<GetPassage xmlns:tei="http://www.tei-c.org/ns/1.0" xmlns="http://chs.harvard.edu/xmlns/cts">
            <request>
                <requestName>GetPassage</requestName>
                <requestUrn>urn:cts:latinLit:phi0134.phi002.perseus-eng2:842-874</requestUrn>
            </request>
            <reply>
                <urn>urn:cts:latinLit:phi0134.phi002.perseus-eng2:842-874</urn>
                <passage>
                    <TEI xmlns="http://www.tei-c.org/ns/1.0"><text xml:lang="en"><body><div xml:lang="eng" type="translation" n="urn:cts:latinLit:phi0134.phi002.perseus-eng2"><div type="textpart" n="842" subtype="card"><stage>Enter MENEDEMUS from his house.</stage><sp><speaker>MENEDEMUS</speaker><p><stage>to CLINIA within.</stage> My son, I now think myself the happiest
                            of all men, since I find that you have returned to a rational mode of
                            life.</p></sp><sp><speaker>CHREMES</speaker><p><stage>aside.</stage> How much he is mistaken!</p></sp><sp><speaker>MENEDEMUS</speaker><p> Chremes, you are the very person I wanted; preserve, so far as in you
                            lies, my son, myself, and my family.</p></sp><sp><speaker>CHREMES</speaker><p> Tell me what you would have me do.</p></sp><sp><speaker>MENEDEMUS</speaker><p> You have this day found a daughter.</p></sp><sp><speaker>CHREMES</speaker><p> What then?</p></sp><sp><speaker>MENEDEMUS</speaker><p> Clinia wishes her to be given him for a wife.</p></sp><sp><speaker>CHREMES</speaker><p> Prithee, what kind of a person are you?</p></sp><sp><speaker>MENEDEMUS</speaker><p> Why?</p></sp><sp><speaker>CHREMES</speaker><p> Have you already forgotten what passed between us, concerning a scheme,
                            that by that method some money might be got out of you?</p></sp><sp><speaker>MENEDEMUS</speaker><p> I remember.</p></sp><sp><speaker>CHREMES</speaker><p> That self-same thing they are now about.</p></sp><sp><speaker>MENEDEMUS</speaker><p> What do you tell me, Chremes? Why surely, this Courtesan, who is at my
                            house, is Clitipho's mistress.</p></sp><sp><speaker>CHREMES</speaker><p> So they say, and you believe it all; and they say that he is desirous of
                            a wife, in order that, when I have betrothed her, you may give him
                            money, with which to provide gold trinkets and clothing, and other
                            things that are requisite.</p></sp><sp><speaker>MENEDEMUS</speaker><p> That is it, no doubt; that money will be given to his mistress.</p></sp><sp><speaker>CHREMES</speaker><p> Of course it is to be given.</p></sp><sp><speaker>MENEDEMUS</speaker><p> Alas! in vain then, unhappy man, have I been overjoyed; still however, I
                            had rather any thing than be deprived of him. What answer now shall I
                            report from you, Chremes, so that he may not perceive that I have found
                            it out, and take it to heart?</p></sp><sp><speaker>CHREMES</speaker><p> To heart, indeed! you are too indulgent to him, Menedemus. </p></sp><sp><speaker>MENEDEMUS</speaker><p> Let me go on; I have now begun: assist me in this throughout,
                            Chremes.</p></sp><sp><speaker>CHREMES</speaker><p> Say then, that you have seen me, and have treated about the
                            marriage.</p></sp><sp><speaker>MENEDEMUS</speaker><p> I'll say so—what then?</p></sp><sp><speaker>CHREMES</speaker><p> That I will do every thing; that as a son-in-law he meets my
                            approbation; in fine, too, if you like, tell him also that she has been
                            promised him.</p></sp><sp><speaker>MENEDEMUS</speaker><p> Well, that's what I wanted—</p></sp><sp><speaker>CHREMES</speaker><p> That he may the sooner ask of you, and you may as soon as possible give
                            him what you wish.</p></sp><sp><speaker>MENEDEMUS</speaker><p> It is my wish.</p></sp><sp><speaker>CHREMES</speaker><p> Assuredly, before very long, according as I view this matter, you'll
                            have enough of him. But, however that may be, if you are wise, you'll
                            give to him cautiously, and a little at a time.</p></sp><sp><speaker>MENEDEMUS</speaker><p> I'll do so.</p></sp><sp><speaker>CHREMES</speaker><p> Go in-doors and see how much he requires. I shall be at home, if you
                            should want me for any thing.</p></sp><sp><speaker>MENEDEMUS</speaker><p> I certainly do want you; for I shall let you know whatever I do.
