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                    <TEI xmlns="http://www.tei-c.org/ns/1.0"><text xml:lang="eng"><body><div type="translation" n="urn:cts:greekLit:tlg0548.tlg001.perseus-eng2" xml:lang="eng"><div subtype="book" type="textpart" n="3"><div subtype="chapter" type="textpart" n="5"><div subtype="section" type="textpart" n="5"><p><milestone unit="para"/>Polydorus, having become king of <name type="place" key="perseus,Thebes">Thebes</name>, married Nycteis, daughter of Nycteus, son of Chthonius, and begat Labdacus, who perished after Pentheus because he was like-minded with him.<note anchored="true" resp="ed" place="unspecified">Compare <bibl n="Eur. Phoen. 8">Eur. Ph. 8</bibl>; <bibl n="Paus. 2.6.2">Paus. 2.6.2</bibl>, <bibl n="Paus. 9.5.4">Paus. 9.5.4ff.</bibl> Apollodorus implies that Labdacus was murdered by the Bacchanals because he set himself against the celebration of their orgiastic rites. But there seems to be no express mention of his violent death in ancient writers.</note> But Labdacus having left a year -old son, Laius, the government was usurped by Lycus, brother of Nycteus, so long as Laius was a child. Both of them<note anchored="true" resp="ed" place="unspecified">That is, the two brothers Lycus and Nycteus.</note> had fled [ from <pb n="337"/> <name type="place" key="tgn,7002677">Euboea</name>] because they had killed Phlegyas, son of Ares and Dotis the Boeotian,<note anchored="true" resp="ed" place="unspecified">This Phlegyas is supposed to be Phlegyas, king of Orchomenus, whom <bibl n="Paus. 9.36.1">Paus. 9.36.1</bibl> calls a son of Ares and <name type="place" key="perseus,Chryse">Chryse</name>. If this identification is right, the words “from <name type="place" key="tgn,7002677">Euboea</name>” appear to be wrong, as Heyne pointed out, since <name type="place" key="perseus,Orchomenos">Orchomenus</name> is not in <name type="place" key="tgn,7002677">Euboea</name> but in <name type="place" key="tgn,7002683">Boeotia</name>. But there were many places called <name type="place" key="tgn,7002677">Euboea</name>, and it is possible that one of them was in <name type="place" key="tgn,7002683">Boeotia</name>. If that was so, we may conjecture that the epithet “Boeotian,” which, applied to <name type="place" key="tgn,7010522">Dotis</name>, seems superfluous, was applied by Apollodorus to <name type="place" key="tgn,7002677">Euboea</name> and has been misplaced by a copyist. If these conjectures are adopted, the text will read thus: “Both of them fled from <name type="place" key="tgn,7002677">Euboea</name> in <name type="place" key="tgn,7002683">Boeotia</name> because they had killed Phlegyas, son of Ares and Dotis, and they took up their abode at <name type="place" key="perseus,Hyria">Hyria</name>.” As to the various places called <name type="place" key="tgn,7002677">Euboea</name>, see <bibl>Stephanus Byzantius, s.v. <foreign xml:lang="grc">Εὔβοια</foreign> </bibl>; <bibl>W. Pape, <title>Wörterbuch der griechischen Eigennamen</title>, s.v. <foreign xml:lang="grc">Εὔβοια</foreign> </bibl>.</note> and they took up their abode at <name type="place" key="perseus,Hyria">Hyria</name>, and thence having come to <name type="place" key="perseus,Thebes">Thebes</name>, they were enrolled as citizens through their friendship with Pentheus. So after being chosen commander-in-chief by the Thebans, Lycus compassed the supreme power and reigned for twenty years, but was murdered by Zethus and Amphion for the following reason. Antiope was a daughter of Nycteus, and Zeus had intercourse with her.<note anchored="true" resp="ed" place="unspecified">With the following story of Antiope and Dirce compare <bibl n="Paus. 2.6.1">Paus. 2.6.1ff.</bibl>, <bibl n="Paus. 9.25.3">Paus. 9.25.3</bibl>; <bibl>Malalas, Chr. ii. pp. 45-49, ed. L. Dindorf</bibl>; <bibl>Scholiast on Ap. Rhod., Argon. iv.1090</bibl>; <bibl>Nicolaus Damascenus, frag. 11, in Fragmenta Historicorum Graecorum, ed. C. Müller, iii.365ff.</bibl>; <bibl>Hyginus, Fab. 7, 8</bibl>; <bibl>Scriptores rerum mythicarum Latini, ed. Bode, i. pp. 32, 99ff. (First Vatican Mythographer 97; Second Vatican Mythographer 74)</bibl>. Euripides wrote a tragedy <title>Antiope</title>, of which <bibl>Hyginus, Fab. 8</bibl> gives a summary. Many fragments of the play have been preserved. See <bibl>TGF (Nauck 2nd ed.), pp. 410ff.