<GetPassage xmlns:tei="http://www.tei-c.org/ns/1.0" xmlns="http://chs.harvard.edu/xmlns/cts">
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                <requestUrn>urn:cts:latinLit:phi1002.phi001.perseus-eng2:4.3.1-4.3.17</requestUrn>
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            <reply>
                <urn>urn:cts:latinLit:phi1002.phi001.perseus-eng2:4.3.1-4.3.17</urn>
                <passage>
                    <TEI xmlns="http://www.tei-c.org/ns/1.0"><text xml:lang="eng"><body><div n="urn:cts:latinLit:phi1002.phi001.perseus-eng2" type="translation" xml:lang="eng"><div n="4" type="textpart" subtype="book"><div n="3" type="textpart" subtype="section"><div n="1" type="textpart" subtype="section"><p>III. In the natural order of things the <hi rend="italic">statement of fact</hi> is followed by the <hi rend="italic">verification.</hi> For it <pb n="v4-6 p.123"/> is
                            necessary to prove the points which we stated with the proof in view.
                            But before I enter on this portion, I have a few words to say on the
                            opinions held by certain rhetoricians. Most of them are in the habit, as
                            soon as they have completed the <hi rend="italic">statement of
                                facts,</hi> of digressing to some pleasant and attractive topic with
                            a view to securing the utmost amount of favour from their audience. </p></div><div n="2" type="textpart" subtype="section"><p> This practice originated in the display of the schools of declaration
                            and thence extended to the courts as soon as causes came to be pleaded,
                            not for the benefit of the parties concerned, but to enable the
                            advocates to flaunt their talents. I imagine that they feared that if
                            the slender stream of concise statement, such as is generally required,
                            were followed by the pugnacious tone inevitable in the arguing of the
                            case, the speech would fall flat owing to the postponement of the
                            pleasures of a more expansive eloquence. </p></div><div n="3" type="textpart" subtype="section"><p> The objection to this practice lies in the fact that they do this
                            without the slightest consideration of the difference between case and
                            case or reflecting whether what they are doing will in any way assist
                            them, on the assumption that it is always expedient and always
                            necessary. Consequently they transfer striking thoughts from the places
                            which they should have occupied elsewhere and concentrate them in this
                            portion of the speech, a practice which involves either the repetition
                            of a number of things that they have already said or their omission from
                            the place which was really theirs owing to the fact that they have
                            already been said. </p></div><div n="4" type="textpart" subtype="section"><p> I admit however that this form of digression can be advantageously
                            appended, not merely to the <hi rend="italic">statement of facts,</hi>
                            but to each of the different questions or to the questions as a whole,
                                <pb n="v4-6 p.125"/> so long as the case demand, or at any rate
                            permit it. Indeed such a practice confers great distinction and
                            adornment on a speech, but only if the digression fits in well with the
                            rest of the speech and follows naturally on what has preceded, not if it
                            is thrust in like a wedge parting what should naturally come together.
                        </p></div><div n="5" type="textpart" subtype="section"><p> For there is no part of a speech so closely connected with any other as
                            the <hi rend="italic">statement</hi> with the <hi rend="italic">proof,</hi> though of course such a digression may be intended as
                            the conclusion of the <hi rend="italic">statement</hi> and the beginning
                            of the <hi rend="italic">proof</hi> There will therefore sometimes be
                            room for digression; for example if the end of the <hi rend="italic">statement</hi> has been concerned with some specially horrible
                            theme, we may embroider the theme as though our indignation must find
                            immediate vent. </p></div><div n="6" type="textpart" subtype="section"><p> This, however, should only be done if there is no question about the
                            facts. Otherwise it is more important to verify your charge than to
                            heighten it, since the horrible nature of a charge is in favour of the
                            accused, until the charge is proved. For it is just the most flagrant
                            crimes that are the most difficult to prove. </p></div><div n="7" type="textpart" subtype="section"><p> Again a digression may be advantageous if after setting forth the
                            services rendered by your client to his opponent you denounce the latter
                            for his ingratitude, or after producing a variety of charges in your
                            statement, you point out the serious danger in which the advancement of
                            such charges is likely to involve you. </p></div><div n="8" type="textpart" subtype="section"><p> But all these digressions should be brief. For as soon as he has heard
                            the facts set forth in order, the judge is in a hurry to get to the
                            proof and desires to satisfy himself of the correctness of his
                            impressions at the earliest possible moment. Further, care must be taken
                            not to nullify the effect of the <hi rend="italic">statement</hi> by <pb n="v4-6 p.127"/> diverting the minds of the court to some other
                            theme and wearying them by useless delay. </p></div><div n="9" type="textpart" subtype="section"><p> But, though such digressions are not always necessary at the end of the
                                <hi rend="italic">statement,</hi> they may form a very useful
                            preparation for the examination of the main question, more especially if
