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                <urn>urn:cts:latinLit:phi1002.phi001.perseus-eng2:11.1.41-11.1.60</urn>
                <passage>
                    <TEI xmlns="http://www.tei-c.org/ns/1.0"><text xml:lang="eng"><body><div n="urn:cts:latinLit:phi1002.phi001.perseus-eng2" type="translation" xml:lang="eng"><div n="11" type="textpart" subtype="book"><div n="1" type="textpart" subtype="chapter"><div n="41" type="textpart" subtype="section"><p> Further, it is not merely true that the variety required in
                            impersonation will be in <pb n="v10-12 p.179"/> proportion to the variety
                            presented by the case, for impersonation demands even greater variety,
                            since it involves the portrayal of the emotions of children, women,
                            nations, and even of voiceless things, all of which require to be
                            represented in character. </p></div><div n="42" type="textpart" subtype="section"><p> The same points have to be observed with respect to those for whom we
                            plead: for our tone will vary with the character of our client,
                            according as he is distinguished, or of humble position, popular or the
                            reverse, while we must also take into account the differences in their
                            principles and their past life. As regards the orator himself, the
                            qualities which will most commend him are courtesy, kindliness,
                            moderation and benevolence. But, on the other hand, the opposite of
                            these qualities will sometimes be becoming to a good man. He may hate
                            the bad, be moved to passion in the public interest, seek to avenge
                            crime and wrong, and, in fine, as I said at the beginning, <note anchored="true" place="unspecified">See § 14.</note> may follow the
                            promptings of every honourable emotion. </p></div><div n="43" type="textpart" subtype="section"><p> The character of the speaker and of the person on whose behalf he speaks
                            are, however, not the only points which it is important to take into
                            account: the character of those before whom we have to speak calls for
                            serious consideration. Their power and rank will make no small
                            difference; we shall employ different methods according as we are
                            speaking before the emperor, a magistrate, a senator, a private citizen,
                            or merely a free man, while a different tone is demanded by trials in
                            the public courts, and in cases submitted to arbitration. </p></div><div n="44" type="textpart" subtype="section"><p> For while a display of care and anxiety, and the employment of every
                            device available for the amplification of our style are becoming when we
                            are <pb n="v10-12 p.181"/> pleading for a client accused on a capital
                            charge, it would be useless to employ the same methods in cases and
                            trials of minor importance, and the speaker who, when speaking from his
                            chair before an arbitrator on some trivial question, should make an
                            admission like that made by Cicero, to the effect that it was not merely
                            his soul that was in a state of commotion, but that his whole body was
                            convulsed with shuddering, <note anchored="true" place="unspecified"><hi rend="italic">Div. in Caec.</hi> xiii. 41 </note> would meet
                            with well-deserved ridicule. </p></div><div n="45" type="textpart" subtype="section"><p> Again, who does not know what different styles of eloquence are required
                            when speaking before the grave assembly of the senate and before the
                            fickle populace, since even when we are pleading before single judges
                            the same style will not be suitable for use before one of weighty
                            character and another of a more frivolous disposition, while a learned
                            judge must not be addressed in the same tone that we should employ
                            before a soldier or a rustic, and our style must at times be lowered and
                            simplified, for fear that he may be unable to take it in or to
                            understand it. </p></div><div n="46" type="textpart" subtype="section"><p> Again, circumstances of time and place demand special consideration. The
                            occasion may be one for sorrow or for rejoicing, the time at our
                            disposal may be ample or restricted, and the orator must adapt himself
                            to all these circumstances. </p></div><div n="47" type="textpart" subtype="section"><p> It, likewise, makes no small difference whether we are speaking in
                            public or in private, before a crowded audience or in comparative
                            seclusion, in another city or our own, in the camp or in the forum: each
                            of these places will require its own style and peculiar form of oratory,
                            since even in other spheres of life the same actions are not equally
                            suited to the forum, the senate-house, the Campus Martius, the theatre
                                <pb n="v10-12 p.183"/> or one's own house, and there is much that is
                            not in itself reprehensible, and may at times be absolutely necessary,
                            which will be regarded as unseemly if done in some place where it is not
                            sanctioned by custom. </p></div><div n="48" type="textpart" subtype="section"><p> I have already pointed out <note anchored="true" place="unspecified">
                                VIII. iii. 11 <hi rend="italic">sqq.</hi>
                        </note> how much more
                            elegance and ornament is allowed by the topics of demonstrative oratory,
                            whose main object is the delectation of the audience, than is permitted
