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                    <TEI xmlns="http://www.tei-c.org/ns/1.0"><text xml:lang="eng"><body><div type="translation" xml:lang="eng" n="urn:cts:greekLit:tlg0007.tlg129.perseus-eng3"><div type="textpart" subtype="section" n="27"><p rend="indent"><said rend="merge" who="#Phaedimus">As for cleverness in attacking and catching prey, we may perceive subtle examples of it in many different species. The starfish,<note resp="editor" place="unspecified" anchored="true">[Aristotle], <title xml:lang="lat" rend="italic">Historia Animal.</title> v. 15 (548 a 7 f.), an interpolated passage; nor can we be certain that it was known to Plutarch. See also Mair on Oppian, <title rend="italic">Hal.</title> ii. 181.</note> for example, knowing that everything with which it comes in contact dissolves and liquefies, offers its body and is indifferent to the contact of those that overtake or meet it. You know, of course, the property of the torpedo<note resp="editor" place="unspecified" anchored="true">Or <q>electric ray</q> or <q type="unspecified">crampfish</q>: for the ancient references see Thompson on Aristotle, <title xml:lang="lat" rend="italic">Historia Animal.</title> ic. 37 (620 b 12-23); <title rend="italic">Glossary</title>, pp. 169-172; Aelian, <title xml:lang="lat" rend="italic">De Natura Animal.</title> i. 36; ix. 14; Pliny, <title rend="italic">Nat. Hist.</title> ix. 143; Mair, L.C.L. <title rend="italic">Oppian</title>, p. lxix, and on <title rend="italic">Hal.</title> ii. 56; iii. 149; Philo, 30 (p. 115); Antigonus, <title rend="italic">Hist. Mirab.</title> 48; Boulenger, <title rend="italic">World Natural History</title>, pp. 189 f.</note>: not only does it paralyse all those who touch it, but even through the net creates a heavy numbness in the hands of the trawlers. And some who have experimented further with it report that if it is washed ashore alive and you pour water on it from above, you may perceive the numbness mounting to the hand and dulling your sense of touch by way of <pb xml:id="v.12.p.435"/> the water which, so it seems, suffers a change and is first infected.<note resp="editor" place="unspecified" anchored="true"><foreign xml:lang="lat">Cf.</foreign> the <q type="unspecified">upward infection</q> of the basilisk, Pliny, <title rend="italic">Nat. Hist.</title> viii. 78.</note> Having, therefore, an innate sense of this power, it never makes a frontal attack or endangers itself; rather, it swims in a circle around its prey and discharges its shocks as if they were darts, thus poisoning first the water, then through the water the creature which can neither defend itself nor escape, being held fast as if by chains and frozen stiff. </said></p><p rend="indent"><said rend="merge" who="#Phaedimus">The so-called fisherman<note resp="editor" place="unspecified" anchored="true">The fishing-frog, <foreign xml:lang="lat">Lophius piscatorius</foreign> L.: Aristotle, <title xml:lang="lat" rend="italic">Historia Animal.</title> ix. 37 (620 b 12); Pliny, <title rend="italic">Nat. Hist.</title> ix. 144; Mair on Oppian, <title rend="italic">Hal.</title> ii. 86; Strömberg, <title xml:lang="deu" rend="italic">Gr. Fischnamen</title>, pp. 122 f.</note> is known to many; he gets his name from his actions. Aristotle<note resp="editor" place="unspecified" anchored="true"><title xml:lang="lat" rend="italic">Historia Animal.</title> ix. 37 (622 a 1); <foreign xml:lang="lat">cf.</foreign> iv. 1 (524 a 3), iv. 6 (531 b 6); Pliny, <title rend="italic">Nat. Hist.</title> ix. 83 ff.; Mair on Oppian, <title rend="italic">Hal.</title> ii. 122.</note> says that the cuttlefish also makes use of this stratagem: he lets down, like a fishing line, a tentacle from his neck which is naturally designed to extend to a great length when it is released, or to be drawn to him when it is pulled in. So when he espies a little fish, he gives it the feeler to bite and then by degrees imperceptibly draws it back toward himself until the prey attached to the arm is within reach of his mouth.</said></p><p rend="indent"><said rend="merge" who="#Phaedimus">As for the octopus’ change of colour,<note resp="editor" place="unspecified" anchored="true"><foreign xml:lang="lat">Cf.</foreign> Aristotle, <title xml:lang="lat" rend="italic">Historia Animal.</title> ix. 37 (622 a 8); Mair on Oppian, <title rend="italic">Hal.</title> ii. 233. Athenaeus, 316 f, 317 f, 513 d; Pliny, <title rend="italic">Nat. Hist.</title> ix. 87; Antigonus, <title xml:lang="lat" rend="italic">Hist. Mirab.</title> 25, 50; Aelian, <title xml:lang="lat" rend="italic">Varia Hist.</title> i. 1; and Wellmann, <title rend="italic">Hermes</title>, li, p. 40.</note> Pindar<note resp="editor" place="unspecified" anchored="true">Frag. 43 Schroeder, 208 Turyn, 235 Bowra (p. 516, ed. Sandys L.C.L.); <foreign xml:lang="lat">cf. <title>Mor</title>.