<GetPassage xmlns:tei="http://www.tei-c.org/ns/1.0" xmlns="http://chs.harvard.edu/xmlns/cts">
            <request>
                <requestName>GetPassage</requestName>
                <requestUrn>urn:cts:latinLit:phi1002.phi001.perseus-eng2:1.10.1-1.10.6</requestUrn>
            </request>
            <reply>
                <urn>urn:cts:latinLit:phi1002.phi001.perseus-eng2:1.10.1-1.10.6</urn>
                <passage>
                    <TEI xmlns="http://www.tei-c.org/ns/1.0"><text xml:lang="eng"><body><div n="urn:cts:latinLit:phi1002.phi001.perseus-eng2" type="translation" xml:lang="eng"><div n="1" type="textpart" subtype="book"><div n="10" type="textpart" subtype="chapter"><div n="1" type="textpart" subtype="section"><p> I have made my remarks on this stage of education as brief as possible,
                            making no attempt to say everything, (for the theme is infinite), but
                            confining myself to the most necessary points. I will now proceed
                            briefly to discuss the remaining arts in which I think boys ought to be
                            instructed before being handed over to the teacher of rhetoric: for it
                                <pb n="v1-3 p.161"/> is by such studies that the course of education
                            described by the Greeks as <foreign xml:lang="grc">ἐγκύκλιος
                                παιδεία</foreign> or general education will be brought to its full
                            completion. </p></div><div n="2" type="textpart" subtype="section"><p> For there are other subjects of education which must be studied
                            simultaneously with literature. These being independent studies are
                            capable of completion without a knowledge of oratory, while on the other
                            hand they cannot by themselves produce an orator. The question has
                            consequently been raised as to whether they are necessary for this
                            purpose. </p></div><div n="3" type="textpart" subtype="section"><p> What, say some, has the knowledge of the way to describe an equilateral
                            triangle on a given straight line got to do with pleading in the
                            law-courts or speaking in the senate? Will an acquaintance with the
                            names and intervals of the notes of the lyre help an orator to defend a
                            criminal or direct the policy of his country? </p></div><div n="4" type="textpart" subtype="section"><p> They will perhaps produce a long list of orators who are most effective
                            in the courts but have never sat under a geometrician and whose
                            understanding of music is confined to the pleasure which their ears,
                            like those of other men, derive from it. To such critics I reply, and
                            Cicero frequently makes the same remark in his Orator, that I am not
                            describing any orator who actually exists or has existed, but have in my
                            mind's eye an ideal orator, perfect down to the smallest detail. </p></div><div n="5" type="textpart" subtype="section"><p> For when the philosophers describe the ideal sage who is to be
                            consummate in all knowledge and a very god incarnate, as they say, they
                            would have him receive instruction not merely in the knowledge of things
                            human and divine, but would also lead him through a course of subjects,
                            which in themselves are comparatively trivial, as for instance the
                            elaborate subtleties of formal logic: not that acquaintance <pb n="v1-3 p.163"/> with the so called <quote>horn</quote>
                        <note anchored="true" place="unspecified"> You have what you have not
                                lost: you have not lost horns: therefore you have horns. </note> or
                                <quote>crocodile</quote>
                        <note anchored="true" place="unspecified"> A
                                crocodile, having seized a woman's son, said that he would restore
                                him, if she would tell him the truth. She replied, <quote>You will
                                    not restore him.</quote>
                           <hi rend="italic">Was</hi> it the
                                crocodile's duty to give him up? </note> problems can make a man
                            wise, but because it is important that he should never trip even in the
                            smallest trifles. </p></div><div n="6" type="textpart" subtype="section"><p> So too the teacher of geometry, music or other subjects which I would
                            class with these, will not be able to create the perfect orator (who
                            like the philosopher ought to be a wise man), but none the less these
                            arts will assist in his perfection. I may draw a parallel from the use
                            of antidotes and other remedies applied to the eyes or to wounds. We
                            know that these are composed of ingredients which produce many and
                            sometimes contrary effects, but mixed together they make a single
                            compound resembling no one of its component parts, but deriving its
                            peculiar properties from all: </p></div></div></div></div></body></text></TEI>
                </passage>
            </reply>
            </GetPassage>