<GetPassage xmlns:tei="http://www.tei-c.org/ns/1.0" xmlns="http://chs.harvard.edu/xmlns/cts">
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                <requestUrn>urn:cts:latinLit:phi0893.phi004.perseus-eng2:1.4.1</requestUrn>
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                <urn>urn:cts:latinLit:phi0893.phi004.perseus-eng2:1.4.1</urn>
                <passage>
                    <TEI xmlns="http://www.tei-c.org/ns/1.0"><text xml:lang="en"><body><div xml:lang="lat" type="edition" n="urn:cts:latinLit:phi0893.phi004.perseus-eng2"><div type="textpart" n="1" subtype="book"><div type="textpart" n="4" subtype="poem"><div type="textpart" n="1" subtype="card"><p>THE poets Eupolis, and Cratinus, and Aristophanes, and others, who are authors of the
      ancient comedy,<note anchored="true" n="33" resp="ed. Dubl."><p><cit><quote xml:lang="lat">Comoedia prisca</quote><bibl n="Hor. S. 1.4.2"/></cit>. Comedy was divided into ancient and modern. In the first, the subject and the names
        of the actors were real. In the second, the drama was formed on history, but the names of
        the actors were invented. In the third, both the story and actors were formed by the
       poet.</p></note> if there was any person deserving to be distinguished for being a rascal or a thief,
      an adulterer or a cut-throat, or in any shape an infamous fellow, branded him with great
      freedom. Upon these [models] Lucilius entirely depends, having imitated them, changing only
      their feet<note anchored="true" n="34" resp="Fran"><p><cit><quote xml:lang="lat">Mutatis pedibus</quote><bibl n="Hor. S. 1.4.8"/></cit>. Ennius and Pacuvius had written satires before Lucilius. He was rather the restorer
        than inventor of this kind of poetry; he formed himself upon the Grecian comedy, and only
        changed the measure of his verse, hexameter for iambics.</p></note> and numbers: a man of wit, of great keenness,<note anchored="true" n="35" resp="Fran"><p><cit><quote xml:lang="lat">Emunctae naris</quote><bibl n="Hor. S. 1.4.8"/></cit>. Of a sagacious, penetrating genius, to discover the follies of mankind, and of an
        agreeable, spirited, raillery, to turn them into ridicule, <foreign xml:lang="lat">facetus</foreign>. Such is the character of Lucilius by <placeName key="tgn,2068515">Cicero</placeName> and Quintilian: <foreign xml:lang="lat">perurbanum</foreign> and <foreign xml:lang="lat">abunde salis</foreign>.</p></note> inelegant in the composition of verse: for in this respect he was faulty; he would
      often, as a great feat, dictate two hundred verses in an hour, standing in the same position.
      As he flowed muddily, there was [always] something that one would wish to remove; he was
      verbose, and too lazy to endure the fatigue of writing-of writing accurately: for, with regard
      to the quantity [of his works], I make no account of it. See! Crispinus challenges me even for
      ever so little a wager.<note anchored="true" n="36" resp="San"><p><cit><quote xml:lang="lat">Minimo me provocat</quote><bibl n="Hor. S. 1.4.14"/></cit>. We should understand <foreign xml:lang="lat">pignore</foreign> or <foreign xml:lang="lat">pretio</foreign>; nor is there any instance in the Latin tongue of <foreign xml:lang="lat">provocare minimo digito</foreign>, as the commentators explain it. A man well assured of
        the truth of what he asserts, is willing to bet a large wager against a small one, which
         <placeName key="tgn,2399199">Horace</placeName> means by minimo provocare.</p></note> Take, if you dare, take your tablets, and I will take mine; let there be a place, a
      time, and persons appointed to see fair play: let us see who can write the most. The gods have
      done a good part by me, since they have framed me of an humble and meek disposition, speaking
      but seldom, briefly: but do you, [Crispinus,] as much as you will, imitate air which is shut
      up in leathern bellows, perpetually puffing till the fire softens the iron. Fannius is a happy
      man, who, of his own accord, has presented his manuscripts<note anchored="true" n="37" resp="Dac,San"><p><cit><quote xml:lang="lat">Ultro delatis capsis.</quote><bibl n="Hor. S. 1.4.21"/></cit> When a poet was generally esteemed, his works and his statue were placed in the
        public libraries. But <placeName key="tgn,2399199">Horace</placeName> congratulates Fannius
        upon the happiness of finding a method of immortalizing his name, without being obliged to
        pass through the usual forms. He thought he had a right to take an honor, which he was
        conscious he deserved, and perhaps imagined it a proper manner of resenting the public
        insensibility of his merit.</p></note> and picture [to the Palatine Apollo]; when not a soul will peruse my writings, who am
      afraid to rehearse in public, on this account, because there are certain persons who can by no
      means relish this kind [of satiric writing], as there are very many who deserve censure.
      Single any man out of the crowd; he either labors under a covetous disposition, or under
      wretched ambition. One is mad in love with married women, another with youths; a third the
      splendor of silver captivates: Albius is in raptures with brass; another exchanges his
      merchandize from the rising sun, even to that with which the western regions are warmed: but
      he is hurried headlong through dangers, as dust wrapped up in a whirlwind; in dread lest he
      should lose any thing out of his capital, or [in hope] that he may increase his store. All
      these are afraid of verses, they hate poets. "He has hay on his horn,<note anchored="true" n="38" resp="ed. Dubl"><p><cit><quote xml:lang="lat">Faenum habet in cornu.</quote><bibl n="Hor. S. 1.4.34"/></cit> A metaphorical expression taken from a custom of tying hay on the horns of a
        mischievous bull. The laws of the Twelve Tables ordered, that the owner of the beast should
        pay for what damages it committed, or deliver it to the person injured. <quote xml:lang="lat">Si
         quadrupes pauperiem faxit, dominus sarcito, noxaeve dedito.</quote>
                           </p></note> [they cry;] avoid him at a great distance: if he can but raise a laugh for his own
      diversion, he will not spare any friend: and whatever he has once blotted upon his paper, he
      will take a pleasure in letting all the boys and old women know, as they return from the
      bakehouse or the lake." But, come on, attend to a few words on the other side of the question.
       
</p></div></div></div></div></body></text></TEI>
                </passage>
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