</bibl> In his version of the story Apollodorus seems to have followed Euripides. The legend is commemorated in the famous group of statuary called the <name type="place" key="tgn,5002453">Farnese</name> bull, which is now in the museum at <name type="place" key="tgn,7004474">Naples</name>. See <bibl>Baumeister, <title>Denkmäler des klassischen Altertums</title>, i.107, fig. 113</bibl>.</note> When she was with child, and her father threatened her, she ran away to Epopeus at <name type="place" key="tgn,7011098">Sicyon</name> and was married to him. In a fit of despondency Nycteus killed himself, after charging Lycus to punish Epopeus and Antiope. Lycus marched against <name type="place" key="tgn,7011098">Sicyon</name>, subdued it, slew Epopeus, and led Antiope away captive. On the way she gave birth to two <pb n="339"/>sons at Eleurethae in <name type="place" key="tgn,7002683">Boeotia</name>. The infants were exposed, but a neatherd found and reared them, and he called the one Zethus and the other Amphion. Now Zethus paid attention to cattle-breeding, but Amphion practised minstrelsy, for Hermes had given him a lyre.<note anchored="true" resp="ed" place="unspecified">Compare <bibl n="Paus. 9.5.7">Paus. 9.5.7ff.</bibl> The two brothers are said to have quarrelled, the robust Zethus blaming Amphion for his passionate addiction to music and urging him to abandon it for what he deemed the more manly pursuits of agriculture, cattle-breeding and war. The gentle Amphion yielded to these exhortations so far as to cease to strum the lyre. See <bibl>Dio Chrysostom lxxiii. vol. ii. p. 254, ed. L. Dindorf</bibl>; <bibl>Hor. Epist. i.18.41-44</bibl>; <bibl>TGF (Nauck 2nd ed.), pp. 414-416, frag. 184-188</bibl>. The discussion between the two brothers, the one advocating the practical life and the other the contemplative or artistic, seems to have been famous. It is illustrated by a fine relief in which we see Amphion standing and holding out his lyre eagerly for the admiration of his athletic brother, who sits regarding it with an air of smiling disdain. See <bibl>W. H. Roscher, <title>Lexikon der griech, und röm. Mythologie</title>, i.311</bibl>.</note> But Lycus and his wife Dirce imprisoned Antiope and treated her despitefully. Howbeit, one day her bonds were loosed of themselves, and unknown to her keepers she came to her sons cottage, begging that they would take her in. They recognized their mother and slew Lycus, but Dirce they tied to a bull, and flung her dead body into the spring that is called Dirce after her. And having succeeded to the sovereignty they fortified the city, the stones following Amphion's lyre<note anchored="true" resp="ed" place="unspecified">Compare <bibl n="Hom. Od. 11.260">Hom. Od. 11.260-265</bibl> (who does not mention the miracle of the music); <bibl>Ap. Rhod., Argon. i.735-741</bibl>; <bibl n="Paus. 9.5.6">Paus. 9.5.6-8</bibl>; <bibl n="Prop. 1.9">Prop. i.9.10</bibl>, <bibl n="Prop. 4.2.3">iv.2.3ff.</bibl>; <bibl n="Hor. Carm. 3.11.2">Hor. Carm. 3.11.2</bibl>, <bibl n="Hor. Ars 394">Hor. Ars. 394-396</bibl>. Apollonius represents Zethus staggering under the load of a mountain, while Amphion strolls along drawing a cliff twice as large after him by singing to his golden lyre. He seems to have intended to suggest the feebleness of brute strength by comparison with the power of genius.</note>; and they expelled Laius.<note anchored="true" resp="ed" place="unspecified">As to the banishment and restoration of Laius, see <bibl n="Paus. 9.5.6">Paus. 9.5.6</bibl>; <bibl n="Paus. 9.5.9">Paus. 9.5.9</bibl>; <bibl>Hyginus, Fab. 9</bibl>.</note> He resided in <name type="place" key="tgn,7017076">Peloponnese</name>, being hospitably received by Pelops; and while he taught Chrysippus, the son of Pelops, to drive a chariot, he conceived a passion for the lad and carried him off.<note anchored="true" resp="ed" place="unspecified">Compare <bibl>Athenaeus xiii.79, pp. 602ff.</bibl>, who says that Laius carried off Chrysippus in his chariot to <name type="place" key="tgn,7011071">Thebes</name>. Chrysippus is said to have killed himself for shame. See the <bibl>Scholiast on Eur. Ph. 1760</bibl>.