<GetPassage xmlns:tei="http://www.tei-c.org/ns/1.0" xmlns="http://chs.harvard.edu/xmlns/cts">
            <request>
                <requestName>GetPassage</requestName>
                <requestUrn>urn:cts:latinLit:phi0134.phi002.perseus-eng2:723-749</requestUrn>
            </request>
            <reply>
                <urn>urn:cts:latinLit:phi0134.phi002.perseus-eng2:723-749</urn>
                <passage>
                    <TEI xmlns="http://www.tei-c.org/ns/1.0"><text xml:lang="en"><body><div xml:lang="eng" type="translation" n="urn:cts:latinLit:phi0134.phi002.perseus-eng2"><div type="textpart" n="723" subtype="card"><stage>Enter BACCHIS and PHRYGIA, from
                        the house of CHREMES.</stage><sp><speaker>BACCHIS.</speaker><p><stage>pretending not to see CLINIA and SYRUS.</stage> To a very fine
                                purpose,<milestone n="723" unit="line"/>
                     <note anchored="true"><q>To a very fine purpose</q>: " Satis
                                pol proterve," &amp;c. C. Laelius was said to have assisted
                                Terence in the composition of his Plays, and in confirmation of
                                this, the following story is told by Cornelius Nepos: " C. Laelius,
                                happening to pass the Matronalia [a Festival on the first of March,
                                when the husband, for once in the year, was bound to obey the wife]
                                at his villa near <placeName key="perseus,Puteoli">Puteoli</placeName>, was told that dinner was waiting, but
                                still neglected the summons. At last, when he made his appearance,
                                he excused himself by saying that he had been in a particular vein
                                of composition, and quoted certain lines which occur in the
                                Heautontimorumenos, namely, those beginning ' Satis pol proterve me
                                Syri promissa hue induxerunt.'"</note> upon my faith, have the
                            promises of Syrus brought me hither, who agreed to lend me ten minae. If
                            now he deceives me, oft as he may entreat me to come, he shall come in
                            vain. Or else, when I've promised to come, and fixed the time, when he
                            has carried word back for certain, and Clitipho is on the stretch of
                            expectation, I'll disappoint him and not come. Syrus will make atonement
                            to me with his back.</p></sp><sp><speaker>CLINIA</speaker><p><stage>apart, to SYRUS.</stage> She promises you very fairly. </p></sp><sp><speaker>SYRUS</speaker><p><stage>to CLINIA.</stage> But do you think she is in jest? She'll do it,
                            if I don't take care.</p></sp><sp><speaker>BACCHIS.</speaker><p><stage>aside.</stage> They're asleep<milestone n="730" unit="line"/>
                     <note anchored="true"><q>They're asleep</q>:
                                "Dormiunt." This is clearly used figuratively, though Hedelin
                                interprets it literally.</note>—I'faith, I'll rouse them.
                                <stage>Aloud.</stage> My dear Phrygia, did you hear about the country-seat of
                            Charinus, which that man was showing us just now ?</p></sp><sp><speaker>PHRYGIA</speaker><p> I heard of it.</p></sp><sp><speaker>BACCHIS.</speaker><p><stage>aloud.</stage> That it was the next to the farm here on the
                            right-hand side.<milestone n="732" unit="line"/>
                     <note anchored="true"><q>Farm here on the right-hand side</q>:
                                Cooke suggests that the Poet makes Bacchis call the house of
                                Charinus "villa," and that of Chremes "fundus" (which signifies " a
                                farm-house," or "farm"), for the purpose of exalting the one and
                                depreciating the other in the hearing of Syrus.</note>
                  </p></sp><sp><speaker>PHRYGIA</speaker><p> I remember.</p></sp><sp><speaker>BACCHIS.</speaker><p><stage>aloud.</stage> Run thither post-haste; the Captain is keeping the
                            feast of <persName>Bacchus</persName>
                     <milestone n="733" unit="line"/>
                     <note anchored="true"><q>The feast of <persName>Bacchus</persName>
                        </q>: This passage goes far to prove
                                that the Dionysia here mentioned as being celebrated, were those
                                    <foreign xml:lang="grc">κάτ</foreign> or the " rural
                                Dionysia."</note> at his house.</p></sp><sp><speaker>SYRUS</speaker><p><stage>apart.</stage> What is she going to be at?</p></sp><sp><speaker>BACCHIS.</speaker><p><stage>aloud.</stage> Tell him I am here very much against my
                            inclination, and am detained; but that by some means or other I'll give
                            them the slip and come to him. <stage>PHRYGIA moves.</stage>
                  </p></sp><sp><speaker>SYRUS</speaker><p><stage>coming forward.</stage> Upon my faith, I'm ruined! Bacchis, stay,
