<GetPassage xmlns:tei="http://www.tei-c.org/ns/1.0" xmlns="http://chs.harvard.edu/xmlns/cts">
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                <requestUrn>urn:cts:latinLit:phi1002.phi001.perseus-eng2:1.2.30-1.3.18</requestUrn>
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                <urn>urn:cts:latinLit:phi1002.phi001.perseus-eng2:1.2.30-1.3.18</urn>
                <passage>
                    <TEI xmlns="http://www.tei-c.org/ns/1.0"><text xml:lang="eng"><body><div n="urn:cts:latinLit:phi1002.phi001.perseus-eng2" type="translation" xml:lang="eng"><div n="1" type="textpart" subtype="book"><div n="2" type="textpart" subtype="chapter"><div n="30" type="textpart" subtype="section"><p> For eloquence depends in the main on the state of the mind, which must
                            be moved, conceive images and adapt itself to suit the nature of the
                            subject which is the theme of speech. Further the loftier and the more
                            elevated the mind, the more powerful will be the forces which move it:
                            consequently praise gives it growth and effort increase, and the thought
                            that it is doing something great fills it with joy. </p></div><div n="31" type="textpart" subtype="section"><p> The duty of stooping to expend that power of speaking which has been
                            acquired at the cost of such effort upon an audience of one gives rise
                            to a silent <pb n="v1-3 p.55"/> feeling of disdain, and the teacher is
                            ashamed to raise his voice above the ordinary conversational level.
                            Imagine the air of a declaimer, or the voice of an orator, his gait, his
                            delivery, the movements of his body, the emotions of his mind, and, to
                            go no further, the fatigue of his exertions, all for the sake of one
                            listener! Would he not seem little less than a lunatic? No, there would
                            be no such thing as eloquence, if we spoke only with one person at a
                            time. </p></div></div><div n="3" type="textpart" subtype="chapter"><div n="1" type="textpart" subtype="section"><p> The skilful teacher will make it his first care, as soon as a boy is
                            entrusted to him, to ascertain his ability and character. The surest
                            indication in a child is his power of memory. The characteristics of a
                            good memory are twofold: it must be quick to take in and faithful to
                            retain impressions of what it receives. The indication of next
                            importance is the power of imitation: for this is a sign that the child
                            is teachable: but he must imitate merely what he is taught, and must
                            not, for example, mimic someone's gait or bearing or defects. </p></div><div n="2" type="textpart" subtype="section"><p> For I have no hope that a child will turn out well who loves imitation
                            merely for the purpose of raising a laugh. He who is really gifted will
                            also above all else be good. For the rest, I regard slowness of
                            intellect as preferable to actual badness. But a good boy will be quite
                            unlike the dullard and the sloth. </p></div><div n="3" type="textpart" subtype="section"><p> My ideal pupil will absorb instruction with ease and will even ask some
                            questions; but he will follow rather than anticipate his teacher.
                            Precocious intellects rarely produce sound fruit. </p></div><div n="4" type="textpart" subtype="section"><p> By the precocious I mean those who perform small tasks with ease and,
                            thus emboldened, proceed to display all their little accomplishments <pb n="v1-3 p.57"/> without being asked: but their accomplishments are
                            only of the most obvious kind: they string words together and trot them
                            out boldly and undeterred by the slightest sense of modesty. Their
                            actual achievement is small, but what they can do they perform with
                            ease. </p></div><div n="5" type="textpart" subtype="section"><p> They have no real power and what they have is but of shallow growth: it
                            is as when we cast seed on the surface of the soil: it springs up too
                            rapidly, the blade apes the loaded ear, and yellows ere harvest time,
                            but bears no grain. Such tricks please us when we contrast them with the
                            performer's age, but progress soon stops and our admiration withers
                            away. </p></div><div n="6" type="textpart" subtype="section"><p> Such indications once noted, the teacher must next consider what
                            treatment is to be applied to the mind of his pupil. There are some boys
                            who are slack, unless pressed on; others again are impatient of control:
                            some are amenable to fear, while others are paralysed by it: in some
                            cases the mind requires continued application to form it, in others this
                            result is best obtained by rapid concentration. Give me the boy who is
                            spurred on by praise, delighted by success and ready to weep over
                            failure. </p></div><div n="7" type="textpart" subtype="section"><p> Such an one must be encouraged by appeals to his ambition; rebuke will
                            bite him to the quick; honour will be a spur, and there is no fear of
                            his proving indolent. </p></div><div n="8" type="textpart" subtype="section"><p> Still, all our pupils will require some relaxation, not merely because
                            there is nothing in this world that can stand continued strain and even
                            unthinking and inanimate objects are unable to maintain their strength,
                            unless given intervals of rest, but because study depends on the good
                            will of the student, a quality that cannot be secured by compulsion.
