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                <requestUrn>urn:cts:latinLit:phi1348.abo016.perseus-eng2:41-42</requestUrn>
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                <urn>urn:cts:latinLit:phi1348.abo016.perseus-eng2:41-42</urn>
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                    <TEI xmlns="http://www.tei-c.org/ns/1.0"><text xml:lang="eng"><body><div xml:lang="eng" type="translation" n="urn:cts:latinLit:phi1348.abo016.perseus-eng2"><div type="textpart" n="41" subtype="chapter"><p>Being roused at last by numerous proclamations of Vindex, treating him with
					reproaches and contempt, he in a letter to the senate exhorted them to avenge
					his wrongs and those of the republic; desiring them to excuse his not appearing
					in the senate house, because he had got cold. But nothing so much galled him, as
					to find himself railed at as a pitiful harper, and, instead of Nero, styled
					Aenobarbus: which being his family name, since he was upbraided with it, he
					declared he would resume it, and lay aside the name he had taken by adoption.
					Passing by the other accusations as wholly groundless, he earnestly refuted that
					of his want of skill in an art upon which he had bestowed so much pains, and in
					which he had arrived at such perfection; asking frequently those about him, "if
					they knew any one who was a more accomplished musician?" But being alarmed by
					messengers after messengers of ill news from <placeName key="tgn,1000070">Gaul</placeName>, he returned in great consternation to <placeName key="perseus,Rome">Rome</placeName>. On the road, his mind was somewhat
					relieved, by observing the frivolous omen of a Gaulish soldier defeated and
					dragged by the hair by a Roman knight, which was sculptured on a monument; so
					that he leaped for joy, and adored the heavens. Even then he made no appeal
					either to the senate or people, but calling together some of the leading men at
					his own house, he held a hasty consultation upon the present state of affairs,
					and then, during the remainder of the day, carried them about with him to view
					some musical instruments, of a new invention, which were played by water;<note anchored="true">Suetonius calls them <foreign xml:lang="lat">organa
							hydraulica</foreign>, and they seem to have been a musical instrument on
						the same principle as our present organs, only that water was the inflating
						power. Vltruvius (iv. i.) mentions the instrument as the invention of
						Ctesibus of <placeName key="tgn,7002256">Alexandria</placeName>. It is also
						well described by Tertullian, De Aniza, c. xiv. The pneumatic organ appears
						to have been a later improvement. We have before us a contorniate medallion,
						of Caracalla, from the collection of Mr. W. S. Bohn, upon which one or other
						of these instruments figures. On the obverse is the bust of the emperor in
						armour, laureated, with the inscription M. AURELIUS ANTONINUS PIUS AUG.
						BRIT. (his latest title). On the reverse is the organ; an oblong chest with
						the pipes above, and adrapedfigure on each side. </note> exhibiting all the
					parts, and discoursing upon the principles and difficulties of the contrivance;
					which, he told them, he intended to produce in the theatre, if Vindex would give
					him leave.</p></div><div type="textpart" n="42" subtype="chapter"><p>Soon afterwards, he received intelligence that Galba and the Spaniards had
					declared against him; upon which, he faiited, and losing his reason, lay a long
					time speechless, and apparently dead. As soon as he recovered from this state of
					stupefaction, he tore his clothes, and beat his head, crying, " It is all over
					with me !" His nurse endeavoring to comfort him, and telling him that the like
					things had happened to other princes before him, he replied, " I am beyond all
					example wretched, for I have lost an empire whilst I am still living." He,
					nevertheless, abated nothing of his usual luxury and inattention to business.
					Nay, on the arrival of good news from the provinces, he, at a sumptuous
					entertainment, sung with an air of merriment some jovial verses upon the leaders
					of the revolt, which were made public; and accompanied them with suitable
					gestures. Being carried privately to the theatre, he sent word to an actor who
					was applauded by the spectators, " that he had it all his own way, now that he
					himself did not appear on the stage."</p></div></div></body></text></TEI>
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