<GetPassage xmlns:tei="http://www.tei-c.org/ns/1.0" xmlns="http://chs.harvard.edu/xmlns/cts">
            <request>
                <requestName>GetPassage</requestName>
                <requestUrn>urn:cts:greekLit:tlg0062.tlg009.perseus-eng2:25-32</requestUrn>
            </request>
            <reply>
                <urn>urn:cts:greekLit:tlg0062.tlg009.perseus-eng2:25-32</urn>
                <passage>
                    <TEI xmlns="http://www.tei-c.org/ns/1.0"><text><body><div type="translation" n="urn:cts:greekLit:tlg0062.tlg009.perseus-eng2" xml:lang="eng"><div type="textpart" xml:base="urn:cts:greekLit:tlg0062.tlg009.perseus-eng2" subtype="section" n="25"><p>

“Then comes Perseus again, in the adventure:
which preceded the sea-monster. He is cutting off
the head of Medusa, and Athena is shielding him.
He has done the daring deed, but has not looked,
except at the reflection of the Gorgon in the shield,
for he knows the cost of looking at the reality.

</p></div><div type="textpart" xml:base="urn:cts:greekLit:tlg0062.tlg009.perseus-eng2" subtype="section" n="26"><p>

“In the middle of the wall, above the postern<note xml:lang="eng" n="1">Or perhaps, “rear window.”</note>
is constructed a shrine of Athena. The goddess is
‘of marble, and is not in harness but as a war-goddess.
would appear when at peace.

</p></div><div type="textpart" xml:base="urn:cts:greekLit:tlg0062.tlg009.perseus-eng2" subtype="section" n="27"><p>

“Then we have another Athena, not of marble
this time, but in colours as before. Hephaestus is
pursuing her amorously; she is running away and
Erichthonius is being engendered of the chase.
<note xml:lang="eng" n="2">Mother Earth gave birth to him, not Athena.</note>

</p></div><div type="textpart" xml:base="urn:cts:greekLit:tlg0062.tlg009.perseus-eng2" subtype="section" n="28"><p>
"On this there follows another prehistoric picture.
Orion, who is blind, is carrying Cedalion, and the
latter, riding on his back, is showing him the way
to the sunlight.

</p></div><div type="textpart" xml:base="urn:cts:greekLit:tlg0062.tlg009.perseus-eng2" subtype="section" n="29"><p>
"The rising sun is healing the
blindness of Orion, and Hephaestus views the incident from Lemnos.
</p></div><div type="textpart" xml:base="urn:cts:greekLit:tlg0062.tlg009.perseus-eng2" subtype="section" n="30"><p>
“Odysseus is next, feigning madness because




<pb n="v.1.p.205"/>

he does not want to make the campaign with the
sons of Atreus. The ambassadors are there to
summon him, All the details of his pretence are
true to life—the wagon, the ill-matched team,
<note xml:lang="eng" n="1">He yoked an ass and an ox together.</note>
the
folly of his actions. He is shown up, however, by
means of his child. Palamedes, son of Nauplius,
comprehending the situation, seizes Telemachus and
threatens, sword in hand, to kill him, meeting
Odysseus’ pretence of madness with a pretence of
anger. In the face of this fright Odysseus grows
sane, becomes a father and abandons his pretence.

</p></div><div type="textpart" xml:base="urn:cts:greekLit:tlg0062.tlg009.perseus-eng2" subtype="section" n="31"><p>

“Last of all Medea is pictured aflame with
jealousy, looking askance at her two boys with a
terrible purpose in her mind—indeed, she already
has her sword—while the poor children sit there
laughing, unsuspicious of the future, although they
see the sword in her hands.

</p></div><div type="textpart" xml:base="urn:cts:greekLit:tlg0062.tlg009.perseus-eng2" subtype="section" n="32"><p>

“Do you not see, gentlemen of the jury, how
all these things attract the hearer and turn him away
to look, leaving the speaker stranded? My purpose
in describing them was not that you might think
my opponent bold and daring for voluntarily attacking a task sp difficult, and so pronounce against him,
dislike him and leave him floundering, but that on
the contrary you might support him and do your
best to close your eyes and listen to what he says,
taking into consideration the hardness of the thing.
Even under these circumstances, when he has you



<pb n="v.1.p.207"/>

as supporters, not judges, it will be just barely possible for him to avoid being thought altogether unworthy of the splendour of the hall. Do not be
surprised that I make this request in behalf of an
adversary, for on account of my fondness for the hall
I should like anyone who may speak in it, no matter
who he is, to be successful.”

<pb n="v.1.p.209"/>

<note xml:lang="eng">If this piece had not come down to us among the works of
rime nobody would ever have thought of attributing it
to him.</note>

</p></div></div></body></text></TEI>
                </passage>
            </reply>
            </GetPassage>