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                    <TEI xmlns="http://www.tei-c.org/ns/1.0"><text xml:lang="eng"><body><div n="urn:cts:latinLit:phi1002.phi001.perseus-eng2" type="translation" xml:lang="eng"><div n="1" type="textpart" subtype="book"><div n="10" type="textpart" subtype="chapter"><div n="34" type="textpart" subtype="section"><p> As regards geometry, <note anchored="true" place="unspecified">Geometry
                                here includes all mathematics.</note> it is granted that portions of
                            this science are of value for the instruction of children: for
                            admittedly it exercises their minds, sharpens their wits and generates
                            quickness of perception. But it is considered that the value of geometry
                            resides in the process of learning, and not as with other sciences in
                            the knowledge thus acquired. Such is the general opinion. </p></div><div n="35" type="textpart" subtype="section"><p> But it is not without good reason that some of the greatest men have
                            devoted special attention to this science. Geometry has two divisions;
                            one is concerned with numbers, the other with figures. Now knowledge of
                            the former is a necessity not merely to the orator, but to any one who
                            has had even an elementary education. Such knowledge is frequently
                            required in actual cases, in which a speaker is regarded as deficient in
                            education, I will not say if he hesitates in making a calculation, but
                            even if he contradicts the calculation which he states in words by
                            making an uncertain or inappropriate gesture with his fingers. <note anchored="true" place="unspecified"> There was a separate symbol for
                                each number, depending on the hand used and the position of the
                                fingers. See <hi rend="italic">Class. Review,</hi> 1911, p. 72
                            </note> Again linear geometry is frequently required in cases, as in
                            lawsuits about boundaries and measurements. </p></div><div n="36" type="textpart" subtype="section"><p> But geometry and oratory are related in a yet more important way than
                            this. </p></div><div n="37" type="textpart" subtype="section"><p> In the first place logical development is one of the necessities of
                            geometry. And is it not equally a necessity for oratory? Geometry
                            arrives at its conclusions from definite premises, and by arguing from
                            what is certain proves what was previously uncertain. Is not this just
                            what we do in speaking? Again are not the problems of geometry almost
                            entirely solved by the <pb n="v1-3 p.179"/> syllogistic method, a fact
                            which makes the majority assert that geometry bears a closer resemblance
                            to logic than to rhetoric? But even the orator will sometimes, though
                            rarely, prove his point by formal logic. </p></div><div n="38" type="textpart" subtype="section"><p> For, if necessary, he will use the syllogism, and he will certainly make
                            use of the enthymeme which is a rhetorical form of syllogism. <note anchored="true" place="unspecified"> See v. xiv. I for an example
                                from the <hi rend="italic">Pro Ligario.</hi>
                           <quote> The cause was
                                    then doubtful, as there were arguments on both sides. Now,
                                    however, we must regard that cause as the better, to which the
                                    gods have given their approval. </quote>
                        </note> Further the most
                            absolute form of proof is that which is generally known as linear
                            demonstration. And what is the aim of oratory if not proof? </p></div><div n="39" type="textpart" subtype="section"><p> Again oratory sometimes detects falsehoods closely resembling the truth
                            by the use of geometrical methods. An example of this may be found in
                            connexion with numbers in the so-called pseudographs, a favourite
                            amusement in our boyhood. <note anchored="true" place="unspecified">It
                                is not known to what Quintilian refers.</note> But there are more
                            important points to be considered. Who is there who would not accept the
                            following proposition? <quote> When the lines bounding two figures are
                                equal in length, the areas contained within those lines are equal.
                            </quote> But this is false, for everything depends on the shape of the
                            figure formed by these lines, </p></div><div n="40" type="textpart" subtype="section"><p> and historians have been taken to task by geometricians for believing
                            the time taken to circumnavigate an island to be a sufficient indication
                            of its size. For the space enclosed is in proportion to the perfection
                            of the figure. </p></div><div n="41" type="textpart" subtype="section"><p> Consequently if the bounding line to which we have referred form a
                            circle, the most perfect of all plane figures, it will contain a greater
                            space than if the same length of line took the form of a square, while a
                            square contains a greater space than a triangle having the same total
                            perimeter, and an equilateral triangle than a scalene triangle. </p></div><div n="42" type="textpart" subtype="section"><p> But there are other points which perhaps present greater <pb n="v1-3 p.181"/> difficulty. I will take an example which is easy
                            even for those who have no knowledge of geometry. There is scarcely
                            anyone who does not know that the Roman acre is 240 feet long and 120
                            feet broad, and its total perimeter and the area enclosed can easily be
                            calculated. </p></div><div n="43" type="textpart" subtype="section"><p> But a square of 180 feet gives the same perimeter, yet contains a much
                            larger area within its four sides. If the calculation prove irksome to
                            any of my readers, he can learn the same truth by employing smaller
                            numbers. Take a ten foot square: its perimeter is forty feet and it
                            contains 100 square feet. But if the dimensions be fifteen feet by five,
                            while the perimeter is the same, the area enclosed is less by a quarter.
