<GetPassage xmlns:tei="http://www.tei-c.org/ns/1.0" xmlns="http://chs.harvard.edu/xmlns/cts">
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                <requestUrn>urn:cts:greekLit:tlg0062.tlg028.perseus-eng2:11-20</requestUrn>
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                <urn>urn:cts:greekLit:tlg0062.tlg028.perseus-eng2:11-20</urn>
                <passage>
                    <TEI xmlns="http://www.tei-c.org/ns/1.0"><text><body><div type="translation" n="urn:cts:greekLit:tlg0062.tlg028.perseus-eng2" xml:lang="eng"><div type="textpart" xml:base="urn:cts:greekLit:tlg0062.tlg028.perseus-eng2" subtype="section" n="11"><p>

It would not be out of place to tell you another
story about something that happened in Lesbos
long ago. They say that when the women of Thrace
tore Orpheus to pieces, his head and his lyre fell
into the Hebrus, and were carried out into the
Aegean Sea; and that the head floated along on the
lyre, singing a dirge (so the story goes) over Orpheus,


<pb n="v.3.p.191"/>

while the lyre itself gave out sweet sounds as the
winds struck the strings. In that manner they came
ashore at Lesbos to the sound of music, and the
people there took them up, burying the head where
their temple of Dionysus now stands and hanging
up the lyre in the temple of Apollo, where it was
long preserved.

</p></div><div type="textpart" xml:base="urn:cts:greekLit:tlg0062.tlg028.perseus-eng2" subtype="section" n="12"><p>

In after time, however, Neanthus,
the son of Pittacus the tyrant, heard how the lyre
charmed animals and plants and stones, and made
music even after the death of Orpheus without anyone’s touching it; so he fell in love with the thing,
‘tampered with the priest, and by means of a generous
bribe prevailed upon him to substitute another similar
lyre, and give him the one of Orpheus. After
securing it, he did not think it safe to play it in the
city by day, but went out into the suburbs at night
with it under his cloak, and then, taking it in hand,
struck and jangled the strings, untrained and unmusical
lad that he was, expecting that under his touch the
lyre would make wonderful music with which he
could charm and enchant everybody, and indeed that
he would become immortal, inheriting the musical
genius of Orpheus. At length the dogs (there were
many of them there), brought together by the noise,
tore him to pieces; so his fate, at least, was like
that of Orpheus, and only the dogs answered his
call. By that it became very apparent that it was
not the lyre which had wrought the spell, but the
skill and the singing of Orpheus, the only distinctive
gifts that he had from his mother; while the lyre
was just a piece of property, no better than any
other stringed instrument.

<pb n="v.3.p.193"/>
</p></div><div type="textpart" xml:base="urn:cts:greekLit:tlg0062.tlg028.perseus-eng2" subtype="section" n="13"><p>
But why do I talk to you of Orpheus and Neanthus, when even in our own time there was and still
is, I think, a man who paid three thousand drachmas
for the earthenware lamp of Epictetus the Stoic:
He thought, I suppose, that if he should read by —
that lamp at night, he would forthwith acquire the
wisdom of Epictetus in his dreams and would be just
like that marvellous old man.

</p></div><div type="textpart" xml:base="urn:cts:greekLit:tlg0062.tlg028.perseus-eng2" subtype="section" n="14"><p>
And only a day or
two ago another man paid a talent for the staff which
Proteus the Cynic laid aside before leaping into the
fire ;<note xml:lang="eng" n="v.3.p.193.n.1"><p>Peregrinus ; nicknamed Proteus because he changed his faith so readily. The story of his life and his voluntary death at Olympia is related in Lucian’s Peregrinus. </p></note> and he keeps this treasure and displays it just
as the Tegeans do the skin of the Calydonian boar,
the Thebans the bones of Geryon, and the Memphites the tresses of Isis. Yet the original owner
of this marvellous possession surpassed even you
yourself in ignorance and indecency. You see what
a wretched state the collector is in: in all conscience
he needs a staff—on his pate.

</p></div><div type="textpart" xml:base="urn:cts:greekLit:tlg0062.tlg028.perseus-eng2" subtype="section" n="15"><p>

They say that Dionysius<note xml:lang="eng" n="v.3.p.193.n.2"><p>The Elder, Tyrant of Syracuse (431-367 B.C.). </p></note> used to write tragedy in
a very feeble and ridiculous style, so that Philoxenus<note xml:lang="eng" n="v.3.p.193.n.3"><p>A contemporary poet,   </p></note>
was often thrown into the quarries on account of it,
not being able to control his laughter. Well, when
he discovered that he was being laughed at, he took
great pains to procure the wax-tablets on which
Aeschylus used to write, thinking that he too would
be inspired and possessed with divine frenzy in virtue
of the tablets. But for all that, what he wrote on
those very tablets was far more ridiculous than what
he had written before : for example,
<quote><l>Doris, the wife of Dionysius,</l><l>Is dead—</l></quote>






<pb n="v.3.p.195"/>

and again,
<quote><l>Alackaday, a right good wife I’ve lost!</l></quote>

—for that came from the tablet ; and so did this:
<quote><l>'Tis of themselves alone that fools make sport.<note xml:lang="eng" n="v.3.p.195.n.1"><p>The few extant fragments of Dionysius’ plays are given by Nauck, rag. Graec. Fragm. pp. 793-796. Tzetzes (Chil. 5, 180) says that he repeatedly took second and third place in the competitions at Athens, and first with the ansom of Hector. Amusing examples of his frigidity are given by Athenaeus (iii. p. 98 D).  </p></note></l></quote>
The last line Dionysius might have addressed to
you with especial fitness, and those tablets of his
should have been gilded for it.

