A gilt statue of Phryne was made by Praxiteles, one of her lovers, but it was Phryne herself who dedicated the statue. The offerings next to Phryne include two images of Apollo, one dedicated from Persian spoils by the Epidaurians of Argolis, the other dedicated by the Megarians to commemorate a victory over the Athenians at Nisaea. The Plataeans have dedicated an ox, an offering made at the time when, in their own territory, they took part, along with the other Greeks, in the defence against Mardonius, the son of Gobryas. Then there are another two images of Apollo, one dedicated by the citizens of Heracleia on the Euxine, the other by the Amphictyons when they fined the Phocians for tilling the territory of the god.

The second Apollo the Delphians call Sitalcas, and he is thirty-five cubits high. The Aetolians have statues of most of their generals, and images of Artemis, Athena and two of Apollo, dedicated after their conclusion of the war against the Gauls. That the Celtic army would cross from Europe to Asia to destroy the cities there was prophesied by Phaennis in her oracles a generation before the invasion occurred:

Then verily, having crossed the narrow strait of the Hellespont,The devastating host of the Gauls shall pipe; and lawlesslyThey shall ravage Asia; and much worse shall God doTo those who dwell by the shores of the seaFor a short while. For right soon the son of CronosShall raise them a helper, the dear son of a bull reared by Zeus,Who on all the Gauls shall bring a day of destruction.By the son of a bull she meant Attalus, king of Pergamus, who was also styled bull-horned by an oracle.

Statues of cavalry leaders, mounted on horses, were dedicated in Apollo's sanctuary by the Pheraeans after routing the Attic cavalry.The bronze palm-tree, as well as a gilt image of Athena on it, was dedicated by the Athenians from the spoils they took in their two successes on the same day at the Eurymedon, one on land, and the other with their fleet on the river. The gold on this image was, I noticed, damaged in parts.

I myself put the blame on rogues and thieves. But Cleitodemus, the oldest writer to describe the customs of the Athenians, says in his account of Attica that when the Athenians were preparing the Sicilian expedition a vast flock of crows swooped on Delphi, pecked this image all over, and with their beaks tore away its gold. He says that the crows also broke off the spear, the owls, and the imitation fruit on the palm-tree.

Cleitodemus describes other omens that told the Athenians to beware of sailing against Sicily. The Cyrenaeans have dedicated at Delphi a figure of Battus in a chariot; he it was who brought them in ships from Thera to Libya. The reins are held by Cyrene, and in the chariot is Battus, who is being crowned by Libya. The artist was a Cnossian, Amphion the son of Acestor.

It is said that, after Battus had founded Cyrene, he was cured of his stammeringBattos means the Stammerer. in the following way. As he was passing through the territory of the Cyrenaeans, in the extreme parts of it, as yet desert, he saw a lion, and the terror of the sight compelled him to cry out in a clear and loud voice. Not far from the Battus the Amphictyons have set up yet another Apollo from the fine they inflicted on the Phocians for their sin against the god.

Of the offerings sent by the Lydian kings I found nothing remaining except the iron stand of the bowl of Alyattes. This is the work of Glaucus the Chian, the man who discovered how to weld iron. Each plate of the stand is fastened to another, not by bolts or rivets, but by the welding, which is the only thing that fastens and holds together the iron.