<GetPassage xmlns:tei="http://www.tei-c.org/ns/1.0" xmlns="http://chs.harvard.edu/xmlns/cts">
            <request>
                <requestName>GetPassage</requestName>
                <requestUrn>urn:cts:latinLit:phi1002.phi001.perseus-eng2:4.2.42-4.2.62</requestUrn>
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            <reply>
                <urn>urn:cts:latinLit:phi1002.phi001.perseus-eng2:4.2.42-4.2.62</urn>
                <passage>
                    <TEI xmlns="http://www.tei-c.org/ns/1.0"><text xml:lang="eng"><body><div n="urn:cts:latinLit:phi1002.phi001.perseus-eng2" type="translation" xml:lang="eng"><div n="4" type="textpart" subtype="book"><div n="2" type="textpart" subtype="section"><div n="42" type="textpart" subtype="section"><p> Consequently when it is possible to say <quote>I have a young
                                son,</quote> it is quite superfluous to say, <quote> Being desirous
                                of children I took a wife, a son was born whom I acknowledged and
                                reared and brought up to manhood. </quote> For this reason some of
                            the Greeks draw a distinction between a concise statement (the word they
                            use is <foreign xml:lang="grc">σύντομος</foreign> ) and a brief
                            statement, the former being free from all superfluous matter, while the
                            latter may conceivably omit something that requires to be stated. </p></div><div n="43" type="textpart" subtype="section"><p> Personally, when I use the word brevity, I mean not saying less, but not
                            saying more than occasion demands. As for repetitions and tautologies
                            and diffuseness, which some writers of textbooks tell us we must avoid,
                            I pass them by; <pb n="v4-6 p.75"/> they are faults which we should shun
                            for other reasons beside our desire for brevity. </p></div><div n="44" type="textpart" subtype="section"><p> But we must be equally on our guard against the obscurity which results
                            from excessive abridgment, and it is better to say a little more than is
                            necessary than a little less. For though a diffuse irrelevance is
                            tedious, the omission of what is necessary is positively dangerous. </p></div><div n="45" type="textpart" subtype="section"><p> We must therefore avoid even tile famous terseness of Sallust (though in
                            his case of course it is a merit), and shun all abruptness of speech,
                            since a style which presents no difficulty to a leisurely reader, flies
                            past a hearer and will not stay to be looked at again; and whereas the
                            reader is almost always a man of learning, the judge often comes to his
                            panel from the country side and is expected to give a decision on what
                            he can understand. Consequently we must aim, perhaps everywhere, but
                            above all in our <hi rend="italic">statement of facts,</hi> at striking
                            the happy mean in our language, and the happy mean may be defined as
                            saving just what is necessary and just what is sufficient. </p></div><div n="46" type="textpart" subtype="section"><p> By <quote>just what is necessary</quote> I mean not the bare minimum
                            necessary to convey our meaning; for our brevity must not be devoid of
                            elegance, without which it would be merely uncouth: pleasure beguiles
                            the attention, and that which delights us ever seems less long, just as
                            a picturesque and easy journey tires us less for all its length than a
                            difficult short cut through an arid waste. </p></div><div n="47" type="textpart" subtype="section"><p> And I would never carry my desire for brevity so far as to refuse
                            admission to details which may contribute to the plausibility of our
                            narrative. Simplify and curtail your statement of facts in every
                            direction and you will turn it into something more like a confession.
                            Moreover, the <pb n="v4-6 p.77"/> circumstances of the case will often
                            necessitate a long <hi rend="italic">statement of facts,</hi> in which
                            case, as I have already enjoined, the judge should be prepared for it at
                            the conclusion of the <hi rend="italic">exordium.</hi> Next we must put
                            forth all our art either to shorten it or to render it less tedious.
                        </p></div><div n="48" type="textpart" subtype="section"><p> We must do what we can to make it less long by postponing some points,
                            taking care however to mention what it is that we propose to postpone.
                            Take the following as an example. <quote> As regards his motives for
                                killing him, his accomplices and the manner in which he disposed his
                                ambush, I will speak when I come to the <hi rend="italic">proof.</hi>
                           <milestone n="49" unit="section"/>
                        </quote> Some
                            things indeed may be omitted altogether from our marshalling of the
                            facts, witness the following example from Cicero, <note anchored="true" place="unspecified"><hi rend="italic">pro Caec.</hi> iv. 11.
                                </note>
                        <quote> Fulcinius died; there are many circumstances which
                                attended that event, but as they have little bearing on this case, I
                                shall pass them by. </quote> Division of our statement into its
                            various heads is another method of avoiding tedium: for example, <quote>
                                I will tell you first what preceded this affair, then what occurred
                                in its actual development, and finally you shall hear its sequel.
                            </quote>
                     </p></div><div n="50" type="textpart" subtype="section"><p> Such a division will give the impression of three short statements
                            rather than of one long one. At times it will be well to interrupt our
                            narrative by interjecting some brief remark like the following:
                                <quote>You have heard what happened before: now learn what
                                follows.</quote> The judge will be refreshed by the fact that we
                            have brought our previous remarks to a close and will prepare himself
                            for what may be regarded as a fresh start. </p></div><div n="51" type="textpart" subtype="section"><p> If however after employing all these artifices our array of facts is
                            still long, it will not be without advantage to append a summary at the
                            end of it as a reminder: Cicero does this even at the close of a <pb n="v4-6 p.79"/> brief <hi rend="italic">statement of facts</hi> in
                            the <hi rend="italic">pro Ligario:</hi>
                        <note anchored="true" place="unspecified"><hi rend="italic">pro Lig.</hi> ii. 4.
