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                <passage>
                    <TEI xmlns="http://www.tei-c.org/ns/1.0"><text xml:lang="eng"><body><div n="urn:cts:latinLit:phi1002.phi001.perseus-eng2" type="translation" xml:lang="eng"><div n="10" type="textpart" subtype="book"><div n="7" type="textpart" subtype="chapter"><div n="14" type="textpart" subtype="section"><p> When this occurred, the old orators, such as Cicero, <note anchored="true" place="unspecified">No such saying is found in
                                Cicero's extant works.</note> used to say that some god had inspired
                            the speaker. But the reason is obvious. For profound emotion and vivid
                            imagination sweep on with unbroken force, whereas, if retarded by the
                            slowness of the pen, they are liable to grow cold and, it put off for
                            the moment, may never return. Above all, if we add to these obstacles an
                            unhealthy tendency to quibble over the choice of words, and check our
                            advance at each step, the vehemence of our onset loses its impetus;
                            while even though our choice of individual words may be of the happiest,
                            the style will be a mere patchwork with no regular pattern. </p></div><div n="15" type="textpart" subtype="section"><p> Consequently those vivid conceptions of which I spoke <note anchored="true" place="unspecified">VI. ii. 29.</note> and which, as
                            I remarked, are called <foreign xml:lang="grc">φαντασίαι,</foreign>
                            together with everything that we intend to say, the persons and
                            questions involved, and the hopes and fears to which they give rise,
                            must be kept clearly before our eyes and admitted to our hearts: for it
                            is feeling and force of imagination that make us eloquent. It is for
                            this reason that even the uneducated have no difficulty in finding words
                            to express their meaning, if only they are stirred by some strong
                            emotion. </p></div><div n="16" type="textpart" subtype="section"><p> Further the attention of the mind must be directed not to some one
                            thing, but simultaneously to a number of things in continuous sequence.
                            The result will be the same as when we cast our eyes along some straight
                            road and see at once all that is on and near it, obtaining a view not
                            merely of its end, but of the whole way there. Dread of the shame of
                            failure is also a powerful stimulant to oratory, <pb n="v10-12 p.143"/>
                            and it may be regarded as a matter for wonder that, whereas when writing
                            we delight in privacy and shrink from the presence of witnesses, in
                            extempore pleading a large audience has an encouraging effect, like that
                            which the sight of the massed standards has on the soldier. </p></div><div n="17" type="textpart" subtype="section"><p> For the sheer necessity of speaking thrusts forward and forces out our
                            labouring thought, and the desire to win approbation kindles and fosters
                            our efforts. So true is it that there is nothing which does not look for
                            some reward, that eloquence, despite the fact that its activity is in
                            itself productive of a strong feeling of pleasure, is influenced by
                            nothing so much as the immediate acquisition of praise and renown. </p></div><div n="18" type="textpart" subtype="section"><p> Nor should any man put such trust in his native ability as to hope that
                            this power will present itself to him at the outset of his career as an
                            orator; for the precepts which I laid down for premeditation <note anchored="true" place="unspecified">Ch. vi. 3.</note> apply to
                            improvisation also; we must develop it by gradual stages from small
                            beginnings, until we have reached that perfection which can only be
                            produced and maintained by practice. </p></div><div n="19" type="textpart" subtype="section"><p> Moreover, the orator should reach such a pitch of excellence that, while
                            premeditation may still be the safer method, it will not necessarily be
                            the better, since many have acquired the gift of improvisation not
                            merely in prose, but in verse as well, as, for example, Antipater of
                            Sidon and Licinius Archias (for whose powers we have the unquestionable
                            authority of Cicero <note anchored="true" place="unspecified"><hi rend="italic">De Or.</hi> iii. 194; <hi rend="italic">Pro
                                    Arch.</hi> viii. 18. </note> ), not to mention the fact that
                            there are many, even in our own day, who have done this and are still
                            doing it. I do not, however, regard this accomplishment as being
                            particularly valuable in itself, for it is both unpractical and
                            unnecessary, but mention it as a useful example to encourage students
