<GetPassage xmlns:tei="http://www.tei-c.org/ns/1.0" xmlns="http://chs.harvard.edu/xmlns/cts">
            <request>
                <requestName>GetPassage</requestName>
                <requestUrn>urn:cts:latinLit:phi1002.phi001.perseus-eng2:1.8.16-1.8.21</requestUrn>
            </request>
            <reply>
                <urn>urn:cts:latinLit:phi1002.phi001.perseus-eng2:1.8.16-1.8.21</urn>
                <passage>
                    <TEI xmlns="http://www.tei-c.org/ns/1.0"><text xml:lang="eng"><body><div n="urn:cts:latinLit:phi1002.phi001.perseus-eng2" type="translation" xml:lang="eng"><div n="1" type="textpart" subtype="book"><div n="8" type="textpart" subtype="chapter"><div n="16" type="textpart" subtype="section"><p> while still greater care is required in teaching all the tropes <note anchored="true" place="unspecified">See Book VIII. chap. vi.</note>
                            which are employed for the adornment more especially of poetry, but of
                            oratory as well, and in making his class acquainted with the two sorts
                            of <hi rend="italic">schemata</hi> or figures known as <hi rend="italic">figures of speech</hi> and <hi rend="italic">figures of
                                thought.</hi>
                        <note anchored="true" place="unspecified"> See Book
                                    <milestone n="9" unit="chapter"/>
                           <milestone n="1" unit="section"/> chaps. i. and ii. A trope is an expression used in a sense which
                                it cannot strictly bear. A figure is a form of speech differing from
                                the ordinary method of expression; see IX i. 4. </note> I shall
                            however <pb n="v1-3 p.155"/> postpone discussion of <hi rend="italic">tropes</hi> and <hi rend="italic">figures</hi> till I come to deal
                            with the various ornaments of style. </p></div><div n="17" type="textpart" subtype="section"><p> Above all he will impress upon their minds the value of proper
                            arrangement, and of graceful treatment of the matter in hand: he will
                            show what is appropriate to the various characters, what is praiseworthy
                            in the thoughts or words, where copious diction is to be commended and
                            where restraint. </p></div><div n="18" type="textpart" subtype="section"><p> In addition to this he will explain the various stories that occur: this
                            must be done with care, but should not be encumbered with superfluous
                            detail. For it is sufficient to set forth the version which is generally
                            received or at any rate rests upon good authority. But to ferret out
                            everything that has ever been said on the subject even by the most
                            worthless of writers is a sign of tiresome pedantry or empty
                            ostentation, and results in delaying and swamping the mind when it would
                            be better employed on other themes. </p></div><div n="19" type="textpart" subtype="section"><p> The man who pores over every page even though it be wholly unworthy of
                            reading, is capable of devoting his attention to the investigation of
                            old wives' tales. And yet the commentaries of teachers of literature are
                            full of such encumbrances to learning and strangely unfamiliar to their
                            own authors. </p></div><div n="20" type="textpart" subtype="section"><p> It is, for instance, recorded that Didymus, who was unsurpassed for the
                            number of books which he wrote, on one occasion objected to some story
                            as being absurd, whereupon one of his own books was produced which
                            contained the story in question. </p></div><div n="21" type="textpart" subtype="section"><p> Such abuses occur chiefly in connexion with fabulous stories and are
                            sometimes carried to ludicrous or even scandalous extremes: for in such
                            cases the more unscrupulous commentator has such full scope for
                            invention, that he can tell lies <pb n="v1-3 p.157"/> to his heart's
                            content about whole books and authors without fear of detection: for
                            what never existed can obviously never be found, whereas if the subject
                            is familiar the careful investigator will often detect the fraud.
                            Consequently I shall count it a merit in a teacher of literature that
                            there should be some things which he does not know.</p></div></div></div></div></body></text></TEI>
                </passage>
            </reply>
            </GetPassage>