</note> <pb n="341"/> </p></div><div subtype="section" type="textpart" n="6"><p><milestone unit="para"/>Zethus married Thebe, after whom the city of <name type="place" key="tgn,7011071">Thebes</name> is named; and Amphion married Niobe, daughter of Tantalus,<note anchored="true" resp="ed" place="unspecified">For the story of Niobe and her children, see <bibl n="Hom. Il. 24.602">Hom. Il. 24.602ff.</bibl>; <bibl>Diod. 4.74</bibl>; <bibl n="Paus. 1.21.3">Paus. 1.21.3</bibl>; <bibl n="Paus. 2.21.9">Paus. 2.21.9</bibl>; <bibl n="Paus. 5.11.2">Paus. 5.11.2</bibl>; <bibl n="Paus. 5.16.4">Paus. 5.16.4</bibl>; <bibl n="Paus. 8.2.5">Paus. 8.2.5</bibl>; <bibl n="Paus. 8.2.7">Paus. 8.2.7</bibl>; <bibl>Tzetzes, Chiliades iv.416ff.</bibl>; <bibl n="Ov. Met. 6.146">Ov. Met. 6.146ff.</bibl>; <bibl>Hyginus, Fab. 9, 11</bibl>; <bibl>Lactantius Placidus on Statius, Theb. iii.191</bibl>; <bibl>Scriptores rerum mythicarum Latini, ed. Bode, i. p. 50 (First Vatican Mythographer 156)</bibl>. Great diversity of opinion prevailed among the ancients with regard to the number of Niobe's children. Diodorus, Ovid, Hyginus, Lactantius Placidus, and the First Vatican Mythographer agree with Apollodorus as to the seven sons and seven daughters of Niobe, and from the <bibl>Scholiast on Eur. Ph. 159</bibl>, we learn that Aeschylus, Euripides, and Aristophanes in lost plays adopted the same numbers, but that Pherecydes agreed with Homer in reckoning six sons and six daughters, while Hellanicus allowed the lady no more than four sons and three daughters. On the other hand, Xanthus the Lydian, according to the same Scholiast, credited her with a score of children, equally divided between the two sexes. Herein he probably followed the authority of Hesiod (see Apollodorus, below), and the same liberal computation is said to have been accepted by Bacchylides, Pindar, and Mimnermus, while Sappho reduced the figure to twice nine, and Alcman to ten all told (<bibl>Aulus Gellius xx.70</bibl>; <bibl>Ael., Var. Hist. xii.36</bibl>). Aeschylus and Sophocles each wrote a tragedy <title>Niobe</title>, of which some fragments remain. See <bibl>TGF (Nauck 2nd ed.), pp. 50ff., 228ff.</bibl>; <bibl><title>The Fragments of Sophocles</title>, ed. A. C. Pearson, ii.94ff., frag. 442-451</bibl>. The subject is rendered famous by the fine group of ancient statuary now in the Uffizi gallery at <name type="place" key="tgn,7000457">Florence</name>. See <bibl>Baumeister, <title>Denkmäler des klassischen Altertums</title>, iii.1674ff.</bibl> Antiquity hesitated whether to assign the group to Scopas or Praxiteles (<bibl>Pliny, Nat. Hist. xxxvi.28</bibl>), and modern opinion is still divided on the question. See <bibl>Frazer on Paus. ii.29.9 (vol. iii. p. 201)</bibl>. The pathetic character of the group may perhaps be held to speak in favour of Scopas, who seems to have excelled in the portrayal of the sterner, sadder emotions, while Praxiteles dwelt by preference on the brighter, softer creations of the Greek religious imagination. This view of the sombre cast of the genius of Scopas is suggested by the subjects which he chose for the decoration of the temple of Athena Alea at <name type="place" key="perseus,Tegea">Tegea</name> (<bibl n="Paus. 8.45.5">Paus. 8.45.5-7</bibl>), and by the scanty remains of the sculptures which have been found on the spot. See <bibl>Frazer, commentary on Pausanias, vol. iv. pp. 426ff.</bibl> However, the late historian of Greek sculpture, Professor M. Collignon, denied that the original of this famous group, which he regarded as a copy, was either by Scopas or Praxiteles. He held that it belongs to an Asiatic school of sculpture characterized by picturesque grouping, and that it could not have been executed before the third century B.C. To the same school he would assign another famous group of sculpture, that of Dirce and the bull (above, Frazer on Apollod. 3.5.5). See <bibl>M. Collignon, <title>Histoire de la Sculpture Grecque</title> (Paris, 1892-1897), ii.532ff.</bibl> The tomb of the children of Niobe was shown at <name type="place" key="perseus,Thebes">Thebes</name> (<bibl n="Paus. 9.16.7">Paus. 9.16.7</bibl>; compare <bibl n="Eur. Phoen. 159">Eur. Ph. 159ff.</bibl>); but according to <bibl>Statius, Theb. vi.124ff.</bibl> the Mater Dolorosa carried the ashes of her dead children in twice six urns to be buried on her native Mount Sipylus. Thus the poet dutifully follows Homer in regard to the number of the children.