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                <requestUrn>urn:cts:latinLit:phi1002.phi001.perseus-eng2:11.2.41-11.3.9</requestUrn>
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                <urn>urn:cts:latinLit:phi1002.phi001.perseus-eng2:11.2.41-11.3.9</urn>
                <passage>
                    <TEI xmlns="http://www.tei-c.org/ns/1.0"><text xml:lang="eng"><body><div n="urn:cts:latinLit:phi1002.phi001.perseus-eng2" type="translation" xml:lang="eng"><div n="11" type="textpart" subtype="book"><div n="2" type="textpart" subtype="section"><div n="41" type="textpart" subtype="section"><p> Therefore boys should, as I have already urged, <note anchored="true" place="unspecified"> See. i. 36; II. vii. I <hi rend="italic">sqq.</hi>
                        </note> learn as much as possible by heart at the
                            earliest stage, while all who, whatever their age, desire to cultivate
                            the power of memory, should endeavour to swallow the initial tedium of
                            reading and re-reading what they have written or read, a process which
                            we may compare to chewing the cud. This task will be rendered less
                            tiresome if we begin by confining ourselves to learning only a little at
                            a time, in amounts not sufficient to create disgust: we <pb n="v10-12 p.237"/> may then proceed to increase the amount by a line a
                            day, an addition which will not sensibly increase the labour of
                            learning, until at last the amount we can attack will know no limits. We
                            should begin with poetry and then go on to oratory, while finally we may
                            attempt passages still freer in rhythm and less akin to ordinary speech,
                            such, for example, as passages from legal writers. </p></div><div n="42" type="textpart" subtype="section"><p> For passages intended as an exercise should be somewhat difficult in
                            character if they are to make it easy to achieve the end for which the
                            exercise is designed; just as athletes train the muscles of their hands
                            by carrying weights of lead, although in the actual contests their hands
                            will be empty and free. Further, I must not omit the fact, the truth of
                            which our daily practice will teach us, that in the case of the slower
                            type of mind the memory of recent events is far from being exact. </p></div><div n="43" type="textpart" subtype="section"><p> It is a curious fact, of which the reason is not obvious, that the
                            interval of a single night will greatly increase the strength of the
                            memory, whether this be due to the fact that it has rested from the
                            labour, the fatigue of which constituted the obstacle to success, or
                            whether it be that the power of recollection, which is the most
                            important element of memory, undergoes a process of ripening and
                            maturing during the time which intervenes. Whatever the cause, things
                            which could not be recalled on the spot are easily co-ordinated the next
                            day, and time itself, which is generally accounted one of the causes of
                            forgetfulness, actually serves to strengthen the memory. </p></div><div n="44" type="textpart" subtype="section"><p> On the other hand, the abnormally rapid memory fails as a rule to last
                            and takes its leave as though, its immediate task accomplished, it had
                            no further duties to perform. And indeed there is <pb n="v10-12 p.239"/>
                            nothing surprising in the fact that things which have been implanted in
                            the memory for some time should have a greater tendency to stay there.