                            stay; prithee, where are you sending her ? Order her to stop.</p></sp><sp><speaker>BACCHIS.</speaker><p><stage>to PHRYGIA.</stage> Be off.</p></sp><sp><speaker>SYRUS</speaker><p> Why, the money's ready.</p></sp><sp><speaker>BACCHIS.</speaker><p> Why, then I'll stay. <stage>PHRYGIA returns.</stage>
                  </p></sp><sp><speaker>SYRUS</speaker><p> And it will be given you presently.</p></sp><sp><speaker>BACCHIS.</speaker><p> Just when you please; do I press you ?</p></sp><sp><speaker>SYRUS</speaker><p> But do you know what you are to do, pray?</p></sp><sp><speaker>BACCHIS.</speaker><p> What ?</p></sp><sp><speaker>SYRUS</speaker><p> You must now go over to the house of Menedemus, and your equipage must
                            be taken over thither.</p></sp><sp><speaker>BACCHIS.</speaker><p> What scheme are you upon, you rascal?</p></sp><sp><speaker>SYRUS</speaker><p> What, I ? Coining money to give you.</p></sp><sp><speaker>BACCHIS.</speaker><p> Do you think me a proper person for you to play upon ? </p></sp><sp><speaker>SYRUS</speaker><p> It's not without a purpose.</p></sp><sp><speaker>BACCHIS.</speaker><p><stage>pointing to the house.</stage> Why, have I any business then with
                            you here?</p></sp><sp><speaker>SYRUS</speaker><p> O no; I'm only going to give you what's your own.</p></sp><sp><speaker>BACCHIS.</speaker><p> Then let's be going.<milestone n="742" unit="line"/>
                     <note anchored="true"><q>Let's be going</q>:
                                    Colman here remarks to
                                the following effect: "There is some difficulty in this and the next
                                speech in the original, and the Commentators have been puzzled to
                                make sense of them. It seems to me that the Poet's intention is no
                                more than this: Bacchis expresses some reluctance to act under the
                                direction of Syrus, but is at length prevailed on, finding that he
                                can by those means contrive to pay her the money which he has
                                promised her."</note>
                  </p></sp><sp><speaker>SYRUS</speaker><p> Follow this way. <stage>Goes to the door of MENEDIEMUS, and
                                calls.</stage> Ho there! Dromo. <stage>Enter DROMO from the
                                house.</stage>
                  </p></sp><sp><speaker>DROMO</speaker><p> Who is it wants me ?</p></sp><sp><speaker>SYRUS</speaker><p> Syrus.</p></sp><sp><speaker>DROMO</speaker><p> What's the matter?</p></sp><sp><speaker>SYRUS</speaker><p> Take over all the attendants of Bacchis to your house here
                            immediately.</p></sp><sp><speaker>DROMO</speaker><p> Why so?</p></sp><sp><speaker>SYRUS</speaker><p> Ask no questions. Let them take what they brought here with them. The
                            old gentleman will hope his expenses are lightened by their departure;
                            for sure he little knows how much loss this trifling gain will bring
                            him. You, Dromo, if you are wise, know nothing of what you do know.</p></sp><sp><speaker>DROMO</speaker><p> You shall own that I'm dumb. <stage>CLINIA, BACCHIS, and PHRYGIA go into
                                the house of MENEDEMUS, and DROMO follows with BACCHIS'S retinue and
                                baggage.</stage>
                  </p></sp></div><milestone unit="scene" n="5"/><div type="textpart" n="749" subtype="card"><stage>Enter CHREMES from his house.</stage><sp><speaker>CHREMES</speaker><p><stage>to himself</stage> So may the Deities prosper me, I am now
                            concerned for the fate of Menedemus, that so great a misfortune should
                            have befallen him. To be maintaining that woman with such a retinue!
                            Although I am well aware he'll not be sensible of it for some days to
                            come, his son was so greatly missed by him; but when he sees such a vast
                            expense incurred by him every day at home, and no limit to it, he'll
                            wish that this son would leave him a second time. See—here comes Syrus
                            most opportunely.</p></sp><sp><speaker>SYRUS</speaker><p><stage>to himself, as he comes forward.</stage> Why delay to accost
                            him?</p></sp><sp><speaker>CHREMES</speaker><p> Syrus.</p></sp><sp><speaker>SYRUS</speaker><p> Well.</p></sp><sp><speaker>CHREMES</speaker><p> How go matters ?</p></sp><sp><speaker>SYRUS</speaker><p> I've been wishing for some time for you to be thrown in my way.</p></sp><sp><speaker>CHREMES</speaker><p> YOU seem, then, to have effected something, I know not what, with the
                            old gentleman.</p></sp><sp><speaker>SYRUS</speaker><p> As to what we were talking of a short time since? No sooner said than
                            done.</p></sp><sp><speaker>CHREMES</speaker><p> In real earnest ?</p></sp><sp><speaker>SYRUS</speaker><p> In real.</p></sp><sp><speaker>CHREMES</speaker><p> Upon my faith, I can not forbear patting your head for it. Come here,
                            Syrus; I'll do you some good turn for this matter, and with pleasure.
