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                <requestUrn>urn:cts:latinLit:phi1002.phi001.perseus-eng2:3.6.102-3.7.17</requestUrn>
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                <urn>urn:cts:latinLit:phi1002.phi001.perseus-eng2:3.6.102-3.7.17</urn>
                <passage>
                    <TEI xmlns="http://www.tei-c.org/ns/1.0"><text xml:lang="eng"><body><div n="urn:cts:latinLit:phi1002.phi001.perseus-eng2" type="translation" xml:lang="eng"><div n="3" type="textpart" subtype="book"><div n="6" type="textpart" subtype="section"><div n="102" type="textpart" subtype="section"><p> Both the disinherited and the bastard will object, <quote>You cannot
                                re-enter the family, for our father did not die childless.</quote>
                            But in this connexion each will rely on his own particular question. For
                            the disinherited son will say that even a disinherited man does not
                            cease <pb n="v1-3 p.463"/> to be a son, and will derive an argument from
                            that very law which denies his claim to the inheritance; namely that it
                            was unnecessary for a disinherited son to be excluded from possession of
                            his father's property if he had ceased to be one of the family; but now,
                            since in virtue of his rights as son he would have been his father's
                            heir if he had died intestate, the law is brought to bar his claim; and
                            yet the law does not deprive him of his position as son, but only of his
                            position as heir. Here the <hi rend="italic">basis</hi> is <hi rend="italic">definitive,</hi> as turning on the definition of a
                            son. </p></div><div n="103" type="textpart" subtype="section"><p> Again the bastard in his turn will urge that his father did not die
                            childless, employing the same arguments that he had used in putting
                            forward his claim that he ranked as a son; unless indeed he too has
                            recourse to definition, and raises the question whether even bastards
                            are not sons. Thus in one case we shall have either two special <hi rend="italic">legal bases,</hi> namely the <hi rend="italic">letter
                                of the law and</hi>
                        <hi rend="italic">intention,</hi> with the <hi rend="italic">syllogism</hi> and also <hi rend="italic">definition,</hi> or those three <note anchored="true" place="unspecified">See § 82.</note> which are really the only <hi rend="italic">bases</hi> strictly so called, <hi rend="italic">conjecture</hi> as regards the <hi rend="italic">letter of the law
                                and intention, quality</hi> in the <hi rend="italic">syllogism,</hi>
                        <note anchored="true" place="unspecified">See §
                                88.</note> and <hi rend="italic">definition,</hi> which needs no
                            explanation. </p></div><div n="104" type="textpart" subtype="section"><p> Further every kind of case will contain a <hi rend="italic">cause,</hi>
                            a <hi rend="italic">point for the decision of the judge,</hi> and a <hi rend="italic">central argument.</hi>
                        <note anchored="true" place="unspecified">For discussion of these technical terms see
                                chap. xi.</note> For nothing can be said which does not contain a
                            reason, something to which the decision of the judge is directed, and
                            finally something which, more than aught else, contains the substance of
                            the matter at issue. But as these vary in different cases and are as a
                            rule explained by writers on judicial causes, I will postpone them to
                            the appropriate portion of my work. For the present I shall follow the
                            order which I prescribed by my division <note anchored="true" place="unspecified">Chaps. iii. and iv.</note> of <hi rend="italic">causes</hi> into three classes. <pb n="v1-3 p.465"/> </p></div></div><div n="7" type="textpart" subtype="section"><div n="1" type="textpart" subtype="section"><p>VII. I will
                            begin with the class of <hi rend="italic">causes</hi> which are
                            concerned with praise and blame. This class appears to have been
                            entirely divorced by Aristotle, <note anchored="true" place="unspecified"><hi rend="italic">Rhet.</hi> 1358 b. 2. </note>
                            and following him by Theophrastus, from the practical side of oratory
                            (which they call <foreign xml:lang="grc">πραγματικῇ,</foreign> ) and to
                            have been reserved solely for the delectation of audiences, which indeed
                            is shown to be its peculiar function by its name, which implies display.