</note> who bore seven sons, Sipylus, Eupinytus, Ismenus, Damasichthon, Agenor, Phaedimus, Tantalus, and the same number of daughters, Ethodaia ( or, as some say, Neaera), Cleodoxa, Astyoche, Phthia, Pelopia, Astycratia, and Ogygia, But Hesiod says that they had ten sons and ten <pb n="343"/>daughters; Herodorus that they had two male children and three female; and Homer that they had six sons and six daughters. Being blessed with children, Niobe said that she was more blessed with children than Latona. Stung by the taunt, Latona incited Artemis and Apollo against them, and Artemis shot down the females in the house, and Apollo killed all the males together as they were hunting on Cithaeron. Of the males Amphion alone was saved, and of the females Chloris the elder, whom Neleus married. But according to Telesilla there were saved Amyclas and Meliboea,<note anchored="true" resp="ed" place="unspecified">Compare <bibl n="Paus. 2.21.9">Paus. 2.21.9</bibl>, <bibl n="Paus. 5.16.4">Paus. 5.16.4</bibl>, according to whom Meliboea was the original name of Chloris; but she turned pale with fear at the slaughter of her brothers and sisters, and so received the name of Chloris, that is, the Pale Woman. As to the marriage of Chloris with Neleus, see <bibl n="Hom. Od. 11.281">Hom. Od. 11.281ff.</bibl> </note> and Amphion also was shot by them.<note anchored="true" resp="ed" place="unspecified">The ancients differed as to the death of Amphion. According to one account, he went mad (<bibl>Lucian, De Saltatione 41</bibl>), and in attempting to attack a temple of Apollo, doubtless in order to avenge the death of his sons on the divine murderer, he was shot dead by the deity (<bibl>Hyginus, Fab. 9</bibl>). According to <bibl n="Ov. Met. 6.271">Ov. Met. 6.271ff.</bibl>, he stabbed himself for grief.</note> But Niobe herself quitted <name type="place" key="tgn,7011071">Thebes</name> and went to her father Tantalus at Sipylus, and there, on praying to Zeus, she was transformed into a stone, and tears flow night and day from the stone. </p></div><div subtype="section" type="textpart" n="7"><p><milestone unit="para"/>After Amphion's death Laius succeeded to the kingdom. And he married a daughter of Menoeceus; some say that she was Jocasta, and some that she was Epicasta.<note anchored="true" resp="ed" place="unspecified">For the tragic story of Laius, Jocasta or Epicasta, and their son Oedipus, see <bibl n="Hom. Od. 11.271">Hom. Od. 11.271-280</bibl>, with the <bibl>Scholiast on Hom. Od. 11.271</bibl>; <bibl n="Eur. Phoen. 1">Eur. Ph. 1-62</bibl>; <bibl>Diod. 4.64</bibl>; <bibl n="Paus. 9.2.4">Paus. 9.2.4</bibl>; <bibl n="Paus. 9.5.10">Paus. 9.5.10ff.</bibl>; <bibl n="Paus. 10.5.3">Paus. 10.5.3ff.</bibl>; <bibl>Scholiast on Eur. Ph. 1760</bibl>; <bibl>Hyginus, Fab. 66, 67</bibl>. In Homer the mother of Oedipus is named Epicasta; later writers call her Jocasta. The mournful tale of Oedipus is the subject of Sophocles's two great tragedies, the <title>Oedipus Tyrannus</title> and the <title>Oedipus Coloneus</title>. It is also the theme of Seneca's tragedy <title>Oedipus</title>. From the <bibl>Scholiast on Hom. Od. 11.271-280</bibl> we learn that the story was told by Androtion. Apollodorus's version of the legend closely follows Sophocles and is reproduced by <bibl>Zenobius, Cent. ii.68</bibl> in a somewhat abridged form with certain verbal changes, but as usual without acknowledgment. Some parallel stories occur in the folklore of other peoples. See Frazer's Appendix to Apollodorus, “The Oedipus Legend.”</note> The oracle had warned him not <pb n="345"/>to beget a son, for the son that should be begotten would kill his father; nevertheless, flushed with wine, he had intercourse with his wife. And when the babe was born he pierced the child's ankles with brooches and gave it to a herdsman to expose. But the herdsman exposed it on Cithaeron; and the neatherds of Polybus, king of <name type="place" key="perseus,Corinth">Corinth</name>, found the infant and brought it to his wife Periboea.<note anchored="true" resp="ed" place="unspecified">Sophocles calls her Merope (<bibl n="Soph. OT 775">Soph. OT 775</bibl>), and so does <bibl>Seneca, Oedipus 272, 661, 802</bibl>. But, according to Pherecydes, the wife of Polybus was Medusa, daughter of Orsilochus (<bibl>Scholiast on Soph. OT 775</bibl>).