                                <stage>Patting his head.</stage>
                  </p></sp><sp><speaker>SYRUS</speaker><p> But if you knew how cleverly it came into my head—</p></sp><sp><speaker>CHREMES</speaker><p> Pshaw! Do you boast because it has turned out according to your
                            wishes</p></sp><sp><speaker>SYRUS</speaker><p> On my word, not I, indeed; I am telling the truth.</p></sp><sp><speaker>CHREMES</speaker><p> Tell me how it is.</p></sp><sp><speaker>SYRUS</speaker><p> Clinia has told Menedemus, that this Bacchis is your Clitipho's
                            mistress, and that he has taken her thither with him in order that you
                            might not come to know of it.</p></sp><sp><speaker>CHREMES</speaker><p> Very good.</p></sp><sp><speaker>SYRUS</speaker><p> Tell me, please, what you think of it.</p></sp><sp><speaker>CHREMES</speaker><p> Extremely good, I declare.</p></sp><sp><speaker>SYRUS</speaker><p> Why yes, pretty fair. But listen, what a piece of policy still remains.
                            He is then to say that he has seen your daughter—that her beauty
                            charmed him as soon as he beheld her; and that he desires her for a
                            wife.</p></sp><sp><speaker>CHREMES</speaker><p> What, her that has just been discovered ?</p></sp><sp><speaker>SYRUS</speaker><p> The same; and, in fact, he'll request that she may be asked for.</p></sp><sp><speaker>CHREMES</speaker><p> For what purpose, Syrus? For I don't altogether comprehend it.</p></sp><sp><speaker>SYRUS</speaker><p> O dear, you are so dull.</p></sp><sp><speaker>CHREMES</speaker><p> Perhaps so. </p></sp><sp><speaker>SYRUS</speaker><p> Money will be given him for the wedding—with which golden trinkets and
                            clothes—do you understand me?</p></sp><sp><speaker>CHREMES</speaker><p> To buy them—?</p></sp><sp><speaker>SYRUS</speaker><p> Just so.</p></sp><sp><speaker>CHREMES</speaker><p> But I neither give nor betroth my daughter to him.</p></sp><sp><speaker>SYRUS</speaker><p> But why?</p></sp><sp><speaker>CHREMES</speaker><p> Why, do you ask me? To a fellow—</p></sp><sp><speaker>SYRUS</speaker><p> Just as you please. I don't mean that in reality you should give her to
                            him, but that you should pretend it.</p></sp><sp><speaker>CHREMES</speaker><p> Pretending is not in my way; do you mix up these plots of yours, so as
                            not to mix me up in them. Do you think that I'll betroth my daughter to
                            a person to whom I will not marry her?</p></sp><sp><speaker>SYRUS</speaker><p> I imagined so.</p></sp><sp><speaker>CHREMES</speaker><p> By no means.</p></sp><sp><speaker>SYRUS</speaker><p> It might have been cleverly managed; and I under-took this affair for
                            the very reason, that a short time since you so urgently requested
                            it.</p></sp><sp><speaker>CHREMES</speaker><p> I believe you.</p></sp><sp><speaker>SYRUS</speaker><p> But for my part, Chremes, I take it well and good, either way.</p></sp><sp><speaker>CHREMES</speaker><p> But still, I especially wish you to do your best for it to be brought
                            about; but in some other way.</p></sp><sp><speaker>SYRUS</speaker><p> It shall be done: some other method must be thought of; but as to what I
                            was telling you of,—about the money which she owes to Bacchis,—that
                            must now be repaid her. And you will not, of course, now be having
                            recourse to this method; "What have I to do with it? Was it lent to me?
                            Did I give any orders? Had she the power to pawn my daughter without my
                            consent?" They quote that saying, Chremes, with good reason, " Riorous
                                law<milestone n="796" unit="line"/>
                     <note anchored="true"><q>Rigorous law</q>: <persName><surname>Cicero</surname></persName> mentions the same proverb in his work De
                                Officiis, B. i., ch. 10, substituting the word "injuria" for "
                                malitia." "' Extreme law, extreme injustice,' is now become a stale
                                proverb in discourse." The same sentiment is found in the Fragments
                                of Menander.</note> is often rigorous injustice."</p></sp><sp><speaker>CHREMES</speaker><p> I will not do so.</p></sp><sp><speaker>SYRUS</speaker><p> On the contrary, though others were at liberty, you are not at liberty;
                            all think that you are in good and very easy circumstances. </p></sp><sp><speaker>CHREMES</speaker><p> Nay rather, I'll at once carry it to her myself.</p></sp><sp><speaker>SYRUS</speaker><p> Why no; request your son in preference.</p></sp><sp><speaker>CHREMES</speaker><p> For what reason?</p></sp><sp><speaker>SYRUS</speaker><p> Why, because the suspicion of being in love with her has been
                            transferred to him with Menedemus.</p></sp><sp><speaker>CHREMES</speaker><p> What then?</p></sp><sp><speaker>SYRUS</speaker><p> Because it will seem to be more like probability when he gives it her;
                            and at the same time I shall effect more easily what I wish. Here he
                            comes too; go, and bring out the money.</p></sp><sp><speaker>CHREMES</speaker><p> I'll bring it. <stage>Goes into his house.</stage>
                  </p></sp></div></div></body></text></TEI>
                </passage>
            </reply>
            </GetPassage>