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                    <TEI xmlns="http://www.tei-c.org/ns/1.0"><text xml:base="urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1"><body xml:lang="eng" n="urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1"><div type="textpart" subtype="alphabetic_letter" n="P"><div type="textpart" subtype="entry" xml:id="m-pacuvius-bio-1" n="m_pacuvius_1"><head><label xml:id="phi-0116"><persName xml:lang="la"><forename full="yes">M.</forename><surname full="yes">Pacu'vius</surname></persName></label></head><p>one of the most celebrated of the early Roman tragedians, was born about <date when-custom="-220">B. C. 220</date>, since he was fifty years older than the poet Accius or Attius (<bibl n="Cic. Brut. 64">Cic. Brut. 64</bibl>), who was born in <date when-custom="_170">B. C. 170</date>
       [<hi rend="smallcaps">ACCIUS</hi>]. This agrees with the statement of Jerome (<hi rend="ital">in Euseb. Chron.</hi> Olymp. 156. 3) that Pacuvius flourished about <date when-custom="-154">B. C.
       154</date>, since we know from various sources that Pacuvius attained a great age, and
      accordingly the time understood by the indefinite term <hi rend="ital">flourished</hi> may
      properly be placed in <date when-custom="-154">B. C. 154</date>, though Pacuvius was then about
      sixty-five years old. Jerome further relates that Pacuvius was almost ninety years of age at
      the time of his death, which would therefore fall about <date when-custom="-130">B. C. 130</date>.
      Pacuvius was a native of Brundisium, and accordingly a countryman of Ennius, with whom he was
      connected by ties of blood, and whom he is also said to have buried. According to the accounts
      of most ancient writers he was the son of the sister of Ennius, and this is more probable than
      the statement of Jerome, that he was the grandson of Ennius by his daughter, since Ennius was
      only nineteen years older than Pacuvius. Pacuvius appears to have been brought up at
      Brundisium, But he. afterwards repaired to Rome, though in what year is uncertain. Here he
      devoted himself to painting and poetry, and obtained so much distinction in the former art,
      that a painting of his in the temple of Hercules, in the forum boarium, was regarded as only
      inferior to the celebrated painting of Fabius Pictor (<bibl n="Plin. Nat. 35.4.7">Plin. Nat.
       35.4. s. 7</bibl>). After living many years at Rome, for he was still there in his eightieth
      year (Cic. <hi rend="ital">Brut. l.</hi> c.), he at last returned to Brundisiltm, on account
      of the failure of his health, and died in his native town, in the ninetieth year of his age,
      as has been already stated. We have no further particulars of his life, save that his talents
      gained him the friendship of Laelius, and that he lived on the most intimate terms with his
      younger rival Accius, of whom he seems to have felt none of that jealousy which poets usually
      entertain towards one another. After his retirement to Brundisium Pacuvius invited his friend
      to his house, and there they spent some time together, discoursing upon their literary
      pursuits. These notices, brief though they are, seem to show that Pacuvius was a man of an
      amiable character; and this supposition is supported by the modest way in which he speaks of
      himself, in an epigram which he composed for his tombstone, and which, even if it be not
      genuine, as some modern writers have maintained, indicates at least the opinion which was
      entertained of him in antiquity. The epigram runs as follows (<bibl n="Gel. 1.24">Gel.
       1.24</bibl>:-- <quote xml:lang="la" rend="blockquote"><l>Adulescens, tametsi properas, te hoc
        saxum rogat,</l><l>Uti sese aspicias, deinde, quod scripture est, legas.</l><l>Hic sunt poetae Pacuvi Marci sita</l><l>Ossa. Hoc volebam, nescius ne esses. Vale.</l></quote></p><div><head>Works</head><div><head><title xml:lang="la" xml:id="phi-0116.002">Tragoediae</title></head><p>Pacuvius was universally allowed by the best <pb n="82"/> writers in antiquity to have
        been one of the greatest of the Latin tragic poets. Horace regarded him and Accins (<hi rend="ital">Ep.</hi> 2.1. 56) as the two most important of the early tragedians; and he is
        especially praised for the loftiness of his thoughts, the vigour of his language, and the
        extent of his knowledge. Hence we find the epithet <hi rend="ital">doctus</hi> frequently
        applied to him, and the great critic Varro apud <hi rend="ital">Gell.</hi> 7.14) praises him
        for the <hi rend="ital">ubertas</hi> of his style. He was at the same time an equal
        favourite with the people, with whom his verses continued to be esteemed in the time of
        Julius Caesar (comp. Cic. <hi rend="ital">de Amic.</hi> 7; <bibl n="Suet. Jul. 84">Suet.