                                <stage>They go into their respective houses.</stage>
                        </p></sp></div><milestone unit="act" n="5"/><milestone unit="scene" n="1"/><div type="textpart" n="874" subtype="card"><stage>Enter MENEDEMUS from his house.</stage><sp><speaker>MENEDEMUS</speaker><p><stage>to himself.</stage> I am quite aware that I am not so overwise,
                            or so very quick-sighted; but this assistant, prompter, and
                                director<milestone n="875" unit="line"/>
                     <note anchored="true"><q>Assistant, prompter, and director</q>:
                                The three terms here used are borrowed from the stage. "Adjutor" was
                                the person who assisted the performers either by voice or gesture;
                                "monitor" was the prompter; and "praemonstrator" was the person who
                                in the rehearsal trained the actor in his part.</note> of mine,
                            Chremes, outdoes me in that. Any one of those epithets which are applied
                            to a fool is suited to myself, such as dolt, post, ass,<milestone n="877" unit="line"/>
                     <note anchored="true"><q>Dolt post, ass</q>: There is a similar passage in the
                                Bacchides of Plautus, 1. 1087. "Whoever there are in any place
                                whatsoever, whoever have been, and whoever shall be in time to come,
                                fools, blockheads, idiots, dolts, sots, oafs, lubbers, I singly by
                                far exceed them all in folly and absurd ways."</note> lump of lead;
                            to him not one can apply; his stupidity surpasses them all. <stage>Enter
                                CHREMES, speaking to SOSTRATA within.</stage>
                  </p></sp><sp><speaker>CHREMES</speaker><p> Hold now, do, wife, leave off dinning the Gods with thanksgivings that
                            your daughter has been discovered; unless you judge of them by your own
                            disposition, and think that they understand nothing, unless the same
                            thing has been told them a hundred times. But, in the mean time, why
                            does my son linger there so long with Syrus?</p></sp><sp><speaker>MENEDEMUS</speaker><p> What persons do you say are lingering?</p></sp><sp><speaker>CHREMES</speaker><p> Ha! Menedemus, you have come opportunely. Tell me, have you told Clinia
                            what I said?</p></sp><sp><speaker>MENEDEMUS</speaker><p> Every thing.</p></sp><sp><speaker>CHREMES</speaker><p> What did he say?</p></sp><sp><speaker>MENEDEMUS</speaker><p> He began to rejoice, just like people do who wish to be married.</p></sp><sp><speaker>CHREMES</speaker><p><stage>laughing.</stage> Ha! ha! ha!</p></sp><sp><speaker>MENEDEMUS</speaker><p> Why are you laughing?</p></sp><sp><speaker>CHREMES</speaker><p> The sly tricks of my servant, Syrus, just came into my mind.</p></sp><sp><speaker>MENEDEMUS</speaker><p> Did they?</p></sp><sp><speaker>CHREMES</speaker><p> The rogue can even mould the countenances of people.<note anchored="true">Mould the countenances of people—Ver. 887. He means that Syrus not
                                only lays his plots well, but teaches the performers to put on
                                countenances suitable to the several parts they are to
                            act.</note>
                  </p></sp><sp><speaker>MENEDEMUS</speaker><p> That my son is pretending that he is overjoyed, is it that you mean?</p></sp><sp><speaker>CHREMES</speaker><p> Just so. <stage>Laughing.</stage>
                  </p></sp><sp><speaker>MENEDEMUS</speaker><p> The very same thing came into my mind.</p></sp><sp><speaker>CHREMES</speaker><p> A crafty knave!</p></sp><sp><speaker>MENEDEMUS</speaker><p> Still more would you think such to be the fact, if you knew more.</p></sp><sp><speaker>CHREMES</speaker><p> Do you say so?</p></sp><sp><speaker>MENEDEMUS</speaker><p> Do you give attention then?</p></sp><sp><speaker>CHREMES</speaker><p> Just stop—first I want to know this, what money you have squandered;
                            for when you told your son that she was promised, of course Dromo would
                            at once throw in a word that golden jewels, clothes, and attendants
                            would be needed for the bride, in order that you might give the
                            money.</p></sp><sp><speaker>MENEDEMUS</speaker><p> No.</p></sp><sp><speaker>CHREMES</speaker><p> How, no?</p></sp><sp><speaker>MENEDEMUS</speaker><p> No, I tell you.</p></sp><sp><speaker>CHREMES</speaker><p> Nor yet your son himself?</p></sp><sp><speaker>MENEDEMUS</speaker><p> Not in the slightest, Chremes. He was only the more pressing on this one
                            point, that the match might be concluded to-day.</p></sp><sp><speaker>CHREMES</speaker><p> You say what's surprising. What did my servant Syrus do? Didn't even he
                            say any thing?</p></sp><sp><speaker>MENEDEMUS</speaker><p> Nothing at all.</p></sp><sp><speaker>CHREMES</speaker><p> For what reason, I don't know.</p></sp><sp><speaker>MENEDEMUS</speaker><p> For my part, I wonder at that, when you know other things so well. But
