<GetPassage xmlns:tei="http://www.tei-c.org/ns/1.0" xmlns="http://chs.harvard.edu/xmlns/cts">
            <request>
                <requestName>GetPassage</requestName>
                <requestUrn>urn:cts:latinLit:phi1002.phi001.perseus-eng2:9.3.21-9.3.40</requestUrn>
            </request>
            <reply>
                <urn>urn:cts:latinLit:phi1002.phi001.perseus-eng2:9.3.21-9.3.40</urn>
                <passage>
                    <TEI xmlns="http://www.tei-c.org/ns/1.0"><text xml:lang="eng"><body><div n="urn:cts:latinLit:phi1002.phi001.perseus-eng2" type="translation" xml:lang="eng"><div n="9" type="textpart" subtype="book"><div n="3" type="textpart" subtype="section"><div n="21" type="textpart" subtype="section"><p> There are others which belong to a diflfrent species, but the same
                            genus, such as <quote rend="blockquote"><cit><quote><l part="N">Nor let thy vineyards slope toward the
                                            west,</l></quote><bibl default="false"><hi rend="italic">Georg.</hi> ii. 298.
                                    </bibl></cit></quote> or <quote rend="blockquote"><cit><quote><l part="F">In that hour</l><l part="N">Be it not mine
                                            beneath the open sky</l><l part="N">To court soft sleep
                                            nor on the forest ridge</l><l part="N">Amid the grass to
                                            lie.</l></quote><bibl default="false"><hi rend="italic">Georg.</hi> iii. 435.
                                    </bibl></cit></quote> For in the first of these passages he is not advising
                            some other person, nor exhorting himself in the second, his advice in
                            both passages being meant for all. Sometimes, again, we speak of
                            ourselves as though we were referring to others, as in phrases like,
                                <quote>Servius asserts, Tullius denies it.</quote>
                        <note anchored="true" place="unspecified"><hi rend="italic">i. e. I,
                                    Cicero, deny it.</hi> Halm suggests that the passage comes from
                                an unpublished portion of his speech in defence of Murena. <hi rend="italic">cp. Pro Mur.</hi> xxvii. 57. </note>
                     </p></div><div n="22" type="textpart" subtype="section"><p> At other times we speak in the first person instead of in another, or
                            substitute one person for another. Both devices are employed together in
                            the <hi rend="italic">pro Caecina,</hi> where Cicero, addressing Piso,
                            the counsel for the prosecution, says, <quote> You asserted that you
                                reinstated me: I deny that you did so in accordance with the
                                praetor's edict. </quote>
                        <note anchored="true" place="unspecified"><hi rend="italic">pro Caec.</hi> xxix. 82. </note> The actual
                            truth is that it was Aebutius who asserted that he had reinstated the
                            defendant, and Caecina who denied that he had been restored in
                            accordance with the praetor's edict. We may note also a further <hi rend="italic">figure of speech</hi> in the contracted <hi rend="italic">dixti,</hi> which has dropped one of its syllables.
                        </p></div><div n="23" type="textpart" subtype="section"><p> The following also may be <pb n="v7-9 p.459"/> regarded as belonging to
                            the same <hi rend="italic">genus.</hi> The first is called <hi rend="italic">interpositio</hi> or <hi rend="italic">interclusio</hi> by us, and <hi rend="italic">parenthesis</hi> or
                                <hi rend="italic">paremptosis</hi> by the Greeks, and consists in
                            the interruption of the continuous flow of our language by the insertion
                            of some remark. The following is an example: <hi rend="italic">ego cum
                                te (mecum enim saepissime loquilur</hi> ) <hi rend="italic">patriae
                                reddidissem.</hi>
                        <note anchored="true" place="unspecified"><hi rend="italic">pro Mil.</hi> xxxiv. 94. <quote>When I had
                                    restored you—for he often enters into conversation with me—to
                                    your country.</quote>
                        </note>
                     </p></div><div n="24" type="textpart" subtype="section"><p> To this they add <hi rend="italic">hyperbaton,</hi>
                        <note anchored="true" place="unspecified">See VIII. vi. 67.</note> which they refuse to
                            include among <hi rend="italic">tropes.</hi> A second <hi rend="italic">figure</hi> of this kind is one closely resembling the <hi rend="italic">figure of thought</hi> known as <hi rend="italic">apostrophe,</hi>
                        <note anchored="true" place="unspecified">See IX.
