<GetPassage xmlns:tei="http://www.tei-c.org/ns/1.0" xmlns="http://chs.harvard.edu/xmlns/cts">
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                <requestUrn>urn:cts:latinLit:phi1002.phi001.perseus-eng2:10.2.23-10.3.5</requestUrn>
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                <urn>urn:cts:latinLit:phi1002.phi001.perseus-eng2:10.2.23-10.3.5</urn>
                <passage>
                    <TEI xmlns="http://www.tei-c.org/ns/1.0"><text xml:lang="eng"><body><div n="urn:cts:latinLit:phi1002.phi001.perseus-eng2" type="translation" xml:lang="eng"><div n="10" type="textpart" subtype="book"><div n="2" type="textpart" subtype="section"><div n="23" type="textpart" subtype="section"><p> There is a further fault to which those persons are liable who devote
                            themselves entirely to the imitation of one particular style: if the
                            rude vigour of some particular author takes their fancy, they cling to
                            it even when the case on which they are engaged calls for an easy and
                            flowing style; if, on the other hand, it is a simple or agreeable style
                            that claims their devotion, they fail to meet the heavy demands of
                            severe and weighty cases. For not only do cases differ in their general
                            aspect, but one part of a case may differ from another, and some things
                            require a gentle and others a violent style, some require an impetuous
                            and others a calm diction, while in some cases it is necessary to
                            instruct and in others to move the audience, in all these instances
                            dissimilar and different methods being necessary. </p></div><div n="24" type="textpart" subtype="section"><p> Consequently I should be reluctant even to advise a <pb n="v10-12 p.89"/>
                            student to select one particular author to follow through thick and
                            thin. Demosthenes is by far the most perfect of Greek orators, yet there
                            are some things which others have said better in some contexts as
                            against the many things which he has said better than others. But it
                            does not follow that because we should select one author for special
                            imitation, he should be our only model. What then? </p></div><div n="25" type="textpart" subtype="section"><p> Is it not sufficient to model our every utterance on Cicero? For my own
                            part, I should consider it sufficient, if I could always imitate him
                            successfully. But what harm is there in occasionally borrowing the
                            vigour of Caesar, the vehemence of Caelius, the precision of Pollio or
                            the sound judgment of Calvus? </p></div><div n="26" type="textpart" subtype="section"><p> For quite apart from the fact that a wise man should always, if
                            possible, make whatever is best in each individual author his own, we
                            shall find that, in view of the extreme difficulty of our subject, those
                            who fix their eyes on one model only will always find some one quality
                            which it is almost impossible to acquire therefrom. Consequently, since
                            it is practically impossible for mortal powers to produce a perfect and
                            complete copy of any one chosen author, we shall do well to keep a
                            number of different excellences before our eyes, so that different
                            qualities from different authors may impress themselves on our minds, to
                            be adopted for use in the place that becomes them best. </p></div><div n="27" type="textpart" subtype="section"><p> But imitation (for I must repeat this point again and again) should not
                            be confined merely to words. We must consider the appropriateness with
                            which those orators handle the circumstances and persons involved in the
                            various cases in which they were engaged, and observe the judgment and
                            powers of arrangement which they reveal, and the manner <pb n="v10-12 p.91"/> in which everything they say, not excepting those
                            portions of their speeches which seem designed merely to delight their
                            audience, is concentrated on securing the victory over their opponents.
                            We must note their procedure in the exordium, the method and variety of
                            their statement of facts, the power displayed in proof and refutation,
                            the skill revealed in their appeal to every kind of emotion, and the
                            manner in which they make use of popular applause to serve their case,
                            applause which is most honourable when it is spontaneous and not
                            deliberately courted. If we have thoroughly appreciated all these
                            points, we shall be able to imitate our models with accuracy. </p></div><div n="28" type="textpart" subtype="section"><p> But the man who to these good qualities adds his own, that is to say,
                            who makes good deficiencies and cuts down whatever is redundant, will be
                            the perfect orator of our search; and it is now above all times that
                            such perfection should be attained when there are before us so many more
                            models of oratorical excellence than were available for those who have
                            thus far achieved the highest success. For this glory also shall be
                            theirs, that men shall say of them that while they surpassed their
                            predecessors, they also taught those who came after. </p></div></div><div n="3" type="textpart" subtype="chapter"><div n="1" type="textpart" subtype="section"><p> Such are the aids which we may derive from external sources; as regards
                            those which we must supply for ourselves, it is the pen which brings at
                            once the most labour and the most profit. Cicero is fully justified in
                            describing it as the best producer and teacher of eloquence, and it may
                            be noted that in the <hi rend="italic">de Oratore</hi>
                        <note anchored="true" place="unspecified"><hi rend="italic">De Or.</hi> i.
                                150. </note> he supports his own judgment by the authority of Lucius
                            Crassus, in whose mouth he places this remark. </p></div><div n="2" type="textpart" subtype="section"><p> We must <pb n="v10-12 p.93"/> therefore write as much as possible and with
                            the utmost care. For as deep ploughing makes the soil more fertile for
                            the production and support of crops, so, if we improve our minds by
                            something more than mere superficial study, we shall produce a richer
                            growth of knowledge and shall retain it with greater accuracy. For
                            without the consciousness of such preliminary study our powers of
                            speaking extempore will give us nothing but an empty flow of words,
                            springing from the lips and not from the brain. </p></div><div n="3" type="textpart" subtype="section"><p> It is in writing that eloquence has its roots and foundations, it is
                            writing that provides that holy of holies where the wealth of oratory is
                            stored, and whence it is produced to meet the demands of sudden
                            emergencies. It is of the first importance that we should develop such
                            strength as will not faint under the toil of forensic strife nor be
                            exhausted by continual use. </p></div><div n="4" type="textpart" subtype="section"><p> For it is an ordinance of nature that nothing great can be achieved in a
                            moment, and that all the fairest tasks are attended with difficulty,
                            while on births as well she has imposed this law, that the larger the
                            animal, the longer should be the period of gestation. There are,
                            however, two questions which present themselves in this connexion,
                            namely, what should be our method and what the subjects on which we
                            write, and I propose to treat them in this order. </p></div><div n="5" type="textpart" subtype="section"><p> At first, our pen must be slow yet sure: we must search for what is best
                            and refuse to give a joyful welcome to every thought the moment that it
                            presents itself; we must first criticise the fruits of our imagination,
                            and then, once approved, arrange them with care. For we must select both
                            thoughts and words and weigh them one by one. This done, <pb n="v10-12 p.95"/> we must consider the order in which they should be
                            placed, and must examine all the possible varieties of rhythm, refusing
                            necessarily to place each word in the order in which it occurs to us.
                        </p></div></div></div></div></body></text></TEI>
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