Clio fell in love with Pierus, son of Magnes, in consequence of the wrath of Aphrodite, whom she had twitted with her love of Adonis; and having met him she bore him a son Hyacinth, for whom Thamyris, the son of Philammon and a nymph Argiope, conceived a passion, he being the first to become enamored of males. But afterwards Apollo loved Hyacinth and killed him involuntarily by the cast of a quoit.As to the death of Hyacinth, killed by the cast of Apollo's quoit, see Nicander, Ther. 901ff.; Paus. 3.19.4ff.; Lucian, Dial. Deorum xiv.; Philostratus, Im. i.23(24); Palaephatus, De incredib. 47; Ov. Met. 10.162ff.; Serv. Verg. Ecl. 3.63; Lactantius Placidus on Statius, Theb. iv.223; Scriptores rerum mythicarum Latini, ed. Bode, i. pp. 37, 135ff. ( First Vatican Mythographer 117; Second Vatican Mythographer 181). The usual story ran that Apollo and the West Wind, or, according to others, the North Wind, were rivals for the affection of Hyacinth; that Hyacinth preferred Apollo, and that the jealous West Wind took his revenge by blowing a blast which diverted the quoit thrown by Apollo, so that it struck Hyacinth on the head and killed him. From the blood of the slain youth sprang the hyacinth, inscribed with letters which commemorated his tragic death; though the ancients were not at one in the reading of them. Some, like Ovid, read in them the exclamation AI AI, that is, “Alas, alas!” Others, like the Second Vatican Mythographer, fancied that they could detect in the dark lines of the flower the first Greek letter (Υ) of Hyacinth's name. And Thamyris, who excelled in beauty and in minstrelsy, engaged in a musical contest with the Muses, the agreement being that, if he won, he should enjoy them all, but that if he should be vanquished he should be bereft of what they would. So the Muses got the better of him and bereft him both of his eyes and of his minstrelsy.This account of Thamyris and his contest with the Muses is repeated almost verbally by Zenobius, Cent. iv.27, and by a Scholiast on Hom. Il. 2.595. As to the bard's rivalry with the Muses, and the blindness they inflicted on him, see Hom. Il. 2.594-600; compare Eur. Rh. 915ff.; Scriptores rerum mythicarum Latini, ed. Bode, i. p. 60 (First Vatican Mythographer 197). The story of the punishment of Thamyris in hell was told in the epic poem , attributed to Prodicus the Phocaean (Paus. 4.33.7). In the great picture of the underworld painted by Polygnotus at Delphi, the blind musician was portrayed sitting with long flowing locks and a broken lyre at his feet (Paus. 10.30.8).

Euterpe had by the river Strymon a son Rhesus, whom Diomedes slew at Troy;As to the death of Rhesus, see Hom. Il. 10.474ff.; compare Conon 4. It is the subject of Euripides's tragedy ; see particularly verses Eur. Rh. 756ff. Euripides represents Rhesus as a son of the river Strymon by one of the Muses ( Eur. Rh. 279, Eur. Rh. 915ff.), but he does not name the particular Muse who bore him. but some say his mother was Calliope. Thalia had by Apollo the Corybantes;Very discrepant accounts were given of the parentage of the Corybantes. Some said that they were sons of the Sun by Athena; others that their parents were Zeus and the Muse Calliope; others that their father was Cronus. See Strab. 10.3.19. According to another account, their mother was the Mother of the Gods, who settled them in Samothrace, or the Holy Isle, as the name Samothrace was believed to signify. The name of the father of the Corybantes was kept a secret from the profane vulgar, but was revealed to the initiated at the Samothracian mysteries. See Diod. 3.55.8ff. and Melpomene had by Achelous the Sirens, of whom we shall speak in treating of Ulysses.As to the Sirens, see Apollod. E.7.18ff. Elsewhere (Apollod. 1.7.10) Apollodorus mentions the view that the mother of the Sirens was Sterope.