                            this same Syrus has moulded your son,<milestone n="898" unit="line"/>
                     <note anchored="true"><q>Has moulded your
                                    son</q>: "Mire finxit." He sarcastically uses the same word,
                                "fingo," which Chremes himself employed in 1. 887.</note> too, to
                            such perfection, that there could not be even the slightest suspicion
                            that she is Clinia's mistress!</p></sp><sp><speaker>CHREMES</speaker><p> What do you say?</p></sp><sp><speaker>MENEDEMUS</speaker><p> Not to mention, then, their kissing and embracing; that I count
                            nothing.</p></sp><sp><speaker>CHREMES</speaker><p> What more could be done to carry on the cheat?</p></sp><sp><speaker>MENEDEMUS</speaker><p> Pshaw!</p></sp><sp><speaker>CHREMES</speaker><p> What do you mean?</p></sp><sp><speaker>MENEDEMUS</speaker><p> Only listen. In the inner part of my house there is a certain room at
                            the back; into this a bed was brought, and was made up with
                            bed-clothes.</p></sp><sp><speaker>CHREMES</speaker><p> What took place after this?</p></sp><sp><speaker>MENEDEMUS</speaker><p> No sooner said than done, thither went Clitipho.</p></sp><sp><speaker>CHREMES</speaker><p> Alone?</p></sp><sp><speaker>MENEDEMUS</speaker><p> Alone.</p></sp><sp><speaker>CHREMES</speaker><p> I'm alarmed.</p></sp><sp><speaker>MENEDEMUS</speaker><p> Bacchis followed directly.</p></sp><sp><speaker>CHREMES</speaker><p> Alone?</p></sp><sp><speaker>MENEDEMUS</speaker><p> Alone.</p></sp><sp><speaker>CHREMES</speaker><p> I'm undone!</p></sp><sp><speaker>MENEDEMUS</speaker><p> When they had gone into the room, they shut the door.</p></sp><sp><speaker>CHREMES</speaker><p> Well—did Clinia see all this going on? </p></sp><sp><speaker>MENEDEMUS</speaker><p> How shouldn't he? He was with me.</p></sp><sp><speaker>CHREMES</speaker><p> Bacchis is my son's mistress, Menedemus I'm undone.</p></sp><sp><speaker>MENEDEMUS</speaker><p> Why so?</p></sp><sp><speaker>CHREMES</speaker><p> I have hardly substance to suffice for ten days.<milestone n="909" unit="line"/>
                     <note anchored="true"><q>Substance
                                    to suffice for ten days</q>: "Familia" here means
                                "property," as producing sustenance. Colman, however, has translated the passage: "Mine
                                is scarce a ten-days' family."</note>
                  </p></sp><sp><speaker>MENEDEMUS</speaker><p> What! are you alarmed at it, because he is paying attention to his
                            friend?</p></sp><sp><speaker>CHREMES</speaker><p> His "she-friend" rather.<milestone n="911" unit="line"/>
                     <note anchored="true"><q>His she-friend rather</q>:
                                Menedemus speaks of "amico," a male friend, which Chremes plays upon
                                by saying "amicae," which literally meant a she-friend, and was the
                                usual name by which decent people called a mistress.</note>
                  </p></sp><sp><speaker>MENEDEMUS</speaker><p> If he really is paying it.</p></sp><sp><speaker>CHREMES</speaker><p> Is it a matter of doubt to you? Do you suppose that there is any person
                            of so accommodating and tame a spirit as to suffer his own mistress,
                            himself looking on, to—</p></sp><sp><speaker>MENEDEMUS</speaker><p><stage>chuckling and speaking ironically.</stage> Why not? That I may be
                            imposed upon the more easily.</p></sp><sp><speaker>CHREMES</speaker><p> Do you laugh at me? You have good reason. How angry I now am with
                            myself! How many things gave proof, whereby, had I not been a stone, I
                            might have been fully sensible of this? What was it I saw? Alas! wretch
                            that I am! But assuredly they shall not escape my vengeance if I live;
                            for this instant—</p></sp><sp><speaker>MENEDEMUS</speaker><p> Can you not contain yourself? Have you no respect for yourself? Am I not
                            a sufficient example to you?</p></sp><sp><speaker>CHREMES</speaker><p> For very anger, Menedemus, I am not myself.</p></sp><sp><speaker>MENEDEMUS</speaker><p> For you to talk in that manner! Is it not a shame for you to be giving
                            advice to others, to show wisdom abroad and yet be able to do nothing
                            for yourself?</p></sp><sp><speaker>CHREMES</speaker><p> What shall I do?</p></sp><sp><speaker>MENEDEMUS</speaker><p> That which you said I failed to do: make him sensible that you are his
                            father; make him venture to intrust every thing to you, to seek and to
                            ask of you; so that he may look for no other resources and forsake
                                you.<milestone n="924" unit="line"/>
                     <note anchored="true"><q>And forsake you</q>: Madame Dacier observes
                                here, that one of the great beauties of this Scene consists in