</note> She adopted him and passed him off as her own, and after she had healed his ankles she called him Oedipus, giving him that name on account of his swollen feet.<note anchored="true" resp="ed" place="unspecified">The name Oedipus was interpreted to mean “swollen foot.” As to the piercing of the child's ankles, see <bibl n="Soph. OT 718">Soph. OT 718</bibl>; <bibl n="Eur. Phoen. 26">Eur. Ph. 26ff.</bibl>; <bibl>Diod. 4.64.1</bibl>; <bibl n="Paus. 10.5.3">Paus. 10.5.3</bibl>; <bibl>Hyginus, Fab. 66</bibl>; <bibl>Seneca, Oedipus 812</bibl>.</note> When the boy grew up and excelled his fellows in strength, they spitefully twitted him with being supposititious. He inquired of Periboea, but could learn nothing; so he went to <name type="place" key="perseus,Delphi">Delphi</name> and inquired about his true parents. The god told him not to go to his native land, because he would murder his father and lie with his mother. On hearing that, and believing himself to be the son of his nominal parents, he left <name type="place" key="perseus,Corinth">Corinth</name>, and riding in a chariot through <name type="place" key="tgn,4003963">Phocis</name> he fell in with Laius driving in a chariot in a certain narrow road.<note anchored="true" resp="ed" place="unspecified">The “narrow road” is the famous Cleft Way (<bibl n="Paus. 10.5.3">Paus. 10.5.3ff.</bibl>) now called the Crossroad of Megas (<foreign xml:lang="gre">Stavrodromi tou Mega</foreign>), where the road from <name type="place" key="perseus,Daulis">Daulis</name> and the road from <name type="place" key="perseus,Thebes">Thebes</name> and <name type="place" key="perseus,Lebadeia">Lebadea</name> meet and unite in the single road ascending through the long valley to <name type="place" key="perseus,Delphi">Delphi</name>. At this point the pass, shut in on either hand by lofty and precipitous mountains, presents one of the wildest and grandest scenes in all <name type="place" key="tgn,1000074">Greece</name>; the towering cliffs of <name type="place" key="tgn,7011022">Parnassus</name> on the northern side of the valley are truly sublime. Not a trace of human habitation is to be seen. All is solitude and silence, in keeping with the tragic memories of the spot. Compare <bibl>Frazer, commentary on Paus. 10.5.3 (vol. v. pp. 231ff.)</bibl> As to the Cleft Way or Triple Way, as it was also called, and the fatal encounter of the father and son at it, see <bibl n="Soph. OT 715">Soph. OT 715ff.</bibl>; <bibl n="Soph. OT 1398">Soph. OT 1398ff.</bibl>; <bibl n="Eur. Phoen. 37">Eur. Ph. 37ff.</bibl>; <bibl>Seneca, Oedipus 276ff.</bibl> </note> And when Polyphontes, <pb n="347"/>the herald of Laius, ordered him to make way and killed one of his horses because he disobeyed and delayed, Oedipus in a rage killed both Polyphontes and Laius, and arrived in <name type="place" key="perseus,Thebes">Thebes</name>. </p></div><div subtype="section" type="textpart" n="8"><p> Laius was buried by Damasistratus, king of <name type="place" key="perseus,Plataea">Plataea</name>,<note anchored="true" resp="ed" place="unspecified">Compare <bibl n="Paus. 9.5.4">Paus. 9.5.4</bibl>.</note> and Creon, son of Menoeceus, succeeded to the kingdom. In his reign a heavy calamity befell <name type="place" key="perseus,Thebes">Thebes</name>. For Hera sent the Sphinx,<note anchored="true" resp="ed" place="unspecified">As to the Sphinx and her riddle, see <bibl n="Hes. Th. 326">Hes. Th. 326ff.</bibl> (who says that she was the offspring of Echidna and Orthus); <bibl n="Soph. OT 391">Soph. OT 391ff.</bibl>; <bibl n="Eur. Phoen. 45">Eur. Ph. 45ff.</bibl>; <bibl>Diod. 4.64.3ff.</bibl>; <bibl n="Paus. 9.26.2">Paus. 9.26.2-4</bibl>; <bibl>Scholiast on Eur. Ph. 45</bibl>; <bibl>Hyginus, Fab. 67</bibl>; <bibl>Seneca, Oedipus 92ff.</bibl> The riddle is quoted in verse by several ancient writers. See <bibl>Athenaeus x.81, p. 456 B</bibl>; <bibl>Tzetzes, Scholiast on Lycophron 7</bibl>; <bibl>Anth. Pal. xiv.64</bibl>; <bibl>Argument to Soph. OT, p. 6, ed. R. C. Jebb</bibl>; <bibl>Argument to Eur. Ph.