                            The difference between the powers of one mind and another, to which I
                            have just referred, gives rise to the question whether those who are
                            intending to speak should learn their speeches <hi rend="italic">verbatim</hi> or whether it is sufficient to get a good grasp of
                            the essence and the order of what they have got to say. To this problem
                            no answer is possible that will be of universal application. </p></div><div n="45" type="textpart" subtype="section"><p> Give me a reliable memory and plenty of time, and I should prefer not to
                            permit a single syllable to escape me: otherwise writing would be
                            superfluous. It is specially important to train the young to such
                            precision, and the memory should be continually practised to this end,
                            that we may never learn to become indulgent to its failure. For this
                            reason I regard it as a mistake to permit the student to be prompted or
                            to consult his manuscript, since such practices merely encourage
                            carelessness, and no one will ever realise that he has not got his theme
                            by heart, if he has no fear of forgetting it. </p></div><div n="46" type="textpart" subtype="section"><p> It is this which causes interruptions in the flow of speech and makes
                            the orator's language halting and jerky, while he seems as though he
                            were learning what he says by heart and loses all the grace that a
                            well-written speech can give, simply by the fact that he makes it
                            obvious that he has written it. On the other hand, a good memory will
                            give us credit for quickness of wit as well, by creating the impression
                            that our words have not been prepared in the seclusion of the study, but
                            are due to the inspiration of the moment, an impression which is of the
                            utmost assistance both to the orator and to his cause. </p></div><div n="47" type="textpart" subtype="section"><p> For <pb n="v10-12 p.241"/> the judge admires those words more and fears
                            them less which he does not suspect of having been specially prepared
                            beforehand to outwit him. Further, we must make it one of our chief aims
                            in pleading to deliver passages which have been constructed with the
                            utmost care, in such manner as to make it appear that they are but
                            casually strung together, and to suggest that we are thinking out and
                            hesitating over words which we have, as a matter of fact, carefully
                            prepared in advance. </p></div><div n="48" type="textpart" subtype="section"><p> It should now be clear to all what is the best course to adopt for the
                            cultivation of memory. If, however, our memory be naturally somewhat
                            dull or time presses, it will be useless to tie ourselves down rigidly
                            to every word, since if we forget any one of them, the result may be
                            awkward hesitation or even a tongue-tied silence. It is, therefore, far
                            safer to secure a good grasp of the facts themselves and to leave
                            ourselves free to speak as we will. </p></div><div n="49" type="textpart" subtype="section"><p> For the loss of even a single word that we have chosen is always a
                            matter for regret, and it is hard to supply a substitute when we are
                            searching for the word that we had written. But even this is no remedy
                            for a weak memory, except for those who have acquired the art of
                            speaking extempore. But if both memory and this gift be lacking, I
                            should advise the would-be orator to abandon the toil of pleading
                            altogether and, if he has any literary capacity, to betake himself by
                            preference to writing. But such a misfortune will be of but rare
                            occurrence. </p></div><div n="50" type="textpart" subtype="section"><p> For the rest there are many historical examples of the power to which
                            memory may be developed by natural aptitude and application.
                            Themistocles is said to have spoken excellently in Persian after a <pb n="v10-12 p.243"/> year's study; Mithridates is recorded to have known
                            twenty-two languages, that being the number of the different nations
                            included in his empire; <note anchored="true" place="unspecified">King
                                of Pontus.</note> Crassus, surnamed the Rich, <note anchored="true" place="unspecified"> Consul, 131 B.C. Commanded in the war against
                                Aristonicus of Pergamum, was defeated and killed. </note> when
                            commanding in Asia had such a complete mastery of five different Greek
                            dialects, that he would give judgement in the dialect employed by the
                            plaintiff in putting forward his suit; Cyrus is believed to have known
                            the name of every soldier in his army, </p></div><div n="51" type="textpart" subtype="section"><p> while Theodectes <note anchored="true" place="unspecified">Rhetorician
                                of first half of fourth century B.C..</note> is actually said to
                            have been able to repeat any number of verses after only a single
                            hearing. I remember that it used to be alleged that there were persons
                            still living who could do the same, though I never had the good fortune
                            to be present at such a performance. Still, we shall do well to have
                            faith in such miracles, if only that he who believes may also hope to
                            achieve the like.  </p></div></div><div n="3" type="textpart" subtype="section"><div n="1" type="textpart" subtype="section"><p>III. <hi rend="italic">Delivery</hi> is often styled
                                <hi rend="italic">action.</hi> But the first name is derived from
                            the voice, the second from the gesture. For Cicero in one passage <note anchored="true" place="unspecified"><hi rend="italic">de Or.</hi>
                                III. lix. 222. </note> speaks of <hi rend="italic">action</hi> as
                            being <hi rend="italic">a form of speech,</hi> and in another <note anchored="true" place="unspecified"><hi rend="italic">Or.</hi> xvii.
                                55. </note> as being a <hi rend="italic">kind of physical
                                eloquence.</hi> None the less, he divides action into two elements,
                            which are the same as the elements of delivery, namely, voice and
                            movement. Therefore, it matters not which term we employ. </p></div><div n="2" type="textpart" subtype="section"><p> But the thing itself has an extraordinarily powerful effect in oratory.