Hera gave birth to Hephaestus without intercourse with the other sex,Compare Hes. Th. 927ff.; Lucian, De sacrificiis 6. So Juno is said to have conceived Mars by the help of the goddess Flora and without intercourse with Jupiter (Ovid, Fasti v.229ff.). The belief in the possible impregnation of women without sexual intercourse appears to have been common, if not universal, among men at a certain stage of social evolution, and it is still held by many savages. See , 3rd ed. i.92ff.; , ii.204, notes; A. et G. Grandidier, , ii. (Paris, 1914), pp. 245ff. The subject is fully discussed by Mr. E. S. Hartland in his (London, 1909-1910). but according to Homer he was one of her children by Zeus.Compare Hom. Il. 1.571ff., Hom. Il. 1.577ff. In these lines Hephaestus plainly recognizes Hera as his mother, but it is not equally clear that he recognizes Zeus as his father; the epithet “father” which he applies to him may refer to the god's general paternity in relation to gods and men. Him Zeus cast out of heaven, because he came to the rescue of Hera in her bonds.See Hom. Il. 1.590ff. For when Hercules had taken Troy and was at sea, Hera sent a storm after him; so Zeus hung her from Olympus.See Hom. Il. 15.18ff., where Zeus is said to have tied two anvils to the feet of Hera when he hung her out of heaven. Compare Apollod. 2.7.1; Nonnus, in Westermann's Mythographi Graeci (Brunswick, 1843), Appendix Narrationum, xxix, 1, pp. 371ff. Hephaestus fell on Lemnos and was lamed of his legs,The significance of lameness in myth and ritual is obscure. The Yorubas of West Africa say that Shankpanna, the god of smallpox, is lame and limps along with the aid of a stick, one of his legs being withered. See A. B. Ellis, (London, 1894), p. 73. The Ekoi of Southern Nigeria relate how the first fire on earth was stolen from heaven by a boy, whom the Creator (Obassi Osaw) punished with lameness for the theft. See P. Amaury Talbot, (London, 1912), pp. 370ff. This lame boy seems to play the part of a good fairy in Ekoi tales, and he is occasionally represented in a “stilt play” by an actor who has a short stilt bound round his right leg and limps like a cripple. See P. Amaury Talbot, op. cit. pp. 58, 285. Among the Edo of Benin “custom enjoined that once a year a lame man should be dragged around the city, and then as far as a place on the Enyai road, called Adaneha. This was probably a ceremony of purification.” See W. N. Thomas, , Part 1. (London, 1910), p. 35. In a race called “the King's Race,” which used to be run by lads on Good Friday or Easter Saturday in some parts of the Mark of Brandenburg, the winner was called “the King,” and the last to come in was called “the Lame Carpenter.” One of the Carpenter's legs was bandaged with splints as if it were broken, and he had to hobble along on a crutch. Thus he was led from house to house by his comrades, who collected eggs to bake a cake. See A. Kuhn, (Berlin, 1843), pp. 323ff. but Thetis saved him.As to the fall of Hephaestus on Lemnos, see Hom. Il. 1.590ff.; Lucian, De sacrificiis 6. The association of the fire-god with Lemnos is supposed to have been suggested by a volcano called Moschylus, which has disappeared—perhaps submerged in the sea. See H. F. Tozer, , pp. 269ff.; Jebb on Soph. Ph. 800, with the Appendix, pp. 243-245. According to another account, Hephaestus fell, not on Lemnos, but into the sea, where he was saved by Thetis. See Hom. Il. 18.394ff.

Zeus had intercourse with Metis, who turned into many shapes in order to avoid his embraces. When she was with child, Zeus, taking time by the forelock, swallowed her, because Earth said that, after giving birth to the maiden who was then in her womb, Metis would bear a son who should be the lord of heaven. From fear of that Zeus swallowed her.See Hes. Th. 886-900, Hes. Th. 929g-929p; Scholiast on Plat. Tim. 23d. Hesiod says that Zeus acted on the advice or warning of Earth and Sky. The Scholiast on Hesiod, quoted by Goettling and Paley in their commentaries, says that Metis had the power of turning herself into any shape she pleased. And when the time came for the birth to take place, Prometheus or, as others say, Hephaestus, smote the head of Zeus with an axe, and Athena, fully armed, leaped up from the top of his head at the river Triton.Compare the Scholiast on Hom. Il. 1.195, who cites the first book of Apollodorus as his authority. According to the usual account, followed by the vase-painters, it was Hephaestus who cleft the head of Zeus with an axe and so delivered Athena. See Pind. O. 7.35(65); Scholiast on Plat. Tim. 23d. According to Euripides (Eur. Ion 454ff.), the delivery was effected by Prometheus; but according to others it was Palamaon or Hermes who split the head of the supreme god and so allowed Athena to leap forth. See the Scholiast on Pind. O. 7.35(65).