                            by deliberative or forensic themes which are concerned with action and
                            argument. To this must be added the fact that certain qualities, which
                            are in themselves merits of a high order, may be rendered unbecoming by
                            the special circumstances of the case. </p></div><div n="49" type="textpart" subtype="section"><p> For example, when a man is accused on a capital charge, and, above all,
                            if he is defending himself before his conqueror or his sovereign, it
                            would be quite intolerable for him to indulge in frequent metaphors,
                            antique or newlycoined words, rhythms as far removed as possible from
                            the practice of every-day speech, rounded periods, florid commonplaces
                            and ornate reflexions. Would not all these devices destroy the
                            impression of anxiety which should be created by a man in such peril,
                            and rob him of the succour of pity, on which even the innocent are
                            forced to rely? </p></div><div n="50" type="textpart" subtype="section"><p> Would any man be moved by the sad plight of one who revealed himself as
                            a vainglorious boaster, and ostentatiously flaunted the airs and graces
                            of his eloquence at a moment when his fate hung in suspense? Would he
                            not rather hate the man who, despite his position as accused, hunted for
                            fine words, showed himself concerned for his reputation as a clever
                            speaker, and found time at such a moment to display his eloquence? </p></div><div n="51" type="textpart" subtype="section"><p> I consider that <pb n="v10-12 p.185"/> Marcus Caelius, in the speech in
                            which he defended himself against a charge of breach of the peace,
                            showed a wonderful grasp of these facts, when he said: <quote> I trust
                                that none of you gentlemen, or of all those who have come to plead
                                against me, will find offence in my mien or insolence in my voice,
                                or, though that is a comparative trifle, any trace of arrogance in
                                my gesture. </quote>
                     </p></div><div n="52" type="textpart" subtype="section"><p> But there are some cases where the success of the pleader depends on
                            apology, entreaties for mercy, or confession of error. Can sorrow be
                            expressed in epigram? Or will <hi rend="italic">enthymemes</hi>
                        <note anchored="true" place="unspecified">A form of syllogism. See V xiv.
                                1.</note> or <hi rend="italic">epiphonemata</hi>
                        <note anchored="true" place="unspecified"> See VIII. v. 11. <quote>An
                                    exclamation attached to the close of a statement or a proof by
                                    way of climax.</quote>
                        </note> avail to win the judge's mercy?
                            Will not all embellishment of pure emotion merely impair its force and
                            dispel compassion by such a display of apparent unconcern? </p></div><div n="53" type="textpart" subtype="section"><p> Or, suppose that a father has to speak of his son's death, or of some
                            wrong that is worse than death, will he, in making his statement of
                            facts, seek to achieve that grace in exposition which is secured by
                            purity and lucidity of language, and content himself with setting forth
                            his case in due order with brevity and meaning? Or will he count over
                            the heads of his argument upon his fingers, aim at niceties of division
                            and proposition, and speak without the least energy of feeling as is
                            usual in such portions of a speech? </p></div><div n="54" type="textpart" subtype="section"><p> Whither will his grief have fled while he is thus engaged? Where has the
                            fountain of his tears been stayed? How came this callous attention to
                            the rules of text-books to obtrude itself? Will he not rather, from his
                            opening words to the very last he utters, maintain a continuous voice of
                            lamentation and a mien of unvaried woe, if he desires to transplant his
                            grief to the hearts of his audience? For if he once remits aught of his
                            passion of grief, he <pb n="v10-12 p.187"/> will never be able to recall
                            it to the hearts of them that hear him. </p></div><div n="55" type="textpart" subtype="section"><p> This is a point which declaimers, above all, must be careful to bear in
                            mind: I mention this because I have no compunction in referring to a
                            branch of the art which was once also my own, or in reverting to the
                            consideration of the youthful students such as once were in my charge:
                            the declaimer, I repeat, must bear this in mind, since in the schools we
                            often feign emotions that affect us not as advocates, but as the actual
                            sufferers. </p></div><div n="56" type="textpart" subtype="section"><p> For example, we even imagine cases where persons, either because of some
                            overwhelming misfortune or repentance for some sin, demand from the
                            senate the right to make an end of their lives; <note anchored="true" place="unspecified"> VII. iv. 39. It is said that poison was
                                provided by the state of Massilia to serve the turn of such unhappy
                                persons, so soon as they could convince the local senate that their
                                proposed suicide was justifiable. </note> and in these cases it is
                            obviously unbecoming not merely to adopt a chanting intonation, <note anchored="true" place="unspecified"><hi rend="italic">Cp.</hi> I.