</bibl>; and <bibl>Scholiast on Eur. Ph. 50 (Scholia in Euripiden, ed. E. Schwartz, vol. i. pp. 243ff. 256)</bibl>. Outside of <name type="place" key="tgn,1000074">Greece</name> the riddle seems to be current in more or less similar forms among various peoples. Thus it is reported among the Mongols of the <name type="place" key="tgn,1001527">Selenga</name> (<bibl>R. G. Latham, <title>Descriptive Ethnology</title>, i.325</bibl>), and in <name type="place" key="tgn,7017241">Gascony</name> (<bibl>J. F. Bladé, <title>Contes populaires de la Gascogne</title>, i.3-14</bibl>). Further, it has been recently recorded, in a form precisely similar to the Greek, among the tribes of <name type="place" key="tgn,7000726">British Central Africa</name>: the missionary who reports it makes no reference to the riddle of the Sphinx, of which he was apparently ignorant. See <bibl>Donald Fraser, <title>Winning a primitive people</title> (London, 1914) p. 171</bibl>, “What is it that goes on four legs in the morning, on two at midday, and on three in the evening? Answer: A man, who crawls on hands and knees in childhood, walks erect when grown, and with the aid of a stick in his old age.”</note> whose mother was Echidna and her father Typhon; and she had the face of a woman, the breast and feet and tail of a lion, and the wings of a bird. And having learned a riddle from the Muses, she sat on Mount Phicium, and propounded it to the Thebans. And the riddle was this:— What is that which has one voice and yet becomes four-footed <pb n="349"/>and two-footed and three-footed? Now the Thebans were in possession of an oracle which declared that they should be rid of the Sphinx whenever they had read her riddle; so they often met and discussed the answer, and when they could not find it the Sphinx used to snatch away one of them and gobble him up. When many had perished, and last of all Creon's son Haemon, Creon made proclamation that to him who should read the riddle he would give both the kingdom and the wife of Laius. On hearing that, Oedipus found the solution, declaring that the riddle of the Sphinx referred to man; for as a babe he is four-footed, going on four limbs, as an adult he is two-footed, and as an old man he gets besides a third support in a staff. So the Sphinx threw herself from the citadel, and Oedipus both succeeded to the kingdom and unwittingly married his mother, and begat sons by her, Polynices and Eteocles, and daughters, Ismene and Antigone.<note anchored="true" resp="ed" place="unspecified">Compare <bibl n="Eur. Phoen. 55">Eur. Ph. 55ff.</bibl>; <bibl>Diod. 4.64.4</bibl>; <bibl>Hyginus, Fab. 67</bibl>.</note> But some say the children were borne to him by Eurygania, daughter of Hyperphas.<note anchored="true" resp="ed" place="unspecified">This account is adopted by <bibl n="Paus. 9.5.10">Paus. 9.5.10ff.</bibl>; and by the <bibl>Scholiast on Eur. Ph. 1760</bibl>, who cites Pisander as his authority. According to another version, Oedipus, after losing Jocasta, married Astymedusa, who falsely accused her stepsons of attempting her virtue. See <bibl>Scholiast on Hom. Il. iv.376</bibl>; <bibl>Eust. on Homer, Il. iv.376, p. 369</bibl>; <bibl>Scholiast on Eur. Ph. 53</bibl>.</note> </p></div><div subtype="section" type="textpart" n="9"><p> When the secret afterwards came to light, Jocasta hanged herself in a noose,<note anchored="true" resp="ed" place="unspecified">Compare <bibl n="Hom. Od. 11.277">Hom. Od. 11.277ff.</bibl>; <bibl n="Soph. OT 1235">Soph. OT 1235ff.</bibl> According to Seneca, in one passage (<bibl>Sen. Oedipus, 1034ff.</bibl>), Jocasta stabbed herself to death on the discovery of her incest. But Euripides makes Jocasta survive her two sons and stab herself to death on their dead bodies. See <bibl n="Eur. Phoen. 1455">Eur. Ph. 1455-1459</bibl>. Herein he was perhaps followed by Seneca in his tragedy, for in the fragments of that play (<bibl> Seneca, Oedipus 443ff.</bibl>) Seneca represents Jocasta attempting to make peace between Eteocles and Polynices on the battlefield; but the conclusion of the play is lost. Similarly Statius describes how Jocasta vainly essayed to reconcile her warring sons, and how she stabbed herself to death on learning that they had fallen by each other's hands. See <bibl>Statius, Theb. vii.474ff., xi.634ff.</bibl> </note> and Oedipus <pb n="351"/>was driven from <name type="place" key="perseus,Thebes">Thebes</name>, after he had put out his eyes and cursed his sons, who saw him cast out of the city without lifting a hand to help him.