</p></div><div type="textpart" xml:base="urn:cts:greekLit:tlg0062.tlg028.perseus-eng2" subtype="section" n="16"><p>
 For what expectation do you base upon your books that you are
always unrolling them and rolling them up, glueing
them, trimming them, smearing them with saffron and
oil of cedar, putting slip-covers on them, and fitting
them with knobs, just as if you were going to derive
some profit from them? Ah yes, already you have
been improved beyond measure by their purchase,
when you talk as you do—but no, you are more dumb
than any fish !—and live in a way that cannot even
be mentioned with decency, and have incurred everybody’s savage hatred? as the phrase goes, for your
beastliness! If books made men like that, they
ought to be given as wide a berth as possible.

</p></div><div type="textpart" xml:base="urn:cts:greekLit:tlg0062.tlg028.perseus-eng2" subtype="section" n="17"><p>

Two
things can be acquired from the ancients, the ability
to speak and to act as one ought, by emulating the
best models and shunning the worst; and when a
man clearly fails to benefit from them either in the
one way or in the other, what else is he doing but
buying haunts for mice and lodgings for worms, and
excuses to thrash his servants for negligence?
</p></div><div type="textpart" xml:base="urn:cts:greekLit:tlg0062.tlg028.perseus-eng2" subtype="section" n="18"><p>

Furthermore, would it not be discreditable if someone, on seeing you with a book in your hand(youalways



<pb n="v.3.p.197"/>

have one, no matter what), should ask what orator
or historian or poet it was by, and you, knowing from
the title, should easily answer that question; and if
then—for such topics often spin themselves out to
some length in conversation—he should either commend or criticise something in its contents, and you
should be at a loss and have nothing to say? Would
you not then pray for the earth to open and swallow
you for getting yourself into trouble like Bellerophon
by carrying your book about?<note xml:lang="eng" n="v.3.p.197.n.1"><p>The letter that Bellerophon carried to the King of Lycia contained a request that he be put to death : Iliad 6, 155-195. </p></note>

</p></div><div type="textpart" xml:base="urn:cts:greekLit:tlg0062.tlg028.perseus-eng2" subtype="section" n="19"><p>

When Demetrius, the Cynic, while in Corinth, saw
an ignorant fellow reading a beautiful book (it was
the Bacchae of Euripides, I dare say, and he was at
the place where the messenger reports the fate of
Pentheus and the deed of Agave),<note xml:lang="eng" n="v.3.p.197.n.2"><p>1041 ff. </p></note> he snatched it
away and tore it up, saying: “It is better for
Pentheus to be torn to tatters by me once for all
than by you repeatedly.”</p><p>
Though I am continually asking myself the
question, I have never yet been able to discover why
you have shown so much zeal in the purchase of
books. Nobody who knows you in the least would
think that you do it on account of their helpfulness
or use, any more than a bald man would buy a comb,
or a blind man a mirror, or a deaf-mute a flute-player,
or an eunuch a concubine, or a landsman an oar, or a
seaman a plough. But perhaps you regard the matter
as a display of wealth and wish to show everyone
that out of your vast surplus you spepd money even
for things of no use to you? Come now, as far as I
know—and I too am a Syrian<note xml:lang="eng" n="v.3.p.197.n.3"><p>The implication is: “And therefore ought to know about your circumstances, if anyone knows.”  </p></note>—if you had not




<pb n="v.3.p.199"/>

smuggled yourself into that old man’s will with all
speed, you would be starving to death by now, and
would be putting up your books at auction!

</p></div><div type="textpart" xml:base="urn:cts:greekLit:tlg0062.tlg028.perseus-eng2" subtype="section" n="20"><p>

The
only remaining reason is that you have been convinced by your toadies that you are not only handsome and charming but a scholar and an orator and
a writer without peer, and you buy the books to
prove their praises true. They say that you hold
forth to them at dinner, and that they, like stranded
frogs, make a clamour because they are thirsty, or
else they get nothing to drink if they do not burst
themselves shouting.</p><p>
To be sure, you are somehow very easy to lead by
the nose, and believe them in everything ; for once
you were even persuaded that you resembled a
certain royal person in looks, like the false Alexander, the false Philip (the fuller), the false Nero in
our grandfathers’ time, and whoever else has been
put down under the title “false.”<note xml:lang="eng" n="v.3.p.199.n.1"><p>Balas, in the second century B.c., claimed to be the brother of Antiochus V. Eupator on account of a strong resemblance in looks, and took the name of Alexander. At about the same time, after the defeat of Perses, Andriscus of Adramyttium, a fuller, claimed the name of Philip. The false Nero cropped up some twenty years after Nero’s death, and probably in the East, as he had strong support from the Parthians, who refused to surrender him to Rome. </p></note>

</p></div></div></body></text></TEI>
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