                                <pb n="v10-12 p.145"/> training for the bar, in the hope that they may
                            be able to acquire this accomplishment. </p></div><div n="20" type="textpart" subtype="section"><p> Still our confidence in our power of speaking extempore should never be
                            so great that we should neglect to devote a few minutes to the
                            consideration of what we are going to say. There will but rarely be
                            occasions when this is impossible, while in the lawsuits of the courts
                            there is always some time allowed for the purpose. For no one can plead
                            a cause with the facts of which be is unacquainted. </p></div><div n="21" type="textpart" subtype="section"><p> Some declaimers, it is true, are led by a perverse ambition to attempt
                            to speak the moment their theme has been given them, and even ask for a
                            word with which to start, an affectation which is in the worst and most
                            theatrical taste. But eloquence has, in her turn, nothing but derision
                            for those that insult her thus, and speakers who wish to seem learned to
                            fools are merely regarded as fools by the learned. </p></div><div n="22" type="textpart" subtype="section"><p> If, however, chance should impose the necessity upon us of pleading a
                            case at such short notice, we shall require to develop special mental
                            agility, to give all our attention to the subject, and to make a
                            temporary sacrifice of our care for the niceties of language, if we find
                            it impossible to secure both. On such occasions a slower delivery and a
                            style of speaking suggestive of a certain indecision and doubt will
                            secure us time to think, but we must be careful to do this in such a way
                            as to give the impression of thought, not of hesitation. </p></div><div n="23" type="textpart" subtype="section"><p> This precaution may be employed while we are clearing harbour, if the
                            wind drive us forward before all our tackle is ready. Afterwards, as we
                            proceed upon our course, we shall trim our sails, arrange our ropes, and
                            pray that the breeze may fill our sails. Such a procedure is <pb n="v10-12 p.147"/> preferable to yielding ourselves to an empty
                            torrent of words, that the storm may sweep us where it will. </p></div><div n="24" type="textpart" subtype="section"><p> But it requires no less careful study to maintain than to acquire this
                            facility. Theory once mastered is not forgotten, and the pen loses but
                            little of its speed by disuse: but this promptitude and readiness for
                            action can be maintained by practice only. The best form of exercise is
                            to speak daily before an audience of several persons, who should, as far
                            as possible, be selected from those whose judgement and good opinion we
                            value, since it is rare for anyone to be sufficiently critical of
                            himself. It is even better to speak alone than not at all. </p></div><div n="25" type="textpart" subtype="section"><p> There is yet another method of exercising this faculty: it consists in
                            going over our subjects in their entirety in silent thought, although we
                            must all the time formulate the words to ourselves: such practice is
                            possible at any moment or place that finds us unoccupied, and is, in
                            some respects, more useful than that which I have just mentioned; </p></div><div n="26" type="textpart" subtype="section"><p> for we are more careful about our composition than when we are actually
                            speaking and in momentary fear of interrupting the continuous flow of
                            our language. On the other hand, the first method is more valuable for
                            certain purposes, as it gives strength to our voice, fluency to our
                            tongue and vigour to our gesture; and the latter, as I have already
                            remarked, <note anchored="true" place="unspecified">Ch. iii. 21.</note>
                            in itself excites the orator and spurs him on, as he waves his hand or
                            stamps his foot: he is, in fact, like the lion, that is said to lash
                            himself to fury with his tail. But we must study always and everywhere.
                        </p></div><div n="27" type="textpart" subtype="section"><p> For there is scarce a single day in our lives that is so full of
                            occupations that we may not, at some moment or other, snatch a few
                            precious minutes, as Cicero <note anchored="true" place="unspecified"><hi rend="italic">Or.</hi> 34. </note> records that Brutus was
                                <pb n="v10-12 p.149"/> wont to do, either for writing or reading or
                            speaking; Gaius Carbo, <note anchored="true" place="unspecified"> A
                                supporter of Tib. Graccllus, who went over to the senatorial party
                                and was consul 120 B.C. Committed suicide in the following year.
