<GetPassage xmlns:tei="http://www.tei-c.org/ns/1.0" xmlns="http://chs.harvard.edu/xmlns/cts">
            <request>
                <requestName>GetPassage</requestName>
                <requestUrn>urn:cts:greekLit:tlg0011.tlg002.perseus-eng2:1219-1265</requestUrn>
            </request>
            <reply>
                <urn>urn:cts:greekLit:tlg0011.tlg002.perseus-eng2:1219-1265</urn>
                <passage>
                    <TEI xmlns="http://www.tei-c.org/ns/1.0"><text xml:lang="eng"><body><div type="translation" n="urn:cts:greekLit:tlg0011.tlg002.perseus-eng2" xml:lang="eng"><div type="textpart" subtype="episode"><sp><l n="1219" resp="p">This search, at our desperate master’s word, </l><l n="1220" resp="p">we went to make, and in the furthest part of the tomb
                            we saw her hanging by the neck, fastened by a halter of fine linen
                            threads, while he was embracing her with arms thrown around her waist,
                            bewailing the loss of his bride to the spirits below, as well as his
                            father’s deeds, and his grief-filled marriage. </l><l n="1225" resp="p">But his father, when he saw him, cried aloud with a
                            dreadful cry and went in and called to him with a voice of wailing: <q type="spoken">Ah, unhappy boy, what have you done! What plan have
                                you seized on? By what misfortune have you lost your reason?</q>
                        </l><l n="1230" resp="p"><q type="spoken" rend="merge">Come out, my son, I pray
                                you, I beg you!</q> But the boy glared at him with savage eyes, spat
                            in his face, and without a word in response drew his twin-edged sword.
                            As his father rushed out in flight, he missed his aim. Then the
                            ill-fated boy was enraged with himself </l><l n="1235" resp="p">and straightway stretched himself over his sword and
                            drove it, half its length, into his side. Still conscious, he clasped
                            the maiden in his faint embrace, and, as he gasped, he shot onto her
                            pale cheek a swift stream of oozing blood. </l><l n="1240" resp="p">Corpse enfolding corpse he lay, having won his marriage
                            rites, poor boy, not here, but in Hades’ palace, and having shown to
                            mankind by how much the failure to reason wisely is the most severe of
                            all afflictions assigned to man.<stage>Eurydice departs into the
                                house.</stage>
                        </l></sp><milestone unit="card" n="1244"/><sp><speaker>Chorus</speaker><l n="1244" resp="p">What would you infer from this? The lady </l><l n="1245" resp="p">has turned back and gone without a word, either for
                            good or for evil.</l></sp><sp><speaker>Messenger</speaker><l n="1246" resp="p">I, too, am startled. Still I am nourished by the hope that
                            at the grave news of her son she thinks it unworthy to make her laments
                            before the city, but in the shelter of her home will set her handmaids
                            to mourn the house’s grief. </l><l n="1250" resp="p">For she is not unhabituated to discretion, that she
                            should err.</l></sp><sp><speaker>Chorus</speaker><l n="1251" resp="p">I do not know. But to me, in any case, a silence too strict
                            seems to promise trouble just as much as a fruitless abundance of
                            weeping.</l></sp><sp><speaker>Messenger</speaker><l n="1253" resp="p">I will find out whether she is not, in fact, hiding some
                            repressed plan in the darkness of her passionate heart. </l><l n="1255" resp="p">I will go in, since you are right—in an excess of
                            silence, too, there may be trouble.<stage>Exit Messenger.</stage></l></sp><milestone unit="card" n="1257"/><div type="textpart" subtype="anapests"><stage>Enter Creon, attended and carrying the shrouded body of Haemon, on
                            the spectators’ left.</stage><sp><speaker>Chorus</speaker><l n="1257" resp="p">Look, here is the King himself approaching, his hands
                                grasping a monument plainly signing that his—if we may say it—and no
                                one else’s,</l><l n="1260" resp="p">was the madness of this error.</l></sp></div></div><milestone unit="card" n="1261"/><div type="textpart" subtype="choral"><div type="textpart" subtype="strophe" n="1"><sp><speaker>Creon</speaker><l n="1261" resp="p">Ah, the blunders of an unthinking
                            mind, blunders of rigidity, yielding death! Oh, you witnesses of the
                            killers and the killed, both of one family! </l><l n="1265" resp="p">What misery arises from my reasonings! Haemon, you have
                            died after a young life, youngest and last of my sons! O God! You have
                            departed not by your foolishness, but by my own!</l></sp></div></div></div></body></text></TEI>
                </passage>
            </reply>
            </GetPassage>