Of the daughters of Coeus, Asteria in the likeness of a quail flung herself into the sea in order to escape the amorous advances of Zeus, and a city was formerly called after her Asteria, but afterwards it was named Delos.Compare Callimachus, Hymn to Delos 36ff.; Tzetzes, Scholiast on Lycophron 401; Hyginus, Fab. 53; Serv. Verg. A. 3.73; Lactantius Placidus on Statius, Theb. iv.795; Scriptores rerum mythicarum Latini, ed. Bode, i. pp. 13, 79ff.; (First Vatican Mythographer 37; Second Vatican Mythographer 17). But Latona for her intrigue with Zeus was hunted by Hera over the whole earth, till she came to Delos and brought forth first Artemis, by the help of whose midwifery she afterwards gave birth to Apollo.As to the birth of Apollo and Artemis, see the HH Apoll. 14ff.; Pind. On Delos, p. 560, ed. Sandys; Hyginus, Fab. 140; and the writers cited in the preceding note. The usual tradition was that Latona gave birth both to Artemis and to Apollo in Delos, which formerly had been called Asteria or Ortygia. But the author of the distinguishes Ortygia from Delos, and says that, while Apollo was born in Delos, Artemis was born in Ortygia. Thus distinguished from Delos, the island of Ortygia is probably to be identified, as Strabo thought, with Rhenia, an uninhabited island a little way from Delos, where were the graves of the Delians; for no dead body might be buried or burnt in Delos (Strab. 10.5.5). Not only so, but it was not even lawful either to be born or to die in Delos; expectant mothers and dying folk were ferried across to Rhenia, there to give birth or to die. However, Rhenia is so near the sacred isle that when Polycrates, tyrant of Samos, dedicated it to the Delian Apollo, he connected the two islands by a chain. See Thuc. 3.104; Diod. 12.58.1; Paus. 2.27.1. The notion that either a birth or a death would defile the holy island is illustrated by an inscription found on the acropolis of Athens, which declares it to be the custom that no one should be born or die within any sacred precinct. See , Athens, 1884, pp. 167ff. The desolate and ruinous remains of the ancient necropolis, overgrown by asphodel, may still be seen on the bare treeless slopes of Rhenia, which looks across the strait to Delos. See H. F. Tozer, (Oxford, 1890), pp. 14ff. The quaint legend, recorded by Apollodorus, that immediately after her birth Artemis helped her younger twin brother Apollo to be born into the world, is mentioned also by Serv. Verg. A. 3.73 and the Vatican Mythographers (see the reference in the last note). The legend, these writers inform us, was told to explain why the maiden goddess Artemis was invoked by women in child-bed. Now Artemis devoted herself to the chase and remained a maid; but Apollo learned the art of prophecy from Pan, the son of Zeus and Hybris,Pan, son of Zeus and Thymbreus (Thymbris? Hybris?), is mentioned by a Scholiast on Pindar, who distinguishes him from Pan, the son of Hermes and Penelope. See the Argument to the Pythians, p. 297, ed. Boeckh. and came to Delphi, where Themis at that time used to deliver oracles;As to the oracle of Themis at Delphi, see Aesch. Eum. 1ff.; Eur. IT 1259ff.; Paus. 10.5.6; Scholiast on Pind. Argument to the Pythians, p. 297, ed. Boeckh. According to Ov. Met. 1.367ff., it was Themis, and not Apollo, whom Deucalion consulted at Delphi about the best means of repeopling the earth after the great flood. and when the snake Python, which guarded the oracle, would have hindered him from approaching the chasm,The reference is to the oracular chasm at which the priestess, under the supposed influence of its divine exhalations, delivered her prophecies. See Diod. 16.26; Strab. 