                                </note>
                        <quote> To this day, Caesar, Quintus Ligarius is free from
                                all blame: he left his home not merely without the least intention
                                of joining in any war, but when there was not the least suspicion of
                                any war etc. </quote>
                     </p></div><div n="52" type="textpart" subtype="section"><p> The <hi rend="italic">statement of fact</hi> will be credible, if in the
                            first place we take care to say nothing contrary to nature, secondly if
                            we assign reasons and motives for the facts on which the inquiry turns
                            (it is unnecessary to do so with the subsidiary facts as well), and if
                            we make the characters of the actors in keeping with the facts we desire
                            to be believed: we shall for instance represent a person accused of
                            theft as covetous, accused of adultery as lustful, accused of homicide
                            as rash, or attribute the opposite qualities to these persons if we are
                            defending them: further we must do the same with place, time and the
                            like. </p></div><div n="53" type="textpart" subtype="section"><p> It is also possible to treat the subject in such a way as to give it an
                            air of credibility, as is done in comedy and farce. For some things have
                            such natural sequence and coherence that, if only the first portion of
                            your <hi rend="italic">statement</hi> is satisfactory, the judge will
                            himself anticipate what you have got to say in the later part. </p></div><div n="54" type="textpart" subtype="section"><p> It will also be useful to scatter some hints of our proofs here and
                            there, but in such a way that it is never forgotten that we are making a
                                <hi rend="italic">statement of facts</hi> and not a proof.
                            Sometimes, however, we must also support our assertions by a certain
                            amount of argument, though this must be short and simple: for instance
                            in a case of poisoning we shall say, <quote> He was perfectly well when
                                he drank, he fell suddenly to the ground, and blackness and swelling
                                of the body immediately supervened. </quote>
                     </p></div><div n="55" type="textpart" subtype="section"><p> The same result is produced by <pb n="v4-6 p.81"/> preparatory remarks
                            such as the following: <quote> The accused is a strong man and was fully
                                armed, while his opponents were weak, unarmed and suspecting no
                                evil. </quote> We may in fact touch on everything that we propose to
                            produce in our <hi rend="italic">proof;</hi> while making our statement
                            of facts, as for instance points connected with persons, cause, place,
                            time, the instrument and occasion employed. </p></div><div n="56" type="textpart" subtype="section"><p> Sometimes, when this resource is unavailable, we may even confess that
                            the charge, though true, is scarcely credible, and that therefore it
                            must be regarded as all the more atrocious; that we do not know how the
                            deed was done or why, that we are filled with amazement, but will prove
                            our case. </p></div><div n="57" type="textpart" subtype="section"><p> The best kind of preparatory remarks are those which cannot be
                            recognised as such: Cicero, <note anchored="true" place="unspecified"><hi rend="italic">pro Mil.</hi> x. 28. </note> for instance, is
                            extraordinarily happy in the way he mentions in advance everything that
                            shows that Clodius lay in wait for Milo and not Milo for Clodius. The
                            most effective stroke of all is his cunning feint of simplicity: <quote>
                                Milo, on the other hand, having been in the senate all day till the
                                house rose, went home, changed his shoes and clothes, and waited for
                                a short time, while his wife was getting ready, as is the way with
                                women. </quote>
                     </p></div><div n="58" type="textpart" subtype="section"><p> What an absence of haste and premeditation this gives to Milo's
                            proceedings. And the great orator secures this effect not merely by
                            producing facts which indicate the slow and tardy nature of Milo's
                            departure, but by the use of the ordinary language of everyday speech
                            and a careful concealment of his art. Had he spoken otherwise, his words
                            would by their very sound have warned the judge to keep an eye on the
                            advocate. </p></div><div n="59" type="textpart" subtype="section"><p> The majority of readers regard this passage as lacking in distinction,
                            but this very fact merely serves <pb n="v4-6 p.83"/> to show how the art
                            which is scarce detected by a reader succeeded in hoodwinking the judge.
                            It is qualities of this kind that make the <hi rend="italic">statement
                                of facts</hi> credible. </p></div><div n="60" type="textpart" subtype="section"><p> If a student requires to be told that we must avoid contradiction and
                            inconsistency in our <hi rend="italic">statement of facts,</hi> it will
                            be vain to attempt to instruct him on the remaining points, although
                            some writers of text-books produce this precept as if it were a mystery
                            only discovered by their own personal penetration. </p></div><div n="61" type="textpart" subtype="section"><p> To these three qualities some add magnificence of diction or <foreign xml:lang="grc">μεγαλοπρέπεια</foreign> as they call it this quality
                            is not, however, suitable to all cases. For what place has language that
                            rises above the ordinary level in the majority of private suits dealing
                            with loans, letting and hiring and interdicts? Nor yet is it always
                            expedient, as may be inferred from the passage just cited from the <hi rend="italic">pro Milone.</hi>
                     </p></div><div n="62" type="textpart" subtype="section"><p> We must remember, too, that there are many cases in which confession,
                            excuse or modification are necessary with regard to our statements: and
                            magnificence is a quality wholly out of keeping with such procedure.
                            Magnificence of diction is therefore no more specially appropriate to
                            the statement of facts than language calculated to excite pity or
                            hatred, or characterised by dignity, charm or wit. Each of these
                            qualities is admirable in its proper place, but none can be regarded as
                            the peculiar and inalienable property of this portion of the speech.
                        </p></div></div></div></div></body></text></TEI>
                </passage>
            </reply>
            </GetPassage>