic sequence will
                            serve to guide the memory. For just as it is easier to learn verse than
                            prose, so it is easier to learn prose when it is artistically
                            constructed than when it has no such organisation. If these points
                            receive attention, it will be possible to repeat <hi rend="italic">verbatim</hi> even such psssages as gave the impression of being
                            delivered extempore. My own memory is of a very ordinary kind, but I
                            found that I could do this with success on occasions when the
                            interruption of a declamation by persons who had a claim to such a
                            courtesy forced me to repeat part of what I had said. There are persons
                            still living, who were then present to witness if I lie. </p></div><div n="40" type="textpart" subtype="section"><p> However, if anyone asks me what is the one supreme method of memory, I
                            shall reply, practice and industry. The most important thing is to learn
                            much by heart and to think much, and, if possible, to do this daily,
                            since there is nothing that is more increased by practice or impaired by
                            neglect than memory. </p></div><div n="41" type="textpart" subtype="section"><p> Therefore boys should, as I have already urged, <note anchored="true" place="unspecified"> See. i. 36; II. vii. I <hi rend="italic">sqq.</hi>
                        </note> learn as much as possible by heart at the
                            earliest stage, while all who, whatever their age, desire to cultivate
                            the power of memory, should endeavour to swallow the initial tedium of
                            reading and re-reading what they have written or read, a process which
                            we may compare to chewing the cud. This task will be rendered less
                            tiresome if we begin by confining ourselves to learning only a little at
                            a time, in amounts not sufficient to create disgust: we <pb n="v10-12 p.237"/> may then proceed to increase the amount by a line a
                            day, an addition which will not sensibly increase the labour of
                            learning, until at last the amount we can attack will know no limits. We
                            should begin with poetry and then go on to oratory, while finally we may
                            attempt passages still freer in rhythm and less akin to ordinary speech,
                            such, for example, as passages from legal writers. </p></div><div n="42" type="textpart" subtype="section"><p> For passages intended as an exercise should be somewhat difficult in
                            character if they are to make it easy to achieve the end for which the
                            exercise is designed; just as athletes train the muscles of their hands
                            by carrying weights of lead, although in the actual contests their hands
                            will be empty and free. Further, I must not omit the fact, the truth of
                            which our daily practice will teach us, that in the case of the slower
                            type of mind the memory of recent events is far from being exact. </p></div><div n="43" type="textpart" subtype="section"><p> It is a curious fact, of which the reason is not obvious, that the
                            interval of a single night will greatly increase the strength of the
                            memory, whether this be due to the fact that it has rested from the
                            labour, the fatigue of which constituted the obstacle to success, or
                            whether it be that the power of recollection, which is the most
                            important element of memory, undergoes a process of ripening and
                            maturing during the time which intervenes. Whatever the cause, things
                            which could not be recalled on the spot are easily co-ordinated the next
                            day, and time itself, which is generally accounted one of the causes of
                            forgetfulness, actually serves to strengthen the memory. </p></div><div n="44" type="textpart" subtype="section"><p> On the other hand, the abnormally rapid memory fails as a rule to last
                            and takes its leave as though, its immediate task accomplished, it had
                            no further duties to perform. And indeed there is <pb n="v10-12 p.239"/>
                            nothing surprising in the fact that things which have been implanted in
                            the memory for some time should have a greater tendency to stay there.
                            The difference between the powers of one mind and another, to which I
                            have just referred, gives rise to the question whether those who are
                            intending to speak should learn their speeches <hi rend="italic">verbatim</hi> or whether it is sufficient to get a good grasp of
                            the essence and the order of what they have got to say. To this problem
                            no answer is possible that will be of universal application. </p></div><div n="45" type="textpart" subtype="section"><p> Give me a reliable memory and plenty of time, and I should prefer not to
                            permit a single syllable to escape me: otherwise writing would be
                            superfluous. It is specially important to train the young to such
                            precision, and the memory should be continually practised to this end,
                            that we may never learn to become indulgent to its failure. For this
                            reason I regard it as a mistake to permit the student to be prompted or
                            to consult his manuscript, since such practices merely encourage
                            carelessness, and no one will ever realise that he has not got his theme
                            by heart, if he has no fear of forgetting it. </p></div><div n="46" type="textpart" subtype="section"><p> It is this which causes interruptions in the flow of speech and makes
                            the orator's language halting and jerky, while he seems as though he
                            were learning what he says by heart and loses all the grace that a
                            well-written speech can give, simply by the fact that he makes it
                            obvious that he has written it. On the other hand, a good memory will
                            give us credit for quickness of wit as well, by creating the impression
                            that our words have not been prepared in the seclusion of the study, but
                            are due to the inspiration of the moment, an impression which is of the
                            utmost assistance both to the orator and to his cause. </p></div><div n="47" type="textpart" subtype="section"><p> For <pb n="v10-12 p.241"/> the judge admires those words more and fears
                            them less which he does not suspect of having been specially prepared
                            beforehand to outwit him. Further, we must make it one of our chief aims
                            in pleading to deliver passages which have been constructed with the
                            utmost care, in such manner as to make it appear that they are but
                            casually strung together, and to suggest that we are thinking out and
                            hesitating over words which we have, as a matter of fact, carefully
                            prepared in advance. </p></div><div n="48" type="textpart" subtype="section"><p> It should now be clear to all what is the best course to adopt for the
                            cultivation of memory. If, however, our memory be naturally somewhat
                            dull or time presses, it will be useless to tie ourselves down rigidly
                            to every word, since if we forget any one of them, the result may be
                            awkward hesitation or even a tongue-tied silence. It is, therefore, far
                            safer to secure a good grasp of the facts themselves and to leave
                            ourselves free to speak as we will. </p></div><div n="49" type="textpart" subtype="section"><p> For the loss of even a single word that we have chosen is always a
                            matter for regret, and it is hard to supply a substitute when we are
                            searching for the word that we had written. But even this is no remedy
                            for a weak memory, except for those who have acquired the art of
                            speaking extempore. But if both memory and this gift be lacking, I
                            should advise the would-be orator to abandon the toil of pleading
                            altogether and, if he has any literary capacity, to betake himself by
                            preference to writing. But such a misfortune will be of but rare
                            occurrence. </p></div><div n="50" type="textpart" subtype="section"><p> For the rest there are many historical examples of the power to which
                            memory may be developed by natural aptitude and application.
                            Themistocles is said to have spoken excellently in Persian after a <pb n="v10-12 p.243"/> year's study; Mithridates is recorded to have known
                            twenty-two languages, that being the number of the different nations
                            included in his empire; <note anchored="true" place="unspecified">King
                                of Pontus.</note> Crassus, surnamed the Rich, <note anchored="true" place="unspecified"> Consul, 131 B.C. Commanded in the war against
                                Aristonicus of Pergamum, was defeated and killed. </note> when
                            commanding in Asia had such a complete mastery of five different Greek
                            dialects, that he would give judgement in the dialect employed by the
                            plaintiff in putting forward his suit; Cyrus is believed to have known
                            the name of every soldier in his army, </p></div><div n="51" type="textpart" subtype="section"><p> while Theodectes <note anchored="true" place="unspecified">Rhetorician
                                of first half of fourth century B.C..</note> is actually said to
                            have been able to repeat any number of verses after only a single
                            hearing. I remember that it used to be alleged that there were persons
                            still living who could do the same, though I never had the good fortune
                            to be present at such a performance. Still, we shall do well to have
                            faith in such miracles, if only that he who believes may also hope to
                            achieve the like.  </p></div></div></div></div></body></text></TEI>
                </passage>
            </reply>
            </GetPassage>