                                Chremes retorting on Menedemus the very advice given by himself at
                                the beginning of the Play.</note>
                        </p></sp><sp><speaker>CHREMES</speaker><p> Nay, I had much rather he would go any where in the world, than by his
                            debaucheries here reduce his father to beggary! For if I go on supplying
                            his extravagance, Menedemus, in that case my circumstances will
                            undoubtedly be soon reduced to the level of your rake.</p></sp><sp><speaker>MENEDEMUS</speaker><p> What evils you will bring upon yourself in this affair, if you don't act
                            with caution! You'll show yourself severe, and still pardon him at last;
                            that too with an ill grace.</p></sp><sp><speaker>CHREMES</speaker><p> Ah! you don't know how vexed I am.</p></sp><sp><speaker>MENEDEMUS</speaker><p> Just as you please. What about that which I desire—that she may be
                            married to my son? Unless there is any other step that you would
                            prefer.</p></sp><sp><speaker>CHREMES</speaker><p> On the contrary, both the son-in-law and the connection are to my
                            taste.</p></sp><sp><speaker>MENEDEMUS</speaker><p> What portion shall I say that you have named for your daughter? Why are
                            you silent?</p></sp><sp><speaker>CHREMES</speaker><p> Portion?</p></sp><sp><speaker>MENEDEMUS</speaker><p> I say so.</p></sp><sp><speaker>CHREMES</speaker><p> Alas!</p></sp><sp><speaker>MENEDEMUS</speaker><p> Chremes, don't be at all afraid to speak, if it is but a small one. The
                            portion is no consideration at all with us.</p></sp><sp><speaker>CHREMES</speaker><p> I did think that two talents were sufficient, according to my means. But
                            if you wish me to be saved, and my estate and my son, you must say to
                            this effect, that I have settled all my property on her as her
                            portion.</p></sp><sp><speaker>MENEDEMUS</speaker><p> What scheme are you upon?</p></sp><sp><speaker>CHREMES</speaker><p> Pretend that you wonder at this, and at the same time ask him the reason
                            why I do so.</p></sp><sp><speaker>MENEDEMUS</speaker><p> Why, really, I can't conceive the reason for your doing so.</p></sp><sp><speaker>CHREMES</speaker><p> Why do I do so? To check his feelings, which are now hurried away by
                            luxury and wantonness, and to bring him down so as not to know which way
                            to turn himself.</p></sp><sp><speaker>MENEDEMUS</speaker><p> What is your design?</p></sp><sp><speaker>CHREMES</speaker><p> Let me alone, and give me leave to have my own way in this matter.</p></sp><sp><speaker>MENEDEMUS</speaker><p> I do give you leave: is this your desire</p></sp><sp><speaker>CHREMES</speaker><p> It is so.</p></sp><sp><speaker>MENEDEMUS</speaker><p> Then be it so. </p></sp><sp><speaker>CHREMES</speaker><p> And now let your son prepare to fetch the bride. The other one shall be
                            schooled in such language as befits children. But Syrus—</p></sp><sp><speaker>MENEDEMUS</speaker><p> What of him?</p></sp><sp><speaker>CHREMES</speaker><p> What? If I live, I will have him so handsomely dressed, so well combed
                            out, that he shall always remember me as long as he lives; to imagine
                            that I'm to be a laughing-stock and a plaything for him! So may the Gods
                            bless me! he would not have dared to do to a widow-woman the things
                            which he has done to me.<milestone n="954" unit="line"/>
                     <note anchored="true"><q>Which he has done to me</q>:
                                    Colman has the
                                following Note: "The departure of Menedemus here is very abrupt,
                                seeming to be in the midst of a conversation; and his re-entrance
                                with Clitipho, already supposed to be apprised of what has passed
                                between the two old gentlemen, is equally precipitate. Menage
                                imagines that some verses are lost here. Madame Dacier strains hard
                                to defend the Poet, and fills up the void of time by her old
                                expedient of making the Audience wait to see Chremes walk
                                impatiently to and fro, till a sufficient time is elapsed for
                                Menedemus to have given Clitipho a summary account of the cause of
                                his father's anger. The truth is, that a too strict observance of
                                the unity of place will necessarily produce such absurdities; and
                                there are several other instances of the like nature in
                                Terence."</note>
                            <stage>They go into their respective houses.</stage>
                  </p></sp></div></div></body></text></TEI>
                </passage>
            </reply>
            </GetPassage>