<note anchored="true" resp="ed" place="unspecified">A curious and probably very ancient legend assigned a different motive for the curses of Oedipus. It is said that his sons used to send him as his portion the shoulder of every sacrificial victim, but that one day by mistake they sent him the haunch (<foreign xml:lang="grc">ἰσχίον</foreign>) instead of the shoulder, which so enraged him that he cursed them, praying to the gods that his sons might die by each other's hands. This story was told by the author of the epic <title> Thebaid </title>. See <bibl>Scholiast on Soph. OC 1375</bibl>; <bibl>Zenobius, Cent. v.43</bibl>. A different cause of his anger is assigned by <bibl>Athenaeus xi.14, pp. 465ff.</bibl>, also on the authority of the author of the <title> Thebaid </title>.</note> And having come with Antigone to <name type="place" key="perseus,Colonus">Colonus</name> in <name type="place" key="tgn,7002681">Attica</name>, where is the precinct of the Eumenides, he sat down there as a suppliant, was kindly received by Theseus, and died not long afterwards.<note anchored="true" resp="ed" place="unspecified">The coming of Oedipus and Antigone to Colonus Hippius in <name type="place" key="tgn,7002681">Attica</name>, together with the mysterious death of Oedipus, are the subject of Sophocles's noble tragedy, <title>Oedipus Coloneus</title>. As to the sanctuary of the Eumenides, see that play, <bibl n="Soph. OC 36">Soph. OC 36ff.</bibl> The knoll of <name type="place" key="perseus,Colonus">Colonus</name> is situated over a mile from <name type="place" key="perseus,Athens">Athens</name>, and it is doubtful whether the poet intended to place the death and burial of Oedipus at <name type="place" key="perseus,Colonus">Colonus</name> or at <name type="place" key="perseus,Athens">Athens</name> itself, where in later times the grave of Oedipus was shown in a precinct of the Eumenides, between the Acropolis and the Areopagus (<bibl n="Paus. 1.28.7">Paus. 1.28.7</bibl>). See <bibl>Frazer, notes on Paus. i.28.7, i.30.2, vol. ii. pp. 366ff., 393ff.</bibl>; <bibl>R. C Jebb on Soph. OC pp. xxx.ff.</bibl> </note> </p></div></div><div subtype="chapter" type="textpart" n="6"><div subtype="section" type="textpart" n="1"><p><milestone unit="para"/>Now Eteocles and Polynices made a compact with each other concerning the kingdom and resolved that each should rule alternately for a year at a time.<note anchored="true" resp="ed" place="unspecified">That is, they were to reign in alternate years. Compare <bibl n="Eur. Phoen. 69">Eur. Ph. 69ff.</bibl>; <bibl n="Eur. Phoen. 473">Eur. Ph. 473ff.</bibl>; <bibl>Diod. 4.65.1</bibl>; <bibl>Zenobius, Cent. i.30</bibl>; <bibl>Hyginus, Fab. 67</bibl>; <bibl>Scriptores rerum mythicarum Latini, ed. Bode, i. pp. 48ff. (First Vatican Mythographer 152)</bibl>. In this and the sequel <bibl>Zenobius, Cent. i.30</bibl> closely follows Apollodorus and probably copied from him.</note> Some say that Polynices was the first to rule, and that after a year he handed over the kingdom to Eteocles; but some say that Eteocles was the first to rule, and would not hand over the kingdom. So, being banished from <name type="place" key="perseus,Thebes">Thebes</name>, Polynices came to <name type="place" key="perseus,Argos">Argos</name>, taking with him the <pb n="353"/> necklace and the robe.<note anchored="true" resp="ed" place="unspecified">That is, the necklace and the robe which Cadmus had given to Harmonia at their marriage. See above, <bibl n="Apollod. 3.4.2">Apollod. 3.4.2</bibl>.</note> The king of <name type="place" key="perseus,Argos">Argos</name> was Adrastus, son of Talaus; and Polynices went up to his palace by night and engaged in a fight with Tydeus, son of Oeneus, who had fled from Calydon.<note anchored="true" resp="ed" place="unspecified">See above <bibl n="Apollod. 1.8.5">Apollod. 1.8.5</bibl>.</note> At the sudden outcry Adrastus appeared and parted them, and remembering the words of a certain seer who told him to yoke his daughters in marriage to a boar and a lion,<note anchored="true" resp="ed" place="unspecified">Adrastus received the oracle from Apollo. See <bibl n="Eur. Phoen. 408">Eur. Ph. 408ff.</bibl>; <bibl n="Eur. Supp. 132">Eur. Supp. 132ff.</bibl> In these passages the poet describes the nocturnal brawl between the two exiled princes at the gate of the palace, and their reconciliation by Adrastus. Compare <bibl>Zenobius, Cent. i.30</bibl>; <bibl>Hyginus, Fab. 69</bibl>; and the elaborate description of <bibl>Statius, Theb. i.370ff.