<GetPassage xmlns:tei="http://www.tei-c.org/ns/1.0" xmlns="http://chs.harvard.edu/xmlns/cts">
            <request>
                <requestName>GetPassage</requestName>
                <requestUrn>urn:cts:greekLit:tlg0062.tlg037.perseus-eng2:17-18</requestUrn>
            </request>
            <reply>
                <urn>urn:cts:greekLit:tlg0062.tlg037.perseus-eng2:17-18</urn>
                <passage>
                    <TEI xmlns="http://www.tei-c.org/ns/1.0"><text><body><div type="translation" n="urn:cts:greekLit:tlg0062.tlg037.perseus-eng2" xml:lang="eng"><div type="textpart" xml:base="urn:cts:greekLit:tlg0062.tlg037.perseus-eng2" subtype="section" n="17"><p>
Hunt up obscure, unfamiliar words, rarely
used by the ancients, and have a heap of these in
readiness to launch at your audience. The many-headed crowd will look up to you and think you
amazing, and far beyond themselves in education,
if you call rubbing down ‘ destrigillation,’ taking a
sun-bath ‘insolation,’ advance payments ‘hansel,’
and daybreak ‘crepuscule.” Sometimes you must
yourself make new monstrosities of words and prescribe that an able writer be called fine-dictioned,
an intelligent man sage-minded, and a dancer handiwise.<note xml:lang="eng" n="v.4.p.157.n.2"><p>According to Lucian himself in the treatise On Dancing (69), the word xe:plcopos (handiwise) was applied to dancers by Lesbonax, a rhetorician, whose son was one of Tiberius’ teachers. Its appropriateness lay in the extensive use of gesture in Greek dancing. </p></note>. If you commit a solecism or a barbarism, let
shamelessness be your sole and only remedy, and be
ready at once with the name of someone who is not
now alive and never was, either a poet or a historian,
saying that he, a learned man, extremely precise
in his diction, approved the expression. As for
reading the classics, don’t you do it—either that
twaddling Isocrates or that uncouth Demosthenes or
that tiresome Plato. No, read the speeches of the
men who lived only a little before our own time, and




<pb n="v.4.p.159"/>

these pieces that they call ‘exercises,’<note xml:lang="eng" n="v.4.p.159.n.1"><p>I.e., declamations. </p></note> in order to
secure from them a supply of provisions which you
can use up as occasion arises, drawing, as it were, on
the buttery.
</p></div><div type="textpart" xml:base="urn:cts:greekLit:tlg0062.tlg037.perseus-eng2" subtype="section" n="18"><p>

“When you really must speak, and those present
suggest themes and texts for your discussion, carp
at all the hard ones and make light of them as not
fit, any one of them, fora real man. But when they
have made their selection,<note xml:lang="eng" n="v.4.p.159.n.2"><p>That is to say, when the audience had selected, from the different topics suggested by individuals, the one that they preferred. </p></note> unhesitatingly say ‘whatever comes to the tip of your unlucky tongue.’<note xml:lang="eng" n="v.4.p.159.n.3"><p>A quotation from an unknown poet, which had become a proverb (Athenaeus 5, 217 c). « Proverbial for putting the cart before the horse. </p></note>
Take no pains at all that the first thing, just because it really is first, shall be said at the appropriate
time, and the second directly after it, and the third
after that, but say first whatever occurs to you first ;
and if it so happens, don’t hesitate to buckle your
leggings on your head and your helmet on your leg.*
But do make haste and keep it going, and only don’t
stop talking. If you are speaking of a case of assault
or adultery at Athens, mention instances in India
or Ecbatana. Cap everything with references to
Marathon and Cynegeirus, without which you cannot
succeed at all. Unendingly let Athos be crossed in
ships and the Hellespont afoot; let the sun be
shadowed by the arrows of the Medes, and Xerxes
flee the field and Leonidas receive admiration; let
the inscription of Othryades be deciphered, and let
allusions to Salamis, Artemisium, and Plataea come
thick and fast. Over everything let those few
words of yours run riot and bloom, and let ‘sundry’




<pb n="v.4.p.161"/>

and ‘forsooth’ be incessant, even if there is no need
of them ; for they are ornamental even when uttered
at random.
</p></div></div></body></text></TEI>
                </passage>
            </reply>
            </GetPassage>