9.3.5; Justin xxiv.6.9. he killed it and took over the oracle.As to Apollo's slaughter of the Python, the dragon that guarded the oracle at Delphi, see Plut. Quaest. Graec. 12; Plut. De defectu oraculorum 15; Ael., Var. Hist. iii.1; Paus. 2.7.7, Paus. 2.30.3, Paus. 10.6.5ff.; Ov. Met. 1.437ff.; Hyginus, Fab. 140. From Plutarch and Aelian we learn that Apollo had to go to Tempe to be purified for the slaughter of the dragon, and that both the slaughter of the dragon and the purification of the god were represented every eighth year in a solemn festival at Delphi. See Frazer, on Paus. 2.7.7 (Paus. vol 3. pp. 53ff.). The Pythian games at Delphi were instituted in honour of the dead dragon (Ovid and Hyginus, Fab. 140; compare Clement of Alexandria, Protrept. 2, p. 29, ed. Potter), probably to soothe his natural anger at being slain. Not long afterwards he slew also Tityus, who was a son of Zeus and Elare, daughter of Orchomenus; for her, after he had debauched her, Zeus hid under the earth for fear of Hera, and brought forth to the light the son Tityus, of monstrous size, whom she had borne in her womb.Compare Scholiast on Hom. Od. 7.324; Eustathius on Hom. Od. 7.324, p. 1581; Ap. Rhod., Argon. i.761ff., with the Scholiast on 761. The curious story how Zeus hid his light o' love under the earth to save her from the jealous rage of Hera was told by the early mythologist and antiquarian Pherecydes of Athens, as we learn from the Scholiast on Ap. Rhod., (l.c.). Pherecydes was a contemporary of Herodotus and Hellanicus, and wrote in the first half of the fifth century B.C. Apollodorus often refers to him, and appears to have made much use of his writings, as I shall have occasion to observe in the course of these notes. With regard to Elare or Elara, the mother of Tityus, some people thought that she was a daughter of Minyas, not of Orchomenus (Scholiast on Hom. and Eustathius on Hom. Od. vii.324, p. 1581). Because Tityus was brought up under the earth, he was said to be earth-born (γηγενής, Scholiast on Ap. Rhod., Argon. i.761). Homer calls him simply a son of Earth (Hom. Od. 11.576), and in this he is followed by Verg. A. 6.595. When Latona came to Pytho, Tityus beheld her, and overpowered by lust drew her to him. But she called her children to her aid, and they shot him down with their arrows. And he is punished even after death; for vultures eat his heart in Hades.As to the crime and punishment of Tityus, see Hom. Od. 11.576-581; Pind. P. 4.90(160)ff., with the Scholiast on Pind. P. 4.90(160); Lucretius iii.984ff.; Verg. A. 6.595ff.; Hor. Carm. 2.14.8ff., iii.4.77ff., iii.11.21ff., iv.6.2ff.; Hyginus, Fab. 55; Scriptores rerum mythicarum Latini, ed. Bode, i. pp. 4, 110 (First Vatican Mythographer 13; Second Vatican Mythographer 104). The tomb of Tityus was shown at Panopeus in Phocis; it was a mound or barrow about a third of a furlong in circumference. See Paus. 10.4.5. In Euboea there was shown a cave called Elarium after the mother of Tityus, and Tityus himself had a shrine where he was worshipped as a hero (Strab. 9.3.14). The death of Tityus at the hands of Apollo and Artemis was represented on the throne of Apollo at Amyclae (Paus. 3.18.15), and it was the subject of a group of statuary dedicated by the Cnidians at Delphi (Paus. 10.11.1). His sufferings in hell were painted by Polygnotus in his famous picture of the underworld at Delphi. The great artist represented the sinner worn to a shadow, but no longer racked by the vultures gnawing at his liver (Paus. 10.29.3).