</bibl> The words of the oracle given to Adrastus are quoted by <bibl>the Scholiast on Eur. Ph. 409</bibl>. According to one interpretation the boar on the shield of Tydeus referred to the Calydonian boar, while the lion on the shield of Polynices referred to the lion-faced sphinx. Others preferred to suppose that the two chieftains were clad in the skins of a boar and a lion respectively. See <bibl>Scholiast on Eur. Ph. 409</bibl>; <bibl>Hyginus, Fab. 69</bibl>.</note> he accepted them both as bridegrooms, because they had on their shields, the one the forepart of a boar, and the other the forepart of a lion.<note anchored="true" resp="ed" place="unspecified">As to the devices which the Greeks painted on their shields, as these are described by ancient writers or depicted in vase-paintings, see <bibl>G. H. Chase, “The Shield Devices of the Greeks,” HSCP, vol. xiii. pp. 61-127</bibl>. From the evidence collected in this essay (pp. 98, 112ff.) it appears that both the boar and the lion are common devices on shields in vase-paintings.</note> And Tydeus married Deipyle, and Polynices married Argia<note anchored="true" resp="ed" place="unspecified">Compare <bibl>Diod. 4.65.3</bibl>; <bibl>Scholiast on Eur. Ph. 409</bibl>; <bibl>Hyginus, Fab. 69</bibl>; <bibl>Statius, Theb. ii.201ff.</bibl> </note>; and Adrastus promised that he would restore them both to their native lands. And first he was eager to march against <name type="place" key="perseus,Thebes">Thebes</name>, and he mustered the chiefs. </p></div><div subtype="section" type="textpart" n="2"><p><milestone unit="para"/>But Amphiaraus, son of Oicles, being a seer and foreseeing that all who joined in the expedition except Adrastus were destined to perish, shrank from it himself and discouraged the rest. However, Polynices went to Iphis, son of Alector, and begged to know how Amphiaraus could be compelled to go <pb n="355"/>to the war. He answered that it could be done if Eriphyle got the necklace.<note anchored="true" resp="ed" place="unspecified">For the story of the treachery of Eriphyle to her husband Amphiaraus, see also <bibl>Diod. 4.65.5ff.</bibl>; <bibl n="Paus. 5.17.7">Paus. 5.17.7ff.</bibl>; <bibl n="Paus. 9.41.2">Paus. 9.41.2</bibl>; <bibl>Scholiast on Hom. Od. 11.326</bibl> (who refers to Asclepiades as his authority); <bibl>Hyginus, Fab. 73</bibl>; <bibl>Scriptores rerum mythicarum Latini, ed. Bode, i. p. 49 (First Vatican Mythographer 152)</bibl>. The story is alluded to but not told by <bibl n="Hom. Od. 11.326">Hom. Od. 11.326ff.</bibl>; <bibl n="Hom. Od. 15.247">Hom. Od. 15.247</bibl>; <bibl n="Soph. El. 836">Soph. Elec. 836ff.</bibl>), and <bibl n="Hor. Carm. 3.16.11">Hor. Carm. 3.16.11-13</bibl>. Sophocles wrote a tragedy <title>Eriphyle</title>, which was perhaps the same as his <title>Epigoni</title>. See <bibl><title>The Fragments of Sophocles</title>, ed. A. C. Pearson, vol. i. pp. 129ff.</bibl> </note> Now Amphiaraus had forbidden Eriphyle to accept gifts from Polynices; but Polynices gave her the necklace and begged her to persuade Amphiaraus to go to the war; for the decision lay with her, because once, when a difference arose between him and Adrastus, he had made it up with him and sworn to let Eriphyle decide any future dispute he might have with Adrastus.<note anchored="true" resp="ed" place="unspecified">Compare <bibl>Diod. 4.65.6</bibl>; <bibl>Scholiast on Hom. Od. xi.326</bibl>; <bibl>Scholiast on Pind. N. 9.13(30)</bibl>. As the sister of Adrastus (see above, <bibl n="Apollod. 1.9.13">Apollod. 1.9.13</bibl>) and the wife of Amphiaraus, the traitress Eriphyle might naturally seem well qualified to act as arbiter between them.</note> Accordingly, when war was to be made on <name type="place" key="perseus,Thebes">Thebes</name>, and the measure was advocated by Adrastus and opposed by Amphiaraus, Eriphyle accepted the necklace and persuaded him to march with Adrastus. Thus forced to go to the war, Amphiaraus laid his commands on his sons, that, when they were grown up, they should slay their mother and march against <name type="place" key="perseus,Thebes">Thebes</name>. </p></div></div></div></div></body></text></TEI>
                </passage>
            </reply>
            </GetPassage>