<GetPassage xmlns:tei="http://www.tei-c.org/ns/1.0" xmlns="http://chs.harvard.edu/xmlns/cts">
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                <requestUrn>urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1:R.roscius_2</requestUrn>
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                <urn>urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1:R.roscius_2</urn>
                <passage>
                    <TEI xmlns="http://www.tei-c.org/ns/1.0"><text xml:base="urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1"><body xml:lang="eng" n="urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1"><div type="textpart" subtype="alphabetic_letter" n="R"><div type="textpart" subtype="entry" xml:id="roscius-bio-2" n="roscius_2"><head><persName xml:lang="la"><surname full="yes">Ro'scius</surname></persName></head><p>3. <persName xml:lang="la"><forename full="yes">Q.</forename><surname full="yes">Roscius</surname></persName>, the most celebrated comic actor <pb n="663"/> at Rome,
      was a native of Solonium, a small place in the neighbourhood of Lanuvium. His sister was
      married to Quintius, whom Cicero defended in B. C. Bl. (Cic. <hi rend="ital">pro Qttint.</hi>
      24, 25.) A tale was told, that in his infancy he was found in the folds of a serpent, and that
      this foreshadowed his future eminence. His extraordinary skill in acting procured him the
      favour of many of the most distinguished Roman nobles, and, among others, of the dictator
      Sulla, who presented hint with a gold ring, the symbol of equestrian rank. Like his celebrated
      contemporary, the tragic actor Aesopus, Roscius enjoyed the friendship of Cicero, who
      constantly speaks of him in terms both of admiration and affection, and on one occasion calls
      him his <hi rend="ital">amores ct deliciae.</hi> Roscius paid the greatest attention to his
      art, and obtained excellence in it by the most careful and elaborate study. It is to this that
      Horace alludes, when he says (<hi rend="ital">Ep.</hi> 2.1. 82) : <quote xml:lang="la" rend="blockquote">Quae gravis Aesopus, quae <hi rend="ital">doctus</hi> Roscius
      egit.</quote></p><p>So careful and assiduous was he in his preparations, that even in the height of his
      reputation, he did not venture upon a single gesture in public which he had not previously
      well considered and practised at home. But notwithstanding all this study, no mannerism or
      affectation appeared in his acting; every thing he did was perfectly natural to the character
      he represented; and he himself used to say that <hi rend="ital">decere</hi> was the highest
      excellence of the art. He was considered by the Romans to have reached such perfection in his
      own profession, that it became the fashion to call every one who became particularly
      distinguished in his own art, by the name of Roscius. In his younger years Cicero received
      instruction from Roscius; and at a later time he and Roscius often used to try which of them
      could express a thought with the greatest effect, the orator by his eloquence, or the actor by
      his gestures. Macrobius, who relates this anecdote, goes on to say that these exercises gave
      Roscius so high an opinion of his art, that he wrote a work in which he compared eloquence and
      acting. Like Aesopus, Roscius realized an immense fortune by his profession. Macrobius says
      that he made a thousand denarii a day, and Pliny relates that his yearly profits were fifty
      millions of sesterces. He died in <date when-custom="-62">B. C. 62</date>, as Cicero, in his oration
      for Archias (100.8), which was delivered in that year, speaks of his death as a recent event.
      (Cic. <hi rend="ital">de Div.</hi> 1.36, 2.31, <hi rend="ital">de Orat.</hi> 1.27-29, 59, 60,
      2.57, 59, 3.26, 59, <hi rend="ital">de Leg.</hi> 1.4, <hi rend="ital">Brut.</hi> 84; Plut. <hi rend="ital">Cie.</hi> 5 ; <bibl n="Macr. 2.10">Macr. 2.10</bibl>; <bibl n="V. Max. 8.7.7">V.
       Max. 8.7.7</bibl>; <bibl n="Plin. Nat. 7.39.40">Plin. Nat. 7.39. s. 40</bibl>.) A scholiast
      on Cicero gives the cognomen Gallus to Q. Roscius, but it does not occur elsewhere, as far as
      we know. (Schol. Bob. <hi rend="ital">pro Arch.</hi> p. 357, ed. Orelli.)</p><p>In <date when-custom="-68">B. C. 68</date> Cicero pleaded the cause of his friend in a civil suit
      before the judex C. Piso. It appears that a certain C. Fannius Chaerea had a slave of the name
      of Panurgus, whom he entrusted to Roscius for instruction in his art, on the agreement that
      whatever profits the slave might acquire should be divided between them. Panurgus was murdered
      by one Q. Flavius of Tarquinii, and accordingly an action was brought against him for damages,
      by Fannius and Roscius. Before the case came on for trial, Roscius received from Flavius a
      farm, which Fannius valued at 100,000 sesterces : Roscius maintained that this farm was simply
      a compensation for his own loss; but Fannius asserted that Roscius had no right to make terms
      for himself alone, and that according to the original agreement he was entitled to half of the
      compensation. The dispute was referred for arbitration to C. Piso, who did not give any formal
      decision, but at his recommendation Roscius consented to pay Fannius a certain sum of money
      for the trouble he had had, and Fannius, on the other hand, promised to give Roscius the half
      of whateverhe might receive from Flavius. Fannius now sued Flavius ; the case came on before
      the judex C. Cluvius, a Roman eques, who sentenced Flavius to pay 100,000 sesterces. According
      to the statement of Roscius he himself never received any part of this sum although he was
      entitled to half of it. Some years afterwards, when Flavius was dead, Fannius sued Roscius for
      50,000 sesterces, as the half of the value of the estate given to Roscius on the death of
      Panurgus, and appealed to the agreement made before C. Piso, in support of his claim. The case
      came on for trial before the same C. Piso, who now acted as judex, and Cicero defended his
      friend in an oration, which has come down to us, though with the loss of the opening part. The
      date of the oration is doubtful; we have adopted the one given by Drumann, who discusses the
      matter at length (<hi rend="ital">Geschichte Roms,</hi> vol. v. pp. 346-348). The subject of
      the oration has afforded matter for considerable discussion to modern jurists and
      scholars.</p><div><head>Further Information</head><p>See Unterholzner, <hi rend="ital">Ueber die Rede des Cicero für den Schauspieler Q.
        Roscius,</hi> in Savigny's <hi rend="ital">Zeitschrift,</hi> vol. i. p. 248, &amp;c.;
       München, <hi rend="ital">Oratio M. T. C. pro Q. R. C. juridice deposita,</hi> Coloniae,
       1829; and Schmidt, in his edition of the oration, Lipsiae, 1839.</p></div></div></div></body></text></TEI>
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