<GetPassage xmlns:tei="http://www.tei-c.org/ns/1.0" xmlns="http://chs.harvard.edu/xmlns/cts">
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                <requestUrn>urn:cts:latinLit:phi1002.phi001.perseus-eng2:1.8.4-1.8.9</requestUrn>
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            <reply>
                <urn>urn:cts:latinLit:phi1002.phi001.perseus-eng2:1.8.4-1.8.9</urn>
                <passage>
                    <TEI xmlns="http://www.tei-c.org/ns/1.0"><text xml:lang="eng"><body><div n="urn:cts:latinLit:phi1002.phi001.perseus-eng2" type="translation" xml:lang="eng"><div n="1" type="textpart" subtype="book"><div n="8" type="textpart" subtype="chapter"><div n="4" type="textpart" subtype="section"><p> There are other points where there is much need of instruction: above
                            all, unformed minds which are liable to be all the more deeply impressed
                            by what they learn in their days of childish <pb n="v1-3 p.149"/>
                            ignorance, must learn not merely what is eloquent; it is even more
                            important that they should study what is morally excellent. </p></div><div n="5" type="textpart" subtype="section"><p> It is therefore an admirable practice which now prevails, to begin by
                            reading Homer and Vergil, although the intelligence needs to be further
                            developed for the full appreciation of their merits: but there is plenty
                            of time for that since the boy will read them more than once. In the
                            meantime let his mind be lifted by the sublimity of heroic verse,
                            inspired by the greatness of its theme and imbued with the loftiest
                            sentiments. </p></div><div n="6" type="textpart" subtype="section"><p> The reading of tragedy also is useful, and lyric poets will provide
                            nourishment for the mind, provided not merely the authors be carefully
                            selected, but also the passages from their works which are to be read.
                            For the Greek lyric poets are often licentious and even in Horace there
                            are passages which I should be unwilling to explain to a class.
                            Elegiacs, however, more especially erotic elegy, and hendecasyllables,
                            which are merely sections of Sotadean verse <note anchored="true" place="unspecified"> One form of Sotadean is ZZZ The Hendecasyllable
                                runs ZZZ,= the Sotadean minus the first three syllables. Both metres
                                were frequently used for indecent lampoons. For Sotades see index.
                            </note> (concerning which latter I need give no admonitions), should be
                            entirely banished, if possible; if not absolutely banished, they should
                            be reserved for pupils of a less impressionable age. As to comedy, whose
                            contribution to eloquence may be of no small importance, </p></div><div n="7" type="textpart" subtype="section"><p> since it is concerned with every kind of character and emotion, I will
                            shortly point out in its due places what use can in my opinion be made
                            of it in the education of boys. As soon as we have no fear of
                            contaminating their morals, it should take its place among the subjects
                            which it is specially desirable to read. I speak of Menander, though I
                            would not exclude others. For Latin authors will also be of some
                            service. </p></div><div n="8" type="textpart" subtype="section"><p> But the <pb n="v1-3 p.151"/> subjects selected for lectures to boys
                            should be those which will enlarge the mind and provide the greatest
                            nourishment to the intellect. Life is quite long enough for the
                            subsequent study of those other subjects which are concerned with
                            matters of interest solely to learned men. But even the old Latin poets
                            may be of great value, in spite of the fact that their strength lies in
                            their natural talent rather than in their art: above all they will
                            contribute richness of vocabulary: for the vocabulary of the tragedians
                            is full of dignity, while in that of the comedians there is a certain
                            elegance and Attic grace. </p></div><div n="9" type="textpart" subtype="section"><p> They are, too, more careful about dramatic structure than the majority
                            of moderns, who regard epigram as the sole merit of every kind of
                            literary work. For purity at any rate and manliness, if I may say so, we
                            must certainly go to these writers, since to-day even our style of
                            speaking is infected with all the faults of modern decadence. </p></div></div></div></div></body></text></TEI>
                </passage>
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