<GetPassage xmlns:tei="http://www.tei-c.org/ns/1.0" xmlns="http://chs.harvard.edu/xmlns/cts">
            <request>
                <requestName>GetPassage</requestName>
                <requestUrn>urn:cts:latinLit:phi1348.abo016.perseus-eng2:53-56</requestUrn>
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                <urn>urn:cts:latinLit:phi1348.abo016.perseus-eng2:53-56</urn>
                <passage>
                    <TEI xmlns="http://www.tei-c.org/ns/1.0"><text xml:lang="eng"><body><div xml:lang="eng" type="translation" n="urn:cts:latinLit:phi1348.abo016.perseus-eng2"><div type="textpart" n="53" subtype="chapter"><p>He had likewise great taste for drawing and painting, as well as for moulding
					statues in plaster. But, ab've all things, he most eagerly 'oveted popularity,
					beinighe rival of every man who obtained the applause of the people for anything
					he did. It was the general belief, that, after the crowns he won by his
					performances on the stage, he would the next lustrum have taken his place among
					the wrestlers at the Olympic games. For he was continually practising that art;
					nor did he witness the gymnastic games in any part of <placeName key="tgn,1000074">Greece</placeName> otherwise than sitting upon the ground
					in the stadium, as the umpires do. And if a pair of wrestlers happened to break
					the bounds, he would with his own hands drag them back into the centre of the
					circle. Because he was thought to equal Apollo in music, and the sun in
					chariot-driving, he resolved also to imitate the achievements of Hercules. And
					they say that a lion was got ready for him to kill, either with a club, or with
					a close hug, in view of the people in the amphitheatre; which he was to perform
					naked.</p></div><div type="textpart" n="54" subtype="chapter"><p>Towards the end of his life, he publicly vowed, that if his power in the state
					was securely re-established, he would, in the spectacles which he intended to
					exhibit in honour of his success, include a performance upon organs, <note anchored="true">See c. xli. </note> as well as upon flutes and bagpipes,
					and, on the last day of the games, would act in the play, and take the part of
					Turnus, as we find it in Virgil. And there are some who say, that he put to
					death the player <placeName key="tgn,7008038">Paris</placeName> as a dangerous
					rival.</p></div><div type="textpart" n="55" subtype="chapter"><p>He had an insatiable desire to immortalize his name, and acquire a reputation
					which should last through all succeeding ages; but it was capriciously directed.
					He therefore took from several things and places their former appellations, and
					gave them new names derived from his own. He called the month of April,
					Neroneus, and designed changing the name of <placeName key="perseus,Rome">Rome</placeName> into that of Neropolis.</p></div><div type="textpart" n="56" subtype="chapter"><p>He held all religious rites in contempt, except those of the Syrian Goddess;<note anchored="true">The Syrian Goddess is supposed to have been Semiramis
						deified. Her rites are mentioned by Florts, Apuleius, and Lucian.</note> but
					at last he paid her so little reverence, that he made water upon her; being now
					engaged in another superstition, in which only he obstinately persisted. For
					having received from some obscure plebeian a little image of a girl, as a
					preservative against plots, and discovering a conspiracy immediately after, he
					constantly worshipped his imaginary protectress as the greatest amongst the
					gods, offering to her three sacrifices daily. He was also desirous to have it
					supposed that he had, by revelations from this deity, a knowledge of future
					events. A few months before he died, he attended a sacrifice, according to the
					Etruscan rites, but the omens were not favourable.</p></div></div></body></text></TEI>
                </passage>
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