<GetPassage xmlns:tei="http://www.tei-c.org/ns/1.0" xmlns="http://chs.harvard.edu/xmlns/cts">
            <request>
                <requestName>GetPassage</requestName>
                <requestUrn>urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1:P.pamphilus_3</requestUrn>
            </request>
            <reply>
                <urn>urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1:P.pamphilus_3</urn>
                <passage>
                    <TEI xmlns="http://www.tei-c.org/ns/1.0"><text xml:base="urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1"><body xml:lang="eng" n="urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1"><div type="textpart" subtype="alphabetic_letter" n="P"><div type="textpart" subtype="entry" xml:id="pamphilus-bio-3" n="pamphilus_3"><head><persName xml:lang="la"><surname full="yes">Pa'mphilus</surname></persName></head><p>3. A philosopher, of Amphipolis, or Sicyon, or Nicopolis, surnamed <foreign xml:lang="grc">Φιλοπράγματος</foreign>, wrote the following works: <foreign xml:lang="grc">εἰκόνες
       κατὰ στοιχεῖον, τέχνη γραμματική, περὶ γραφικῆς καὶ ζωγράφων ἐνδόξων, γεωργικὰ
       βιβλία γ#.</foreign> (Suid. s.v. who confounds him with the teacher of Epicurus.) We have no
      other mention of any of these works, except the last, of which there are considerable
      fragments in the <title>Geoponica</title> of Bassus. As two out of the four works in the above
      list are upon art, and as Suidas calls Pamphilus an Amphipolitan or Sicyonian, it has been
      conjectured that this Pamphilus was the great painter, who was a native of Amphipolis and the
      head of the Sicyonian school. Several of the great artists, and especially about the time of
      Pamphilus, wrote works on art, as, for example, Apelles and Melanthius; and it seems
      especially probable that Pamphilus, who was famed for the scientific character of his
      teaching, would do the same. The argument is good so far as it goes, but the best conclusion
      to draw from it seems to be, not that the whole article in Suidas is to be referred to the
      painter, but that the lexicographer has here, as frequently elsewhere, confounded different
      persons; namely, the painter, to whom we may ascribe the "Likenesses in Alphabetical Order,"
      and the work on "Painting and Celebrated Painters," and a philosopher, or rather grammarian of
      Nicopolis, author of the other two works.</p><p>The latter, again, is perhaps the same person who wrote a work on plants (<foreign xml:lang="grc">περὶ βοτανῶν</foreign>) in alphabetical order, and who is frequently
      mentioned and ridiculed by Galen. He is sometimes enumerated among the physicians, but Galen
      expressly says that he was a grammnarian, and had never seen the plants about which he wrote.
      (Galen, <foreign xml:lang="grc">περὶ τῆς τῶν ἁπλῶν φαρμάκων δυνάμεως</foreign>, pp.
      67, &amp;c.) His book found a place in the work of the younger Dioscorides, and considerable
      fragments of it are found in the <title>Geoponica.</title> A work of Pamphilus <foreign xml:lang="grc">Περὶ φυσικῶν</foreign> also cited in the <title>Geoponica</title>
      (13.15). To this grammarian, who busied himself also with physical science, the epithet
       <foreign xml:lang="grc">φιλοπράγματος</foreign>, which Suidas tells us was given to
      Pamphilus of Nicopolis, might very well be applied, and the work on agriculture, which Suidas
      ascribes to the latter, may be, perhaps, the same as that on plants, which is cited by Galen.
      A further point of resemblance is, that the fragments of Pamphilus's work on agriculture in
      the <title>Geoponica</title> contain several examples of that superstition with which Galen
      charges the author of the work on plants. Whether they are to be identified or not, the latter
      writer must have lived about the first century of our era, since his work was copied by
      Dioscorides.</p></div></div></body></text></TEI>
                </passage>
            </reply>
            </GetPassage>