                                <note anchored="true" place="unspecified"><hi rend="italic">sc.</hi><foreign xml:lang="grc">ἐπιδεικτική.</foreign></note>
                     </p></div><div n="2" type="textpart" subtype="section"><p> Roman usage on the other hand has given it a place in the practical
                            tasks of life. For funeral orations are often imposed as a duty on
                            persons holding public office, or entrusted to magistrates by decree of
                            the senate. Again the award of praise or blame to a witness may carry
                            weight in the courts, while it is also a recognised practice to produce
                            persons to praise the character of the accused. Further the published
                            speeches of Cicero directed against his rivals in the election to the
                            consulship, <note anchored="true" place="unspecified"> The speech was
                                known as <hi rend="italic">in Toga Candida.</hi> Only fragments
                                survive. </note> and against Lucius Piso, Clodius and Curio, <note anchored="true" place="unspecified"> The <hi rend="italic">in
                                    Pisonem</hi> survives, the <hi rend="italic">in Clodium et
                                    Curionem,</hi> to which he refers again (v. x. 92), is lost.
                            </note> are full of denunciation, and were notwithstanding delivered in
                            the senate as formal expressions of opinion in the course of debate.
                        </p></div><div n="3" type="textpart" subtype="section"><p> I do not deny that some compositions of this kind are composed solely
                            with a view to display, as, for instance, panegyrics of gods and heroes
                            of the past, a consideration which provides the solution of a question
                            which I discussed a little while back, <note anchored="true" place="unspecified">III. v. 3.</note> and proves that those are
                            wrong who hold that an orator will never speak on a subject unless it
                            involves some problem. </p></div><div n="4" type="textpart" subtype="section"><p> But what problem is involved by the praise of Jupiter Capitolinus, a
                            stock theme of the sacred Capitoline contest, <note anchored="true" place="unspecified"> The quinquennial contest in honour of Jupiter
                                Capitolinus, founded by Domitian in 86. </note> which is undoubtedly
                            treated in regular rhetorical form? <pb n="v1-3 p.467"/> However, just
                            as panegyric applied to practical matters requires proof, so too a
                            certain semblance of proof is at times required by speeches composed
                            entirely for display. </p></div><div n="5" type="textpart" subtype="section"><p> For instance, a speaker who tells how Romulus was the son of Mars and
                            reared by the she-wolf, will offer as proofs of his divine origin the
                            facts that when thrown into a running stream he escaped drowning, that
                            all his achievements were such as to make it credible that he was the
                            offspring of the god of battles, and that his contemporaries
                            unquestionably believed that he was translated to heaven. </p></div><div n="6" type="textpart" subtype="section"><p> Some arguments will even wear a certain semblance of defence: for
                            example, if the orator is speaking in praise of Hercules, he will find
                            excuses for his hero having changed raiment with the Queen of Lydia and
                            submitted to the tasks which legend tells us she imposed upon him. The
                            proper function however of panegyric is to amplify and embellish its
                            themes. This form of oratory is directed in the main to the praise of
                            gods and men, but may occasionally be applied to the praise of animals
                            or even of inanimate objects. </p></div><div n="7" type="textpart" subtype="section"><p> In praising the gods our first step will be to express our veneration of
                            the majesty of their nature in general terms. next we shall proceed to
                            praise the special power of the individual god and the discoveries
                            whereby he has benefited the human race. </p></div><div n="8" type="textpart" subtype="section"><p> For example, in the case of Jupiter, we shall extol his power as
                            manifested in the governance of all things, with Mars we shall praise
                            his power in war, with Neptune his power over the sea; as regards
                            inventions we shall celebrate Minerva's discovery of the arts, Mercury's
                            discovery of letters, Apollo's of medicine, Ceres' of the fruits of the
                            earth, Bacchus' <pb n="v1-3 p.469"/> of wine. Next we must record their
                            exploits as handed down from antiquity. Even gods may derive honour from
                            their descent, as for instance is the case with the sons of Jupiter, or
                            from their antiquity, as in the case of the children of Chaos, or from
                            their offspring, as in the case of Latona, the mother of Apollo and
                            Diana. </p></div><div n="9" type="textpart" subtype="section"><p> Some again may be praised because they were born immortal, others
