<GetPassage xmlns:tei="http://www.tei-c.org/ns/1.0" xmlns="http://chs.harvard.edu/xmlns/cts">
            <request>
                <requestName>GetPassage</requestName>
                <requestUrn>urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1:A.andronicus_cyrrhestes_1</requestUrn>
            </request>
            <reply>
                <urn>urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1:A.andronicus_cyrrhestes_1</urn>
                <passage>
                    <TEI xmlns="http://www.tei-c.org/ns/1.0"><text xml:base="urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1"><body xml:lang="eng" n="urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1"><div type="textpart" subtype="alphabetic_letter" n="A"><div type="textpart" subtype="entry" xml:id="andronicus-cyrrhestes-bio-1" n="andronicus_cyrrhestes_1"><head><label><persName xml:lang="la"><forename full="yes">Androni'cus</forename><surname full="yes">Cyrrhestes</surname></persName></label></head><p>(so called from his native place, Cyrrha), was the builder of the octagonal tower at Athens,
      vulgarly called "the tower of the winds." Vitruvius (<bibl n="Vitr. 1.6.4">1.6.4</bibl>),
      after stating, that some make the number of the winds to be four, but that those who have
      examined the subject more carefully distinguished eight, adds, " Especially Andronicus
      Cyrrhestes, who also set up at Athens, as a representation thereof (<hi rend="ital">exemplum</hi>), an octagonal tower of marble, and on the several sides of the octagon he
      made sculptured images of the several winds, each image looking towards the wind it
      represented," (that is, the figure of the north wind was sculptured on the north side of the
      building, and so with the rest), "and above this tower he set up a marble pillar (<hi rend="ital">metam</hi>), and on the top he placed a Triton in bronze, holding out a wand in
      his right hand : and this figure was so contrived as to be driven round by the wind, and
      always to stand opposite the blowing wind, and to hold the wand as an index above the image of
      that wind." Varro calls the building "horologium." (<hi rend="ital">R. R.</hi> 3.5.17, Schn.)
      It formed a measure of time in two ways. On the outer walls were lines which with gnomons
      above them, formed a series of sun-dials, and in the building was a clepsydra, supplied from
      the spring called Clepsydra, on the north-west of the Acropolis. The building, which still
      stands, has been described by Stuart and others. The plain walls are surmounted by an
      entablature, on the frieze of which are the figures of the winds in bas-relief. The entrances,
      of which there are two, on the north-east and the north-west, have distyle porticoes of the
      Corinthian order. Within, the remains of the clepsydra are still visible, as are the dial
      lines on the outer walls.</p><p>The date of the building is uncertain, but the style of the sculpture and architecture is
      thought to belong to the period after Alexander the Great. The clepsydra also was probably of
      that improved kind which was invented by Ctesibius, about 135 B. C. (<hi rend="ital">Dict. of
       Ant. s. v. Horologium.</hi>) Müller places Andronicus at 100 B. C. (<hi rend="ital">Attika,</hi> in Ersch and Gruber's <hi rend="ital">Encyclop.</hi> vi. p. 233.)</p><p>From the words of Vitruvius it seems probable that Andronicus was an astronomer. The
      mechanical arrangements of his "horologium" were of course his work, but whether he was
      properly the architect of the building we have nothing to determine, except the absence of any
      statement to the contrary. </p><byline>[<ref target="author.P.S">P.S</ref>]</byline></div></div></body></text></TEI>
                </passage>
            </reply>
            </GetPassage>