<GetPassage xmlns:tei="http://www.tei-c.org/ns/1.0" xmlns="http://chs.harvard.edu/xmlns/cts">
            <request>
                <requestName>GetPassage</requestName>
                <requestUrn>urn:cts:greekLit:tlg0062.tlg007.perseus-eng2:8</requestUrn>
            </request>
            <reply>
                <urn>urn:cts:greekLit:tlg0062.tlg007.perseus-eng2:8</urn>
                <passage>
                    <TEI xmlns="http://www.tei-c.org/ns/1.0"><text><body><div type="translation" n="urn:cts:greekLit:tlg0062.tlg007.perseus-eng2" xml:lang="eng"><div type="textpart" xml:base="urn:cts:greekLit:tlg0062.tlg007.perseus-eng2" subtype="section" n="8"><p>
</p><p><label>A</label> Have done with your long prelude, “you
strange fellow ; begin at the beginning and tell me
what he said. You irritate me more than a little
with your beating about the bush.</p><p><label>B</label> You are right! I must do so. But look here, _
my friend : you’ve seen bad actors in tragedy before
now—yes, and in comedy too, I'll swear? I mean
the sort that are hissed and ruin pieces and finally
get driven off the stage, though their plays are often
good and have won a prize.</p><p><label>A</label> I know plenty of the sort. But what of it ?</p><p><label>B</label> I am afraid that, as you follow me, you may
think that I present my lines ridiculously, hurrying
through some of them regardless of metre, and
sometimes even spoiling the very sense by my
incapacity ; and that you may gradually be led to
condemn the play itself. As far as I am concerned,
I don’t care at all; but if the play shares my failure
and comes to grief on my account, it will naturally
hurt me more than a little.
</p></div></div></body></text></TEI>
                </passage>
            </reply>
            </GetPassage>