Apollo also slew Marsyas, the son of Olympus. For Marsyas, having found the pipes which Athena had thrown away because they disfigured her face,As she played on the pipes, she is said to have seen her puffed and swollen cheeks reflected in water. See Plut. De cohibenda ira 6; Athenaeus xiv.7, p. 616ef; Prop. iii.22(29). 16ff.; Ovid, Fasti vi.697ff.; Ovid, Ars Am. iii.505ff.; Hyginus, Fab. 165; Fulgentius, Mytholog. iii.9; Scriptores rerum mythicarum Latini, ed. G.H.Bode, i. pp. 40, 114 (First Vatican Mythographer 125; Second Vatican Mythographer 115). On the acropolis at Athens there was a group of statuary representing Athena smiting Marsyas because he had picked up the flutes which she had thrown away (Paus. 1.24.1). The subject was a favourite theme in ancient art. See Frazer, note on Paus. 10.29.3 (vol. ii. pp. 289ff.).engaged in a musical contest with Apollo. They agreed that the victor should work his will on the vanquished, and when the trial took place Apollo turned his lyre upside down in the competition and bade Marsyas do the same. But Marsyas could not, so Apollo was judged the victor and despatched Marsyas by hanging him on a tall pine tree and stripping off his skin.As to the musical contest between Marsyas and Apollo, and the punishment of the vanquished Marsyas, see Diod. 3.59; Paus. 2.22.9; Ov. Met. 6.382ff.; Ovid, Fasti vi.703ff.; Hyginus, Fab. 165; Scriptores rerum mythicarum Latini, ed. Bode, i. pp. 40, 114 (First Vatican Mythographer 125; Second Vatican Mythographer 115). There has been some doubt as to the interpretation of the words τὴν κιθάραν στρέψας; but that they mean simply “turned the lyre upside down,” as Heyne correctly explained them, is shown by a comparison with the parallel passages in Hyginus (“citharam versabat”) and the Second Vatican Mythographer (“invertit citharam, et canere coepit. Inversis autem tibiis, quum se Marsya Apollini aequiparare nequiret,” etc.). That the tree on which Marsyas was hanged was a pine is affirmed by many ancient writers besides Apollodorus. See Nicander, Alex. 301ff., with the Scholiast's note; Lucian, Tragodopodagra 314ff.; Archias Mitylenaeus in Anth. Pal. vii.696; Philostratus Junior, Im. i.3; Longus, Pastor. iv.8; Zenobius, Cent. iv.81; Tzetzes, Chiliades i.353ff. Pliny alone describes the tree as a plane, which in his time was still shown at Aulocrene on the way from Apamea to Phrygia (Pliny, Nat. Hist. xvi.240). The skin of the flayed Marsyas was exhibited at Celaenae within historical times. See Hdt. 7.26; Xen. Ana. 1.2.8; Livy xxxviii.13.6; Quintus Curtius iii.1.1-5; Pliny, Nat. Hist. v.106.

And Artemis slew Orion in Delos.See Hom. Od. 5.121-124; Hor. Carm. 3.4.70ff. They say that he was of gigantic stature and born of the earth; but Pherecydes says that he was a son of Poseidon and Euryale.The same account of Orion's parentage was given by Hesiod, whom Pherecydes probably followed. See Eratosthenes, Cat. 32; Hyginus, Ast. ii.34. Poseidon bestowed on him the power of striding across the sea.Some thought that Orion waded through the sea (so Verg. A. 10.763ff.), others that he walked on the top of it (so Eratosthenes, Cat. 32; Scholiast on Nicander, Ther. 15; Hyginus, Ast. ii.34). He first married Side,As Side means “pomegranate” in Greek, it has been supposed that the marriage of Orion to Side is a mythical expression for the ripening of the pomegranate at the season when the constellation Orion is visible in the nightly sky. See W. Pape, (Brunswick, 1884), ii.1383. whom Hera cast into Hades because she rivalled herself in beauty. Afterwards he went to Chios and wooed Merope, daughter of Oenopion. But Oenopion made him drunk, put out his eyes as he slept, and cast him on the beach. But he went to the smithy of Hephaestus, and snatching up a lad set him on his shoulders and bade him lead him to the sunrise. Being come thither he was healed by the sun's rays, and having recovered his sight he hastened with all speed against Oenopion.

But for him Poseidon had made ready a house under the earth constructed by Hephaestus.This quaint story of Orion and Oenopion is told also by Eratosthenes, Cat. 32; the Old Scholiast on Aratus, Phaenomena 322, quoted in Epicorum Graecorum Fragmenta, ed. G. Kinkel, p. 89; the Scholiast on Nicander, Ther. 15; Hyginus, Ast. ii.34; Serv. Verg. A. 10.763; and the Scriptores rerum mythicarum Latini, ed. Bode, i. p. 12 (First Vatican Mythographer 33), except that this last writer substitutes Minos, king of Crete, for Oenopion. The name of the guide whom Orion took on his back to guide him to the sunrise was Cedalion (Lucian, De domo 28; Eratosthenes, Cat.; and Hyginus, Ast. ii.34.). Sophocles made the story the theme of a satyric drama called , of which a few fragments have come down to us. See TGF (Nauck 2nd ed.), pp. 202ff.; , ed. A. C. Pearson, vol. ii. pp. 8ff. Euripides represents the blinded Polymestor praying to the Sun to restore his sight (Eur. Hec. 1067ff.). And Dawn fell in love with Orion and carried him off and brought him to Delos; for Aphrodite caused Dawn to be perpetually in love, because she had bedded with Ares.