Institutio Oratoria

Quintilian

Quintilian. Institutio Oratoria, Volume 1-4. Butler, Harold Edgeworth, translator. Cambridge, Mass; London: Harvard University Press, William Heinemann Ltd., 1920-1922.

The result of such borrowing is, for some reason or other, the immediate accession to our language of a certain liveliness and charm. Take, for example, words such as sephyri and zophori: [*](Friezes.) if they were spelt according to the Latin alphabet, they would produce a heavy and barbarous sound. For we replace these letters by others of a harsh and unpleasant character, [*]( F and U; zefuri and zofori. ) from which Greece is happily immune.

For the sixth letter in our alphabet is represented by a sound which can scarcely be

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called human or even articulate, being produced by forcing the air through the interstices of the teeth. Such a sound, even when followed by a vowel, is harsh enough and, as often as it clashes ( frangit ) with a consonant, [*](cp. I. iv. 11. ) as it does in this very word frangit, becomes harsher still. Then there is the Aeolic digamma whose sound occurs in words such as our servus and cervus; for even though we have rejected the actual form of the letter, we cannot get rid of that which it represents. [*](A sound approximating to our W.)

Similarly the letter Q, which is superfluous and useless save for the purpose of attaching to itself the vowels by which it is followed, results in the formation of harsh syllables, as, for example, when we write equos and aequum, more especially since these two vowels together produce a sound for which Greek has no equivalent and which cannot therefore be expressed in Greek letters. [*]( The sound of Q in itself does not differ from C. It would therefore be useless, save as an indication that U and another vowel are to follow. The U in this combination following Q was, as Donatus later pointed out, neither a vowel nor a consonant, i.e. it was something between U and V. )

Again, we have a number of words which end with M, a letter which suggests the mooing of a cow, and is never the final letter in any Greek word: for in its place they use the letters nu, the sound of which is naturally pleasant and produces a ringing tone when it occurs at the end of' a word, whereas in Latin this termination is scarcely ever found.

Again, we have syllables which produce such a harsh effect by ending in B and D, that many, not, it is true, of our most ancient writers, but still writers of considerable antiquity, have attempted to mitigate the harshness not merely by saying aversa for abversa, but by adding an S to the preposition ab, although S is an ugly letter

in itself Our accents also are less agreeable than those of the Greeks. This is due to a certain rigidity and monotony of pronunciation, since the final

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syllable is never marked by the rise of the acute accent nor by the rise and fill of the circumflex, but one or even two grave accents [*](I.e. the last syllable and often the last two syllables have the grave accent. See I. v. sqq. ) are regularly to be found at the end. Consequently the Greek language is so much more agreeable in sound than the Latin, that our poets, whenever they wish their verse to be especially harmonious, adorn it with Greek words.

A still stronger indication of the inferiority of Latin is to be found in the fact that there are many things which have no Latin names, so that it is necessary to express them by metaphor or periphrasis, while even in the case of things which have names, the extreme poverty of the language leads us to resort to the same practice. [*](I.e. because the names are not holly adequate and there are no satisfactory synonyms. ) On the other hand, the Greeks have not merely abundance of words, but they have also a number of different dialects.

Consequently he who demands from Latin the grace of Attic Greek, must first provide a like charm of tone and equal richness of vocabulary. If this advantage is denied us, we must adapt our thoughts to suit the words we have and, where our matter is unusually slight and delicate, must avoid expressing it in words which are, I will not say too gross, but at any rate too strong for it, for fear that the combination should result in the destruction both of delicacy and force.

For the less help we get from the language, the more must we rely on inventiveness of thought to bring us through the conflict. We must discover sentiments full of loftiness and variety, must stir all the emotions and illumine our style by brilliance of metaphor. Since we cannot be so delicate, let us be stronger. If they beat us for subtlety, let us prevail by weight, and if they have greater precision, let us outdo

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them in fullness of expression.

Even the lesser orators of Greece have their own havens where they may ride in safety, [*]( Owing to the subtlety and delicacy of the Greek language even second-rate talent will he able to win distinction in dealing with minor things. But the coarser and more full-blooded nature of Latin makes this difficult. ) while we as a rule carry more sail. Let stronger gales fill our canvas, and yet let us not always keep the high seas; for at times we must cling to shore. The Greeks can easily traverse any shallows; I must find a deeper, though not much deeper, channel, that my bark may not run aground.

For even though the Greeks surpass us where circumstances call for delicacy and restraint, though we acknowledge their superiority in this respect alone, and therefore do not claim to rival them in comedy, that is no justification for our abandonment of this department of oratory, but rather a reason why we should handle it as best we can. Now we can at any rate resemble the Greeks in the method and judgement with which we treat our matter, although that grace of language, which our words cannot provide, must be secured by the admixture of foreign condiments.

For example, is not Cicero shrewd, simple and not unduly exalted in tone, when he deals with private eases? Is not Calidius also distinguished for the same virtue? Were not Scipio, Laelius and Cato the Attic orators of Rome? Surely we ought to be satisfied with them, since nothing can be better.