                                ii. 38.</note> but differing in this respect, that it changes the
                            form of the language and not the sense. The following will illustrate my
                            meaning: <quote rend="blockquote"><cit><quote><l part="F">The Decii too,</l><l part="N">The Marii and
                                            Camilli, names of might,</l><l part="N">The Scipios,
                                            stubborn warriors, aye, and thee,</l><l part="N">Great
                                            Caesar.</l></quote><bibl default="false"><hi rend="italic">Georg.</hi> ii. 169.
                                        (Rhoades' translation). </bibl></cit></quote>
                     </p></div><div n="25" type="textpart" subtype="section"><p> There is a still more striking example in the passage describing the
                            death of Polydorus <note anchored="true" place="unspecified"><hi rend="italic">Aen.</hi> iii. 55. </note> : <quote rend="blockquote"><quote><l part="N">All faith he brake and
                                        Polydorus slew</l><l part="N">Seizing his gold by force.
                                        Curst greed of gold,</l><l part="N">To what wilt thou not
                                        drive the hearts of men?</l></quote></quote> 'Those
                            terminologists who delight in subtle distinctions call the last figure
                                <foreign xml:lang="grc">μετάβασις</foreign> (transition), and hold
                            that it may be employed in yet another way, as in Dido's <quote rend="blockquote"><cit><quote><l part="N">What do I say? Where am I?</l></quote><bibl default="false"><hi rend="italic">Aen.</hi> iv. 595.
                                    </bibl></cit></quote>
                     </p></div><div n="26" type="textpart" subtype="section"><p> Virgil has combined <hi rend="italic">apostrollphe</hi> and <hi rend="italic">parenthesis in</hi> the well-known passage: <note anchored="true" place="unspecified"><hi rend="italic">Aen.</hi>
                                viii. 642. </note>
                        <pb n="v7-9 p.461"/>
                        <quote rend="blockquote"><quote><l part="N">Next Mettus the swift cars asunder
                                        tore,</l><l part="N">(Better, false Alban, hadst thou kept
                                        thy troth!)</l><l part="N">And Tullus dragged the traitors'
                                        mangled limbs. . .</l></quote></quote> These figures and the
                            like, which consist in change, </p></div><div n="27" type="textpart" subtype="section"><p> addition, omission, and the order of words, serve to attract the
                            attention of the audience and do not allow it to flag, rousing it from
                            time to time by some specially striking figure, while they derive
                            something of their charm from their very resemblance to blemishes, just
                            as a trace of bitterness in food will sometimes tickle the palate. But
                            this result will only be obtained if figures are not excessive in number
                            nor all of the same type or combined or closely packed, since economy in
                            their use, no less than variety, will prevent the hearer being
                            surfeited. </p></div><div n="28" type="textpart" subtype="section"><p> There is a more striking class of figure, which does not merely depend
                            on the form of the language for its effect, but lends both charm and
                            force to the thought as well. The first figure of this class which calls
                            for notice is that which is produced by <hi rend="italic">addition.</hi>
                            Of this there are various kinds. Words, for instance, may be doubled
                            with a view to amplification, as in <quote>I have slain, I have slain,
                                not Spurius Maelius</quote>
                        <note anchored="true" place="unspecified"><hi rend="italic">Cic. pro Mil.</hi> xxvii. 72. </note> (where
                            the first <hi rend="italic">I have slain</hi> states what has been done,
                            while the second emphasises it), or to excite pity, as in <quote rend="blockquote"><cit><quote><l part="N">Ah! Corydon, Corydon.</l></quote><bibl default="false"><hi rend="italic">Ecl.</hi> ii. 69.
                                    </bibl></cit></quote>
                     </p></div><div n="29" type="textpart" subtype="section"><p> The same figure may also sometimes be employed ironically, with a view
                            to disparagement. Similar to such doubling of words is repetition
                            following a <hi rend="italic">parenthesis,</hi> but the effect is
                            stronger. <quote> I have seen the property alas! (for though all my
                                tears are shed, <pb n="v7-9 p.463"/> my grief still clings to me
                                deep-rooted in my heart), the property, I say, of Gnaeus Pompeius
                                put up for sale by the cruel voice of the public crier.
                                </quote>
                        <note anchored="true" place="unspecified"><hi rend="italic">Phil.</hi> II. xxvi. 64. </note>
                        <quote>You still live, and live
                                not to abate your audacity, but to increase it.</quote>
                        <note anchored="true" place="unspecified"><hi rend="italic"> Cat.</hi> I.