</foreign> 916 c and Turyn’s references.</note> has made it celebrated in the words <quote rend="blockquote"><l>To all the cities to which you resort </l><l>Bring a mind like the changing skin of the seabeast;</l></quote> <pb xml:id="v.12.p.437"/> and Theognis<note resp="editor" place="unspecified" anchored="true">215-216; <foreign xml:lang="lat">cf. <title>Mor</title>.</foreign> 96 f, 916 c. There are many textual variants, but none alters the sense.</note> likewise: <quote rend="blockquote"><l>Be minded like the octopus’ hue: </l><l>The colour of its rock will meet the view.<note resp="editor" place="unspecified" anchored="true">Or <quote rend="blockquote"><quote>Keep a mind as multicoloured as the octopus, </quote></quote> </note> </l><l><note resp="editor" place="unspecified" anchored="true"><quote rend="blockquote"><quote>With the rock whereon it sits homologous</quote></quote> (Andrews).</note></l></quote> </said></p><p rend="indent"><said rend="merge" who="#Phaedimus">The chameleon,<note resp="editor" place="unspecified" anchored="true">See Thompson on Aristotle, <title xml:lang="lat" rend="italic">Historia Animal.</title> ii. 11 (503 b 2); Ogle on <title xml:lang="lat" rend="italic">De Part. Animal.</title> iv. 11 (692 a 22 ff.). See also Aelian, <title xml:lang="lat" rend="italic">De Natura Animal</title>, iv. 33; and <foreign xml:lang="lat">cf.</foreign> Pliny, <title rend="italic">Nat. Hist.</title> viii. 122 for the chameleon’s exclusive diet of <q>air</q>; <foreign xml:lang="lat">nec alio quam aeris alimento</foreign>.</note> to be sure, is metachromatic, but not from any design or desire to conceal itself; it changes colour uselessly from fear, being naturally timid and cowardly. And this is consistent with the abundance of air in it, as Theophrastus<note resp="editor" place="unspecified" anchored="true">Frag. 189 Wimmer (p. 225); Aristotle says merely, <q>The change takes place when it is inflated by air.</q> </note> says; for nearly the whole body of the creature is occupied by its lungs,<note resp="editor" place="unspecified" anchored="true">Which confirms Karsch’s emendation of Aristotle, <title xml:lang="lat" rend="italic">Historia Animal.</title> ii. 11 (503 b 21); for Theophrastus and Plutarch must have had <q type="unspecified">lungs</q> and not <q>membranes</q> in their text of Aristotle.</note> which shows it to be full of air and for this reason easily moved to change colour. But this same action on the part of the octopus is not an emotional response, but a deliberate change, since it uses this device to escape what it fears and to capture what it feeds on: by this deceit it can both seize the latter, which does not try to escape, and avoid the former, which proceeds on its way. Now the story that it eats its own tentacles<note resp="editor" place="unspecified" anchored="true">See 965 e <foreign xml:lang="lat">supra</foreign> and the note; Pliny, <title rend="italic">Nat. Hist.</title> ix. 87; <title rend="italic" xml:lang="lat">Mor.</title> 1059 e, 1098 e, <title xml:lang="lat" rend="italic">Comm. in Hes.</title> fr. 53 (Bernardakis, vol. VII, p. 77).</note> is a lie, but it is true that it fears the moray and the conger. It is, in fact, maltreated by them; for it cannot do them harm, since they slip from its grasp. On the other hand, when the crawfish<note resp="editor" place="unspecified" anchored="true">The <foreign xml:lang="lat" rend="italic">langouste</foreign> as distinguished from the <foreign xml:lang="lat" rend="italic">homard</foreign>; see Aelian, <title xml:lang="lat" rend="italic">De Natura Animal.</title> i. 32; ix. 25; x. 38; Thompson on Aristotle, <title xml:lang="lat" rend="italic">Historia Animal.</title> viii. 2 (590 b 16); <title rend="italic">Glossary</title>, pp. 102 ff.; Pliny, <title rend="italic">Nat. Hist.</title> ix. 185; Antigonus, <title xml:lang="lat" rend="italic">Hist. Mirab.</title> 92.</note> has once got them in its grasp, <pb xml:id="v.12.p.439"/> it wins the victory easily, for smoothness is no aid against roughness; yet when the octopus has once thrust its tentacles inside the crawfish, the latter succumbs. And so Nature has created this cycle<note resp="editor" place="unspecified" anchored="true">The octopus is worsted by the moray and the conger, which in turn are defeated by the crawfish, which (to complete the cycle) becomes the octopus’ prey. The whole engagement is graphically portrayed in Oppian, <title rend="italic">Hal.</title> ii. 253-418. For Nature’s battle see, <foreign xml:lang="lat">e.g.</foreign>, Pliny, <title rend="italic">Nat. Hist.</title> viii. 79.</note> and succession of mutual pursuit and flight as a field for the exercise and competitive practice of adroitness and intelligence. </said></p></div></div></body></text></TEI>
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