                        </p></div><div n="44" type="textpart" subtype="section"><p> On the other hand if we draw a parallelogram measuring nineteen feet by
                            one, the number of square feet enclosed will be no greater than the
                            number of linear feet making the actual length of the parallelogram,
                            though the perimeter will be exactly as that of the figure which
                            encloses an area of 100 square feet. Consequently the area enclosed by
                            four lines will decrease in proportion as we depart from the form of a
                            square. </p></div><div n="45" type="textpart" subtype="section"><p> It further follows that it is perfectly possible for the space enclosed
                            to be less, though the perimeter be greater. This applies to plane
                            figures only: for even one who is no mathematician can see that, when we
                            have to consider hills or valleys, the extent of ground enclosed is
                            greater than the sky over it. </p></div><div n="46" type="textpart" subtype="section"><p> But geometry soars still higher to the consideration of the system of
                            the universe: for by its calculations it demonstrates the fixed and
                            ordained courses of the stars, and thereby we acquire the knowledge that
                            all things are ruled by order and destiny, a consideration which may at
                            times be of value to an orator. </p></div><div n="47" type="textpart" subtype="section"><p> When <pb n="v1-3 p.183"/> Pericles dispelled the panic caused at Athens
                            by the eclipse of the sun by explaining the causes of the phenomenon, or
                            Sulpicius Gallus discoursed on the eclipse of the moon to the army of
                            Lucius Paulus to prevent the soldiers being seized with terror at what
                            they regarded as a portent sent by heaven, did not they discharge the
                            function of an orator? </p></div><div n="48" type="textpart" subtype="section"><p> If Nicias had known this when he commanded in Sicily, he would not have
                            shared the terror of his men nor lost the finest army that Athens ever
                            placed in the field. Dion for instance when he came to Syracuse to
                            overthrow the tyranny of Dionysius, was not frightened away by the
                            occurrence of a similar phenomenon. However we are not concerned with
                            the uses of geometry in war and need not dwell upon the fact that
                            Archimedes singlehanded succeeded in appreciably prolonging the
                            resistance of Syracuse when it was besieged. </p></div><div n="49" type="textpart" subtype="section"><p> It will suffice for our purpose that there are a number of problems
                            which it is difficult to solve in any other way, which are as a rule
                            solved by these linear demonstrations, such as the method of division,
                            section to infinity, <note anchored="true" place="unspecified">
                                Quintilian is perhaps referring to the measurement of the area of an
                                irregular figure by dividing it into a number of small equal and
                                regular figures the size of which was calculable. </note> and the
                            ratio of increase in velocity. From this we may conclude that, if as we
                            shall show in the next book an orator has to speak on every kind of
                            subject, he can under no circumstances dispense with a knowledge of
                            geometry. </p></div></div><div n="11" type="textpart" subtype="section"><div n="1" type="textpart" subtype="section"><p>
                            XI. The comic actor will also claim a certain amount of our
                            attention, but only in so far as our future orator must be a master of
                            the art of delivery. For I do not of course wish the boy, whom we are
                            training to this end, to talk with the shrillness of a woman or in the
                            tremulous accents of old age. </p></div><div n="2" type="textpart" subtype="section"><p> Nor for that matter must he ape the vices of the <pb n="v1-3 p.185"/>
                            drunkard, or copy the cringing manners of a slave, or learn to express
                            the emotions of love, avarice or fear. Such accomplishments are not
                            necessary to an orator and corrupt the mind, especially while it is
                            still pliable and unformed. For repeated imitation passes into habit.
                        </p></div><div n="3" type="textpart" subtype="section"><p> Nor yet again must we adopt all the gestures and movements of the actor.
                            Within certain limits the orator must be a master of both, but he must
                            rigorously avoid staginess and all extravagance of facial expression,
                            gesture and gait. For if an orator does command a certain art in such
                            matters, its highest expression will be in the concealment of its
                            existence. What then is the duty of the teacher whom we have borrowed
                            from the stage? </p></div><div n="4" type="textpart" subtype="section"><p> In the first place he must correct all faults of pronunciation, and see
                            that the utterance is distinct, and that each letter has its proper
                            sound. There is an unfortunate tendency in the case of some letters to
                            pronounce them either too thinly or too fully, while some we find too
                            harsh and fail to pronounce sufficiently, substituting others whose
                            sound is similar but somewhat duller. </p></div></div></div></div></body></text></TEI>
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