                                ii. 4. </note>
                     </p></div><div n="30" type="textpart" subtype="section"><p> Again, a number of clauses may begin with the same word for the sake of
                            force and emphasis. <quote> Were you unmoved by the guard set each night
                                upon the Palatine, unmoved by the patrolling of the city, unmoved by
                                the terror of the people, unmoved by the unanimity of all good
                                citizens, unmoved by the choice of so strongly fortified a spot for
                                the assembly of the senate, unmoved by the looks and faces of those
                                here present to-day? </quote>
                        <note anchored="true" place="unspecified"> Cic. <hi rend="italic">Cat.</hi> I. i. 1.
                            </note> Or they may end with the same words. <quote>Who demanded them?
                                Appius. Who produced them? Appius.</quote>
                        <note anchored="true" place="unspecified"><hi rend="italic">pro. Mil.</hi> xxii. 59.
                            </note>
                     </p></div><div n="31" type="textpart" subtype="section"><p> This last instance, however, comes under the head of another figure as
                            well, where both opening and concluding words are identical, since the
                            sentences open with <quote>who</quote> and end with
                                <quote>Appius.</quote> Here is another example. <quote> Who are they
                                who have so often broken treaties? The Carthaginians. Who are they
                                who have waged war with such atrocious cruelty? The Carthaginians.
                                Who are they who have laid Italy waste? The Carthaginians. Who are
                                they who pray for pardon? The Carthaginians. </quote>
                        <note anchored="true" place="unspecified"> Auct. <hi rend="italic">ad
                                    Herenn.,</hi> iv. 14. </note>
                     </p></div><div n="32" type="textpart" subtype="section"><p> Again, in antitheses and comparisons the first words of alternate
                            phrases are frequently repeated to produce correspondence, which was my
                            reason for saying a little while back <note anchored="true" place="unspecified"> IX. ii. 100. The passage is from <hi rend="italic">pro Murena,</hi> ix. 22. </note> that this device
                            came under the present topic rather than that which I was then
                            discussing. <quote> You pass wakeful nights that you may be able to
                                reply to your clients; he that he and his army may arrive betimes at
                                their destination. You are roused by <pb n="v7-9 p.465"/> cockcrow,
                                he by the bugle's reveillé. You draw up your legal pleas, he sets
                                the battle in array. You are on the watch that your clients be not
                                taken at a disadvantage, he that cities or camps be not so taken.
                            </quote>
                     </p></div><div n="33" type="textpart" subtype="section"><p> But the orator is not content with producing this effect, but proceeds
                            to reverse the figure. <quote> He knows and understands how to keep off
                                the forces of the enemy, you how to keep off the rainwater; he is
                                skilled to extend boundaries, you to delimit them. </quote>
                     </p></div><div n="34" type="textpart" subtype="section"><p> A similar correspondence may be produced between the middle and the
                            opening of a sentence, as in the line: <quote rend="blockquote"><cit><quote><l part="N">te nemus Angitiae, vitrea te Fucinus
                                            unda.</l></quote><bibl default="false"><hi rend="italic">Aen.</hi> vii. 759 <note anchored="true" place="unspecified"><quote rend="blockquote"><l part="N">Thee did Angitia's
                                                  grove bewail,</l><l part="N">Thee too the glassy
                                                  waves o' the Fucine lake.</l></quote> The
                                            correspondence is to be found in <hi rend="italic">te</hi> (coming first in one and second in the
                                            other clause). </note>
                              </bibl></cit></quote> Or the middle may correspond to the end, as in the
                            following sentence: <quote>This ship, laden with the spoil of Sicily,
                                while it was itself a portion of the spoil.</quote>
                        <note anchored="true" place="unspecified"><hi rend="italic">Verr.</hi> v.
                                xvii. 44. </note> Nor will it be questioned that a like effect may
                            be produced by the repetition of the middle of both clauses. Again, the
                            end may correspond with the beginning. <quote>Many grievous afflictions
                                were devised for parents and for kinsfolk many.</quote>
                        <note anchored="true" place="unspecified"><hi rend="italic">Verr. v.</hi>
                                xlv. 119. </note>
                     </p></div><div n="35" type="textpart" subtype="section"><p> There is also another form of repetition which simultaneously reiterates
                            things that have already been said, and draws distinctions between them.