                            For the nature of the speech that we have composed within our minds is
                            not so important as the manner in which we produce it, since the emotion
                            of each member of our audience will depend on the impression made upon
                            his hearing. Consequently, no proof, at least if it be one devised by
                            the orator himself, will ever be so secure as not to lose its force <pb n="v10-12 p.245"/> if the speaker fails to produce it in tones that
                            drive it home. All emotional appeals will inevitably fall flat, unless
                            they are given the fire that voice, look, and the whole carriage of the
                            body can give them. </p></div><div n="3" type="textpart" subtype="section"><p> For when we have done all this, we may still account ourselves only too
                            fortunate if we have succeeded in communicating the fire of our passion
                            to the judge: consequently, we can have no hope of moving him if we
                            speak with languor and indifference, nor of preventing him from yielding
                            to the narcotic influence of our own yawns. </p></div><div n="4" type="textpart" subtype="section"><p> A proof of this is given by actors in the theatre. For they add so much
                            to the charm even of the greatest poets, that the verse moves us far
                            more when heard than when read, while they succeed in securing a hearing
                            even for the most worthless authors, with the result that they
                            repeatedly win a welcome on the stage that is denied them in the
                            library. </p></div><div n="5" type="textpart" subtype="section"><p> Now if delivery can count for so much in themes which we know to be
                            fictitious and devoid of reality, as to arouse our anger, our tears or
                            our anxiety, how much greater must its effect be when we actually
                            believe what we hear? For my own part I would not hesitate to assert
                            that a mediocre speech supported by all the power of delivery will be
                            more impressive than the best speech unaccompanied by such power. </p></div><div n="6" type="textpart" subtype="section"><p> It was for this reason that Demosthenes, when asked what was the most
                            important thing in oratory, gave the palm to delivery and assigned it
                            second and third place as well, until his questioner ceased to trouble
                            him. We are therefore almost justified in concluding that he regarded it
                            not merely as the first, but as the only virtue of oratory. </p></div><div n="7" type="textpart" subtype="section"><p> This explains why he studied <pb n="v10-12 p.247"/> under the instruction
                            of the actor Andronicus with such diligence and success as thoroughly to
                            justify the remark made by Aeschines to the Rhodians when they expressed
                            their admiration of the speech of Demosthenes on behalf of Ctesiphon,
                                <quote>What would you have said if you had heard him
                                yourselves?</quote>
                        <note anchored="true" place="unspecified"><hi rend="italic">de Or.</hi> III. lvi. 213. Aeschincs in exile at
                                Rhodes first recited his own speech against Ctesiphon, and then by
                                special request read Demosthenes' reply, the famous <hi rend="italic">De Corona.</hi>
                        </note> Cicero likewise regards <hi rend="italic">action</hi> as the supreme element of oratory. </p></div><div n="8" type="textpart" subtype="section"><p> He records that Gnaeus Lentulus acquired a greater reputation by his
                            delivery than by his actual eloquence, and that Gains Gracchus by the
                            same means stirred the whole Roman people to tears when he bewailed his
                            brother's death, while Antonius and Crassus produced a great impression
                            by their command of this quality, though the greatest of all was that
                            produced by Quintus Hortensius. <note anchored="true" place="unspecified"><hi rend="italic">Brut.</hi> lxvi., lxxxix.,
                                xxxviii., xliii., lxxxviii. </note> This statement is strongly
                            supported by the fact that the latter's writings fall so far short of
                            the reputation which for so long secured him the first place among
                            orators, then for a while caused him to be regarded as Cicero's rival,
                            and finally, for the remainder of his life assigned him a position
                            second only to that of Cicero, that his speaking must clearly have
                            possessed some charm which we fail to find when we read him. </p></div><div n="9" type="textpart" subtype="section"><p> And, indeed, since words in themselves count for much and the voice adds
                            a force of its own to the matter of which it speaks, while gesture and
                            motion are full of significance, we may be sure of finding something
                            like perfection when all these qualities are combined. </p></div></div></div></div></body></text></TEI>
                </passage>
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