                                viii. 2. </note> a fault which has also become almost universal, or
                            to use extravagant language, but even to argue without an admixture of
                            emotional appeal, so managed as to be even more prominent than the proof
                            which is advanced. For the man who can lay aside his grief for a moment
                            while he is pleading, seems capable even of laying it aside altogether
                        </p></div><div n="57" type="textpart" subtype="section"><p> I am not sure, however, that it is not in our attitude towards our
                            opponents that this care for decorum, which we are now discussing,
                            should be most rigorously maintained. For there can be no doubt, that in
                            all accusations our first aim should be to give the impression that it
                            is only with the greatest reluctance that we have consented to undertake
                            the role of accuser. Consequently, I strongly disapprove of such remarks
                            as the following which was made by Cassius Severus: <note anchored="true" place="unspecified"><hi rend="italic">Cp.</hi> x. i.
                                22. In 9 B.C. he accused Nonius Asprenas, a friend of Augustus, of
                                the crime of poisoning. Asprenas was defended by Pollio, and
                                supported by Augustus during his trial. </note>
                        <quote> Thank Heaven,
                                I am still alive; and that I may find some savour in <pb n="v10-12 p.189"/> life, I see Asprenas arraigned for his crimes.
                            </quote> For, after this, it is impossible to suppose that he had just
                            or necessary reasons for accusing Asprenas, and we cannot help
                            suspecting that his motive was sheer delight in accusation. </p></div><div n="58" type="textpart" subtype="section"><p> But, beside this consideration, which applies to all cases, there is the
                            further point that certain cases demand special moderation. Therefore, a
                            man who demands the appointment of a curator for his father's property,
                            should express his grief at his father's affliction; and, however grave
                            be the charges that a father may be going to bring against his son, he
                            should emphasize the painful nature of the necessity that is imposed
                            upon him. <note anchored="true" place="unspecified"> The imagined case
                                would be as follows. The father disinherits the son for an alleged
                                offence. The son accuses the father of madness and demands a
                                curator, etc. </note> And this he should do not merely in a few
                            brief words, but his emotion should colour his whole speech, so that it
                            may be felt not merely that he is speaking, but that he is speaking the
                            truth. </p></div><div n="59" type="textpart" subtype="section"><p> Again, if a ward make allegations against his guardian, the latter must
                            never give way to such anger that no trace is left of his former love or
                            of a certain reverent regard for the memory of his opponent's father. I
                            have already spoken, in the seventh book, I think, <note anchored="true" place="unspecified">VII. iv. 24.</note> of the way in which a case
                            should be pleaded against a father who disinherits his son, or a wife
                            who brings a charge of illtreatment against her husband, while the
                            fourth book, <note anchored="true" place="unspecified">IV. i. 46.</note>
                            in which I prescribed certain rules for the exordium, contains my
                            instructions as to when it is becoming that the parties should speak
                            themselves, and when they should employ an advocate to speak for them.
                        </p></div><div n="60" type="textpart" subtype="section"><p> It will be readily admitted by everyone that words may be becoming or
                            offensive in themselves. There is therefore a further point, which
                            presents the most serious difficulty, that requires notice in <pb n="v10-12 p.191"/> this connexion: we must consider by what means
                            things which are naturally unseemly and which, had we been given the
                            choice, we should have preferred not to say, may be uttered without
                            indecorum. </p></div></div></div></div></body></text></TEI>
                </passage>
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