                                <quote rend="blockquote"><cit><quote><l part="N">Iphitus too with me and Pelias came,</l><l part="N">Iphitus bowed with age and Pelias</l><l part="N">Slow-limping with the wound Ulysses
                                        gave.</l></quote><bibl default="false"><hi rend="italic">Aen.</hi> ii. 435.
                                    </bibl></cit></quote> This is styled <foreign xml:lang="grc">ἐπάνοδος</foreign> by the Greeks and <hi rend="italic">regression</hi> by Roman writers. </p></div><div n="36" type="textpart" subtype="section"><p> Nor are words only repeated to reaffirm the same meaning, but the
                            repetition may serve to mark a contrast, as in the following sentence.
                                <pb n="v7-9 p.467"/>
                        <quote> The reputation of the leaders was
                                approximately equal, but that of their followers perhaps not so
                                equal. </quote>
                        <note anchored="true" place="unspecified"><hi rend="italic">pro Lig.</hi> vi. 19. </note> At times the cases
                            and genders of the words repeated may be varied, as in <quote>Great is
                                the toil of speaking, and great the task, etc.</quote> ; <note anchored="true" place="unspecified"><hi rend="italic">pro
                                    Muren.</hi> xiii. 29. </note> a similar instance is found in
                            Rutilius, but in a long period. I therefore merely cite the beginnings
                            of the clauses. <hi rend="italic">Pater hic tuus? patrem nunc appellas?
                                patris tui filius es?</hi>
                        <note anchored="true" place="unspecified"><hi rend="italic">Rutil.</hi> i. x. <quote>Is this your father?
                                    Do you still call him father? Are you your father's
                                son?</quote>
                        </note>
                     </p></div><div n="37" type="textpart" subtype="section"><p> This figure may also be effected solely by change of cases, a proceeding
                            which the Greeks call <foreign xml:lang="grc">πολύπτωτον</foreign> It
                            may also be produced in other ways, as in the <hi rend="italic">pro
                                Cluentio:</hi>
                        <note anchored="true" place="unspecified"> lx. 167.
                                    <quote> But what was the time chosen for giving the poison? Was
                                    it on that day? Amid such a crowd? And who was selected to
                                    administer it? Where was it got? <hi rend="italic">How</hi> was
                                    the cup intercepted? Why was it not given a second time?
                                </quote>
                        </note>
                        <hi rend="italic"> Quod autem tempus veneni dandi?
                                illo die? illa frequentia? per quem porro datum? unde sumptum? quae
                                porro interceptio poculi? cur non de integro autem datum? </hi>
                     </p></div><div n="38" type="textpart" subtype="section"><p> The combination of different details is called <foreign xml:lang="grc">μεταβολὴν</foreign> by Caecilius, and may be exemplified by the
                            following passage directed against Oppianicus in the <hi rend="italic">pro Cluentio:</hi>
                        <note anchored="true" place="unspecified">xiv.
                                41.</note>
                        <quote> The local senate were unanimously of opinion that
                                he had falsified the public registers at Larinum; no one would have
                                any business dealings or make any contract with him, no one out of
                                all his numerous relations and kinsfolk ever appointed him as
                                guardian to his children, </quote> with much more to the same
                            effect. </p></div><div n="39" type="textpart" subtype="section"><p> In this case the details are massed together, but they may equally be
                            distributed or <hi rend="italic">dissipated,</hi> as I think Cicero
                            says. For example: <quote rend="blockquote"><cit><quote><l part="N"> Here corn, there grapes, elsewhere the
                                            growth <lb/> of trees </l><l part="N">More freely
                                            rises,</l></quote><bibl default="false"><hi rend="italic">Georg.</hi> i. 54.
                                    </bibl></cit></quote> with the remainder of the passage. </p></div><div n="40" type="textpart" subtype="section"><p> A wonderful <pb n="v7-9 p.469"/> mixture of figures may be found in
                            Cicero <note anchored="true" place="unspecified">From the lost speech
                                against Q. Metellus.</note> in the following passage, where the
                            first word is repeated last after a long interval, while the middle
                            corresponds with the beginning, and the concluding words with the
                            middle. <quote> Yours is the work which we find here, conscript fathers,
                                not mine, a fine piece of work too, but, as I have said, not mine,
                                but yours. </quote> This frequent repetition, which, </p></div></div></div></div></body></text></TEI>
                </passage>
            </reply>
            </GetPassage>