                        </p></div><div n="9" type="textpart" subtype="section"><p> Consequently if restored and refreshed by a holiday <pb n="v1-3 p.59"/>
                            they will bring greater energy to their learning and approach their work
                            with greater spirit of a kind that will not submit to be driven. </p></div><div n="10" type="textpart" subtype="section"><p> I approve of play in the young; it is a sign of a lively disposition;
                            nor will you ever lead me to believe that a boy who is gloomy and in a
                            continual state of depression is ever likely to show alertness of mind
                            in his work, lacking as he does the impulse most natural to boys of his
                            age. </p></div><div n="11" type="textpart" subtype="section"><p> Such relaxation must not however be unlimited: otherwise the refusal to
                            give a holiday will make boys hate their work, while excessive
                            indulgence will accustom them to idleness. There are moreover certain
                            games which have an educational value for boys, as for instance when
                            they compete in posing each other with all kinds of questions which they
                            ask turn and turn about. </p></div><div n="12" type="textpart" subtype="section"><p> Games too reveal character in the most natural way, at least that is so
                            if the teacher will bear in mind that there is no child so young as to
                            be unable to learn to distinguish between right and wrong, and that the
                            character is best moulded, when it is still guiltless of deceit and most
                            susceptible to instruction: for once a bad habit has become engrained,
                            it is easier to break than bend. </p></div><div n="13" type="textpart" subtype="section"><p> There must be no delay, then, in warning a boy that his actions must be
                            unselfish, honest, self-controlled, and we must never forget the words
                            of Virgil, <quote rend="blockquote"><cit><quote><l part="N">So strong is custom formed in early
                                            years.</l></quote><bibl default="false">Georg. ii. 272.</bibl></cit></quote> I disapprove of flogging, although it is the regular
                            custom and meets with the acquiescence of Chrysippus, because in the
                            first place it is a disgraceful form of punishment and fit only for
                            slaves, </p></div><div n="14" type="textpart" subtype="section"><p> and is in <pb n="v1-3 p.61"/> any case an insult, as you will realise if
                            you imagine its infliction at a later age. Secondly if a boy is so
                            insensible to instruction that reproof is useless, he will, like the
                            worst type of slave, merely become hardened to blows. Finally there will
                            be absolutely no need of such punishment if the master is a thorough
                            disciplinarian. </p></div><div n="15" type="textpart" subtype="section"><p> As it is, we try to make amends for the negligence of the boy's <hi rend="italic">paedagogus,</hi> not by forcing him to do what is
                            right, but by punishing him for not doing what is right. And though you
                            may compel a child with blows, what are you to do with him when he is a
                            young man no longer amenable to such threats and confronted with tasks
                            of far greater difficulty? </p></div><div n="16" type="textpart" subtype="section"><p> Moreover when children are beaten, pain or fear frequently have results
                            of which it is not pleasant to speak and which are likely subsequently
                            to be a source of shame, a shame which unnerves and depresses the mind
                            and leads the child to shun and loathe the light. </p></div><div n="17" type="textpart" subtype="section"><p> Further if inadequate care is taken in the choices of respectable
                            governors and instructors, I blush to mention the shameful abuse which
                            scoundrels sometimes make of their right to administer corporal
                            punishment or the opportunity not infrequently offered to others by the
                            fear thus caused in the victims. I will not linger on this subject; it
                            is more than enough if I have made my meaning clear. I will content
                            myself with saying that children are helpless and easily victimised, and
                            that therefore no one should be given unlimited power over them. </p></div><div n="18" type="textpart" subtype="section"><p> I will now proceed to describe the subjects in which the boy must be
                            trained, if he is to become an orator, and to indicate the age at which
                            each should be commenced. </p></div></div></div></div></body></text></TEI>
                </passage>
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            </GetPassage>