         Jul. 84</bibl>). The tragedies of Pacuvius continued, like those of his predecessors on the
        Latin stage, to be taken from Sophocles, Euripides, and the great Greek writers; but he did
        not confine himself to a mere translation of the latter, as most of the previous Latin
        writers had done, but worked up his materials with more freedom and independent judgment, of
        which we have an example in his <title xml:lang="la">Dulorestes,</title> which was an
        adaptation to the Latin stage of the <title xml:lang="la">Iphiqeneia in Tauris</title> of
        Euripides. Some of the plays of Pacuvius were not based upon the Greek tragedies, but
        belonged to the class called <title xml:id="phi-0116.001">Praetextatae,</title> in which the
        subjects were taken from Roman story. One of these was entitled <title xml:lang="la">Paullus,</title> and had as its hero the celebrated L. Aemilius Paullus who conquered
        Perseus, king of Macedonia (<bibl n="Gel. 9.14">Gel. 9.14</bibl>). The following titles of
        his tragedies have come down to us:--<title xml:lang="la">Anchises</title> ; <title xml:lang="la">Antiopa</title>; <title xml:lang="la">Armorurum Judicium</title>; <title xml:lang="la">Atalanta</title>; <title xml:lang="la">Chryses </title>; <title xml:lang="la">Dulorestes</title>; <title xml:lang="la">Hermiona</title>; <title xml:lang="la">Iliona</title>; <title xml:lang="la">Medus</title> or <title xml:lang="la">Medea</title>;
         <title xml:lang="la">Niptra</title>; <title xml:lang="la">Periboea</title>; <title xml:lang="la">Tantalus</title> (doubtful); <title xml:lang="la">Teucer</title>; <title xml:lang="la">Thyestes</title>. Of these the <title xml:lang="la">Antiopa</title> and the
         <title xml:lang="la">Dulorestes</title> were by far the most celebrated</p></div><div><head>Other works</head><p>Although the reputation of Pacuvius rested almost exclusively on his tragedies, yet he
        seems to have written other kinds of poetry. He is expressly mentioned as having composed
         <title xml:lang="la">Saturae,</title> according to the old Roman meaning of the word
        (Diomedes, iii. p. 482, ed. Putschius), and there seems no reason for doubting, as some
        modern writers have done, that he also wrote comedies. The <title xml:lang="la">Pseudo</title> is expressly mentioned as a comedy of Pacuvius (Fulgentius, p. 562), and
        the <title xml:lang="la">Tarentilla</title> may also have been a comedy.</p></div></div><div><head>Editions</head><p>The fragments of Pacuvius are published in the collections of <bibl>Stephanus, <title xml:lang="la">Fragmenta Vet. Poet.,</title> Paris, 1564</bibl>, of <bibl>Scriverius, <title xml:lang="la">Tragicorum Vet. Fragm.</title> Lugd. Batav. 1620</bibl>, and of <bibl>Bothe,
         <title xml:lang="la">Poet. Latii Scenic. Fragm.</title> vol. i. Lips. 1834.</bibl></p></div><div><head>Further information</head><p>The principal ancient authorities respecting Pacuvius are: Hieronym. <hi rend="ital">in
        Euseb. Chron.</hi> Olymp. 156. 3; <bibl n="Plin. Nat. 35.4.7">Plin. Nat. 35.4. s. 7</bibl>;
        <bibl n="Vell. 2.9">Vell. 2.9</bibl>; <bibl n="Quint. Inst. 10.1">Quint. Inst. 10.1</bibl>;
        <bibl n="Gel. 7.14">Gel. 7.14</bibl>, <bibl n="Gel. 13.2">13.2</bibl>, <bibl n="Gel. 17.21">17.21</bibl>; Cic. <hi rend="ital">de Optim. Gen. Orat. 1.6, Brut.</hi> 64, 74, <hi rend="ital">de Amic. 7.</hi>, <hi rend="ital">Tusc.</hi> 2.2], <hi rend="ital">de Orat.</hi>
       1.58, <hi rend="ital">ad Herenn.</hi> 4.4; <bibl n="Hor. Ep. 2.1.55">Hor. Ep. 2.1. 55</bibl>;
       Pers. 1.77. The chief modern writers are: Delrio. <hi rend="ital">Syntagm. Trag. Lat.</hi>
       Antv. 1594, and Paris, 1620; Sagittarius, <hi rend="ital">De Vita et Scriptis Livii
        Andronici, M. Pacuviii, &amp;c.,</hi> Altenb. 1672; Annibal di Leo, <hi rend="ital">Memorie
        di M. Pacuvio Anticissimo Poeta Tragico,</hi> Napoli, 1763; Lange, <hi rend="ital">Vindiciae
        Trag. Rom.</hi> Lips. 1822; Näke<hi rend="ital">Comment. de Pacuvii Duloreste,</hi>
       Ind. Lect. Bonn. 1822; Stieglitz<hi rend="ital">de Pacuvii Duloreste,</hi> Lips. 1826 :
       Vater, in Ersch and Gruber's <hi rend="ital">Encyklopädie,</hi> art. <hi rend="ital">Pacuvius.</hi></p></div></div></div></body></text></TEI>
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