                                Cicero praises his eloquence and industry; p. <hi rend="italic">Brut.</hi> 103–5, <hi rend="italic">de Or.</hi> I. § 154.
                            </note> for example, was in the habit of indulging in such exercises
                            even in his tent. </p></div><div n="28" type="textpart" subtype="section"><p> I must also mention the precept (which again has the approval of Cicero
                                <note anchored="true" place="unspecified">There is no trace of
                                this.</note> ) that we should never be careless about our language.
                            Whatever we say, under whatever circumstances, should be perfect in its
                            way. As regards writing, this is certainly never more necessary than
                            when we have frequently to speak extempore. For it maintains the
                            solidity of our speech and gives depth to superficial facility. We may
                            compare the practice of husbandmen who cut away the uppermost roots of
                            their vines, which run close to the surface of the soil, that the
                            taproots may strike deeper and gain in strength. </p></div><div n="29" type="textpart" subtype="section"><p> Indeed I am not sure that, if we practise both with care and assiduity,
                            mutual profit will not result, and writing will give us greater
                            precision of speech, while speaking will make us write with greater
                            facility. We must write, therefore, whenever possible; if we cannot
                            write, we must meditate: if both are out of the question, we must still
                            speak in such a manner that we shall not seem to be taken unawares nor
                            our client to be left in the lurch. </p></div><div n="30" type="textpart" subtype="section"><p> It is, however, a common practice with those who have many cases to
                            plead to write out the most necessary portions, more especially the
                            beginnings of their speeches, to cover the remainder of that which they
                            are able to prepare by careful premeditation and to trust to
                            improvisation in emergency, a practice regularly adopted by Cicero, as
                            is clear from his note-books. But the notes of other orators are also in
                            circulation; some have been discovered by chance, just as they were
                            jotted down previous to a speech, while others have been edited in book
                            form, <pb n="v10-12 p.151"/> as in the case of the speeches delivered in
                            the courts by Servius Sulpicius, of whose works only three speeches
                            survive. These memoranda, however, of which I am speaking are so
                            carefully drawn up that they seem to me to have been composed by himself
                            for the benefit of posterity. </p></div><div n="31" type="textpart" subtype="section"><p> But Cicero's notes were originally intended merely to meet the
                            requirements of the moment, and were afterwards collected <note anchored="true" place="unspecified"> Or perhaps
                                    <quote>abbreviated.</quote> Tiro was Cicero's friend, freedman
                                and secretary. </note> by Tiro. In making this apology I do not mean
                            to imply that I disapprove of them, but merely wish to make them more
                            worthy of admiration. And in this connexion I must state that I admit
                            the use of brief memoranda and note-books, which may even be held in the
                            hand and referred to from time to time. </p></div><div n="32" type="textpart" subtype="section"><p> But I disapprove of the advice given by Laenas, that we should set down
                            in our note-books, duly tabulated under the appropriate headings,
                            summaries of what we propose to say, even in cases where we have already
                            written it out in full. For reliance on such notes as these makes us
                            careless in learning what we have written and mutilates and deforms our
                            style. For my own part I think that we should never write out anything
                            which we do not intend to commit to memory. For if we do, our thoughts
                            will run back to what we have elaborated in writing and will not permit
                            us to try the fortune of the moment. </p></div><div n="33" type="textpart" subtype="section"><p> Consequently, the mind will waver in doubt between the two alternatives,
                            having forgotten what was committed to writing and being unable to think
                            of anything fresh to say. However, as the topic of memory will be
                            discussed in the next book, I will not introduce it here, as there are
                            other points which require to be dealt with first. </p></div></div></div></div></body></text></TEI>
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