                            because they won immortality by their valour, a theme which the piety of
                            our sovereign has made the glory even of these present times. <note anchored="true" place="unspecified"><hi rend="italic">sc.</hi> by
                                Donitian's deification of his father Vespasian and his brother
                                Titus. </note>
                     </p></div><div n="10" type="textpart" subtype="section"><p> There is greater variety required in the praise of men. In the first
                            place there is a distinction to be made as regards time between the
                            period in which the objects of our praise lived and the time preceding
                            their birth; and further, in the case of the dead, we must also
                            distinguish the period following their death. With regard to things
                            preceding a man's birth, there are his country, his parents and his
                            ancestors, a theme which may be handled in two ways. For either it will
                            be creditable to the objects of our praise not to have fallen short of
                            the fair fame of their country and of their sires or to have ennobled a
                            humble origin by the glory of their achievements. </p></div><div n="11" type="textpart" subtype="section"><p> Other topics to be drawn from the period preceding their birth will have
                            reference to omens or prophecies foretelling their future greatness,
                            such as the oracle which is said to have foretold that the son of Thetis
                            would be greater than his father. </p></div><div n="12" type="textpart" subtype="section"><p> of the individual himself will be based on his character, his physical
                            endowments and external circumstances. Physical and accidental
                            advantages provide a comparatively unimportant theme, which requires
                            variety of treatment. At times for instance <pb n="v1-3 p.471"/> we
                            extol beauty and strength in honorific terms, as Homer does in the case
                            of Agamemnon <note anchored="true" place="unspecified"><hi rend="italic">Iliad,</hi> ii. 477. </note> and Achilles <note anchored="true" place="unspecified"><hi rend="italic">Iliad,</hi> ii. 180. </note> ;
                            at times again weakness may contribute largely to our admiration, as
                            when Homer says <note anchored="true" place="unspecified"><hi rend="italic">Iliad,</hi> v. 801. </note> that Tydeus was small
                            of stature but a good fighter. </p></div><div n="13" type="textpart" subtype="section"><p> Fortune too may confer dignity as in the case of kings and princes (for
                            they have a fairer field for the display of their excellences) but on
                            the other hand the glory of good deeds may be enhanced by the smallness
                            of their resources. Moreover the praise awarded to external and
                            accidental advantages is given, not to their possession, but to their
                            honourable employment. </p></div><div n="14" type="textpart" subtype="section"><p> For wealth and power and influence, since they are the sources of
                            strength, are the surest test of character for good or evil; they make
                            us better or they make us worse. </p></div><div n="15" type="textpart" subtype="section"><p> Praise awarded to character is always just, but may be given in various
                            ways. It has sometimes proved the more effective course to trace a man's
                            life and deeds in due chronological order, praising his natural gifts as
                            a child, then his progress at school, and finally the whole course of
                            his life, including words as well as deeds. At times on the other hand
                            it is well to divide our praises, dealing separately with the various
                            virtues, fortitude, justice, self-control and the rest of them and to
                            assign to each virtue the deeds performed under its influence. </p></div><div n="16" type="textpart" subtype="section"><p> We shall have to decide which of these two methods will be the more
                            serviceable, according to the nature of the subject; but we must bear in
                            mind the fact that what most pleases an audience is the celebration of
                            deeds which our hero was the first or only man or at any rate one of the
                            very few to perform: and to these we must add any other achievements
                            which surpassed hope or <pb n="v1-3 p.473"/> expectation, emphasising
                            what was done for the sake of others rather than what he performed on
                            his own behalf. </p></div><div n="17" type="textpart" subtype="section"><p> It is not always possible to deal with the time subsequent to our hero's
                            death: this is due not merely to the fact that we sometimes praise him,
                            while still alive, but also that there are but few occasions when we
                            have a chance to celebrate the award of divine honours, posthumous votes
                            of thanks, or statues erected at the public expense. </p></div></div></div></div></body></text></TEI>
                </passage>
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