                            at first sight it presents an aspect unfavourable to our case, if we
                            have to support a harsh law or demand severe punishment. For this is the
                            place for inserting what may be regarded as a second <hi rend="italic">exordium</hi> with a view to exciting or mollifying the judge or
                            disposing him to lend a favouring ear to our proofs. Moreover we can do
                            this with all the greater freedom and vehemence at this stage of the
                            proceedings since the case is already known to the judge. </p></div><div n="10" type="textpart" subtype="section"><p> We shall therefore employ such utterances as emollients to soften the
                            harder elements of our statement, in order that the ears of the jury may
                            be more ready to take in what we have to say in the sequel and to grant
                            us the justice which we ask. For it is hard to persuade a man to do
                            anything against the grain. </p></div><div n="11" type="textpart" subtype="section"><p> It is also important on such occasions to know whether the judge prefers
                            equity or a strict interpretation of the law, since the necessity for
                            such digression will vary accordingly. </p></div><div n="12" type="textpart" subtype="section"><p> Such passages may also serve as a kind of peroration after the main
                            question. The Greeks call this <foreign xml:lang="grc">παρέκβασις,</foreign> the Romans <hi rend="italic">egressus</hi> or
                                <hi rend="italic">egressio</hi> (digression). They may however, as I
                            have said, be of various kinds and may deal with different themes in any
                            portion of the speech. For instance we may extol persons or places,
                            describe regions, record historical or even legendary occurrences. </p></div><div n="13" type="textpart" subtype="section"><p> As examples I may cite the praise of Sicily and the rape <pb n="v4-6 p.129"/> of Proserpine <note anchored="true" place="unspecified"><hi rend="italic">Verr.</hi> I vii. 27. </note>
                            in the <hi rend="italic">Verrines,</hi> or the famous recital of the
                            virtues of Gneius Pompeius in the <hi rend="italic">pro
                                Cornelio,</hi>
                        <note anchored="true" place="unspecified">See note on
                                IV. iv. 8.</note> where the great orator as though the course of his
                            eloquence had been broken by the mere mention of the general's name,
                            interrupts the topic on which he had already embarked and digresses
                            forthwith to sing his praises. </p></div><div n="14" type="textpart" subtype="section"><p><foreign xml:lang="grc">παρέκβασις</foreign> may, I think, be defined as
                            the handling of some theme, which must however have some bearing on the
                            case, in a passage that involves digression from the logical order of
                            our speech. I do not see therefore why it should be assigned a special
                            position immediately following on the <hi rend="italic">statement of
                                facts</hi> any more than I understand why they think that the name
                            is applicable only to a digression where some statement has to be made,
                            when there are so many different ways in which a speech may leave the
                            direct route. </p></div><div n="15" type="textpart" subtype="section"><p> For whatever we say that falls outside the five divisions of the speech
                            already laid down is a digression, whether it express indignation, pity,
                            hatred, rebuke, excuse, conciliation or be designed to rebut invective.
                            Other similar occasions for digression on points not involved by the
                            question at issue arise when we amplify or abridge a topic, make any
                            kind of emotional appeal or introduce any of those topics which add such
                            charm and elegance to oratory, topics that is to say such as luxury,
                            avarice, religion, duty: but these would hardly seem to be digressions
                            as they are so closely attached to arguments on similar subjects that
                            they form part of the texture of the speech. </p></div><div n="16" type="textpart" subtype="section"><p> There are however a number of topics which are inserted in the midst of
                            matter which has no connexion with them, when for example we strive to
                            excite, admonish, appease, entreat or praise the judge. Such passages
                            are <pb n="v4-6 p.131"/> innumerable. Some will have been carefully
                            prepared beforehand, while others will be produced to suit the occasion
                            or the necessity of the moment, if anything extraordinary should occur
                            in the course of our pleading, such as an interruption, the intervention
                            of some individual or a disturbance. </p></div><div n="17" type="textpart" subtype="section"><p> For example, this made it necessary for Cicero to digress even in the
                                <hi rend="italic">exordium</hi> when he was defending Milo, as is
                            clear from the short speech <note anchored="true" place="unspecified">
                                The speech actually delivered, not the long speech which has come
                                down to us, but was never delivered. </note> which he made on that
                            occasion. But the orator who makes some preface to the main question or
                            proposes to follow up his proofs with a passage designed to commend them
                            to the jury, may digress at some length. On the other hand, if he breaks
                            as say in the middle of his speech, he should not be long in returning
                            to the point from which he departed. </p></div></div></div></div></body></text></TEI>
                </passage>
            </reply>
            </GetPassage>