<GetPassage xmlns:tei="http://www.tei-c.org/ns/1.0" xmlns="http://chs.harvard.edu/xmlns/cts">
            <request>
                <requestName>GetPassage</requestName>
                <requestUrn>urn:cts:latinLit:phi1002.phi001.perseus-eng2:4.3.9-4.3.17</requestUrn>
            </request>
            <reply>
                <urn>urn:cts:latinLit:phi1002.phi001.perseus-eng2:4.3.9-4.3.17</urn>
                <passage>
                    <TEI xmlns="http://www.tei-c.org/ns/1.0"><text xml:lang="eng"><body><div n="urn:cts:latinLit:phi1002.phi001.perseus-eng2" type="translation" xml:lang="eng"><div n="4" type="textpart" subtype="book"><div n="3" type="textpart" subtype="section"><div n="9" type="textpart" subtype="section"><p> But, though such digressions are not always necessary at the end of the
                                <hi rend="italic">statement,</hi> they may form a very useful
                            preparation for the examination of the main question, more especially if
                            at first sight it presents an aspect unfavourable to our case, if we
                            have to support a harsh law or demand severe punishment. For this is the
                            place for inserting what may be regarded as a second <hi rend="italic">exordium</hi> with a view to exciting or mollifying the judge or
                            disposing him to lend a favouring ear to our proofs. Moreover we can do
                            this with all the greater freedom and vehemence at this stage of the
                            proceedings since the case is already known to the judge. </p></div><div n="10" type="textpart" subtype="section"><p> We shall therefore employ such utterances as emollients to soften the
                            harder elements of our statement, in order that the ears of the jury may
                            be more ready to take in what we have to say in the sequel and to grant
                            us the justice which we ask. For it is hard to persuade a man to do
                            anything against the grain. </p></div><div n="11" type="textpart" subtype="section"><p> It is also important on such occasions to know whether the judge prefers
                            equity or a strict interpretation of the law, since the necessity for
                            such digression will vary accordingly. </p></div><div n="12" type="textpart" subtype="section"><p> Such passages may also serve as a kind of peroration after the main
                            question. The Greeks call this <foreign xml:lang="grc">παρέκβασις,</foreign> the Romans <hi rend="italic">egressus</hi> or
                                <hi rend="italic">egressio</hi> (digression). They may however, as I
                            have said, be of various kinds and may deal with different themes in any
                            portion of the speech. For instance we may extol persons or places,
                            describe regions, record historical or even legendary occurrences. </p></div><div n="13" type="textpart" subtype="section"><p> As examples I may cite the praise of Sicily and the rape <pb n="v4-6 p.129"/> of Proserpine <note anchored="true" place="unspecified"><hi rend="italic">Verr.</hi> I vii. 27. </note>
                            in the <hi rend="italic">Verrines,</hi> or the famous recital of the
                            virtues of Gneius Pompeius in the <hi rend="italic">pro
                                Cornelio,</hi>
                        <note anchored="true" place="unspecified">See note on
                                IV. iv. 8.</note> where the great orator as though the course of his
                            eloquence had been broken by the mere mention of the general's name,
                            interrupts the topic on which he had already embarked and digresses
                            forthwith to sing his praises. </p></div><div n="14" type="textpart" subtype="section"><p><foreign xml:lang="grc">παρέκβασις</foreign> may, I think, be defined as
                            the handling of some theme, which must however have some bearing on the
                            case, in a passage that involves digression from the logical order of
                            our speech. I do not see therefore why it should be assigned a special
                            position immediately following on the <hi rend="italic">statement of
                                facts</hi> any more than I understand why they think that the name
                            is applicable only to a digression where some statement has to be made,
                            when there are so many different ways in which a speech may leave the
                            direct route. </p></div><div n="15" type="textpart" subtype="section"><p> For whatever we say that falls outside the five divisions of the speech
                            already laid down is a digression, whether it express indignation, pity,
                            hatred, rebuke, excuse, conciliation or be designed to rebut invective.
                            Other similar occasions for digression on points not involved by the
                            question at issue arise when we amplify or abridge a topic, make any
                            kind of emotional appeal or introduce any of those topics which add such
                            charm and elegance to oratory, topics that is to say such as luxury,
                            avarice, religion, duty: but these would hardly seem to be digressions
                            as they are so closely attached to arguments on similar subjects that
                            they form part of the texture of the speech. </p></div><div n="16" type="textpart" subtype="section"><p> There are however a number of topics which are inserted in the midst of
                            matter which has no connexion with them, when for example we strive to
                            excite, admonish, appease, entreat or praise the judge. Such passages
                            are <pb n="v4-6 p.131"/> innumerable. Some will have been carefully
                            prepared beforehand, while others will be produced to suit the occasion
                            or the necessity of the moment, if anything extraordinary should occur
                            in the course of our pleading, such as an interruption, the intervention
                            of some individual or a disturbance. </p></div><div n="17" type="textpart" subtype="section"><p> For example, this made it necessary for Cicero to digress even in the
                                <hi rend="italic">exordium</hi> when he was defending Milo, as is
                            clear from the short speech <note anchored="true" place="unspecified">
                                The speech actually delivered, not the long speech which has come
                                down to us, but was never delivered. </note> which he made on that
                            occasion. But the orator who makes some preface to the main question or
                            proposes to follow up his proofs with a passage designed to commend them
                            to the jury, may digress at some length. On the other hand, if he breaks
                            as say in the middle of his speech, he should not be long in returning
                            to the point from which he departed. </p></div></div></div></div></body></text></TEI>
                </passage>
            </reply>
            </GetPassage>