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                <requestUrn>urn:cts:latinLit:phi0550.phi001.perseus-eng1:4.302-4.929</requestUrn>
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                    <TEI xmlns="http://www.tei-c.org/ns/1.0"><text><body><div type="translation" n="urn:cts:latinLit:phi0550.phi001.perseus-eng1" xml:lang="eng"><div type="textpart" subtype="book" n="4"><div type="textpart" subtype="card" n="302"><l rend="indent">An image too may be</l><l>From mirror into mirror handed on,</l><l>Until of idol-films even five or six</l><l>Have thus been gendered. For whatever things</l><l>Shall hide back yonder in the house, the same,</l><l>However far removed in twisting ways,</l><l>May still be all brought forth through bending paths</l><l>And by these several mirrors seen to be</l><l>Within the house, since nature so compels</l><l>All things to be borne backward and spring off</l><l>At equal angles from all other things.</l><l>To such degree the image gleams across</l><l>From mirror unto mirror; where 'twas left</l><l>It comes to be the right, and then again</l><l>Returns and changes round unto the left.</l><l>Again, those little sides of mirrors curved</l><l>Proportionate to the bulge of our own flank</l><l>Send back to us their idols with the right</l><l>Upon the right; and this is so because</l><l>Either the image is passed on along</l><l>From mirror unto mirror, and thereafter,</l><l>When twice dashed off, flies back unto ourselves;</l><l>Or else the image wheels itself around,</l><l>When once unto the mirror it has come,</l><l>Since the curved surface teaches it to turn</l><l>To usward. Further, thou might'st well believe</l><l>That these film-idols step along with us</l><l>And set their feet in unison with ours</l><l>And imitate our carriage, since from that</l><l>Part of a mirror whence thou hast withdrawn</l><l>Straightway no images can be returned.</l><l rend="indent">  Further, our eye-balls tend to flee the bright</l><l>And shun to gaze thereon; the sun even blinds,</l><l>If thou goest on to strain them unto him,</l><l>Because his strength is mighty, and the films</l><l>Heavily downward from on high are borne</l><l>Through the pure ether and the viewless winds,</l><l>And strike the eyes, disordering their joints.</l><l>So piecing lustre often burns the eyes,</l><l>Because it holdeth many seeds of fire</l><l>Which, working into eyes, engender pain.</l><l>Again, whatever jaundiced people view</l><l>Becomes wan-yellow, since from out their bodies</l><l>Flow many seeds wan-yellow forth to meet</l><l>The films of things, and many too are mixed</l><l>Within their eye, which by contagion paint</l><l>All things with sallowness.</l></div><div type="textpart" subtype="card" n="337"><l rend="indent">Again, we view</l><l>From dark recesses things that stand in light,</l><l>Because, when first has entered and possessed</l><l>The open eyes this nearer darkling air,</l><l>Swiftly the shining air and luminous</l><l>Followeth in, which purges then the eyes</l><l>And scatters asunder of that other air</l><l>The sable shadows, for in large degrees</l><l>This air is nimbler, nicer, and more strong.</l><l>And soon as ever 'thas filled and oped with light</l><l>The pathways of the eyeballs, which before</l><l>Black air had blocked, there follow straightaway</l><l>Those films of things out-standing in the light,</l><l>Provoking vision- what we cannot do</l><l>From out the light with objects in the dark,</l><l>Because that denser darkling air behind</l><l>Followeth in, and fills each aperture</l><l>And thus blockades the pathways of the eyes</l><l>That there no images of any things</l><l>Can be thrown in and agitate the eyes.</l><l rend="indent">  And when from far away we do behold</l><l>The squared towers of a city, oft</l><l>Rounded they seem,- on this account because</l><l>Each distant angle is perceived obtuse,</l><l>Or rather it is not perceived at all;</l><l>And perishes its blow nor to our gaze</l><l>Arrives its stroke, since through such length of air</l><l>Are borne along the idols that the air</l><l>Makes blunt the idol of the angle's point</l><l>By numerous collidings. When thuswise</l><l>The angles of the tower each and all</l><l>Have quite escaped the sense, the stones appear</l><l>As rubbed and rounded on a turner's wheel-</l><l>Yet not like objects near and truly round,</l><l>But with a semblance to them, shadowily.</l><l>Likewise, our shadow in the sun appears</l><l>To move along and follow our own steps</l><l>And imitate our carriage- if thou thinkest</l><l>Air that is thus bereft of light can walk,</l><l>Following the gait and motion of mankind.</l><l>For what we use to name a shadow, sure</l><l>Is naught but air deprived of light. No marvel:</l><l>Because the earth from spot to spot is reft</l><l>Progressively of light of sun, whenever</l><l>In moving round we get within its way,</l><l>While any spot of earth by us abandoned</l><l>Is filled with light again, on this account</l><l>It comes to pass that what was body's shadow</l><l>Seems still the same to follow after us</l><l>In one straight course. Since, evermore pour in</l><l>New lights of rays, and perish then the old,</l><l>Just like the wool that's drawn into the flame.</l><l>Therefore the earth is easily spoiled of light</l><l>And easily refilled and from herself</l><l>Washeth the black shadows quite away.</l></div><div type="textpart" subtype="card" n="379"><l rend="indent">  And yet in this we don't at all concede</l><l>That eyes be cheated. For their task it is</l><l>To note in whatsoever place be light,</l><l>In what be shadow: whether or no the gleams</l><l>Be still the same, and whether the shadow which</l><l>Just now was here is that one passing thither,</l><l>Or whether the facts be what we said above,</l><l>'Tis after all the reasoning of mind</l><l>That must decide; nor can our eyeballs know</l><l>The nature of reality. And so</l><l>Attach thou not this fault of mind to eyes,</l><l>Nor lightly think our senses everywhere</l><l>Are tottering. The ship in which we sail</l><l>Is borne along, although it seems to stand;</l><l>The ship that bides in roadstead is supposed</l><l>There to be passing by. And hills and fields</l><l>Seem fleeing fast astern, past which we urge</l><l>The ship and fly under the bellying sails.</l><l>The stars, each one, do seem to pause, affixed</l><l>To the ethereal caverns, though they all</l><l>Forever are in motion, rising out</l><l>And thence revisiting their far descents</l><l>When they have measured with their bodies bright</l><l>The span of heaven. And likewise sun and moon</l><l>Seem biding in a roadstead,- objects which,</l><l>As plain fact proves, are really borne along.</l><l>Between two mountains far away aloft</l><l>From midst the whirl of waters open lies</l><l>A gaping exit for the fleet, and yet</l><l>They seem conjoined in a single isle.</l><l>When boys themselves have stopped their spinning round,</l><l>The halls still seem to whirl and posts to reel,</l><l>Until they now must almost think the roofs</l><l>Threaten to ruin down upon their heads.</l><l>And now, when nature begins to lift on high</l><l>The sun's red splendour and the tremulous fires,</l><l>And raise him o'er the mountain-tops, those mountains-</l><l>O'er which he seemeth then to thee to be,</l><l>His glowing self hard by atingeing them</l><l>With his own fire- are yet away from us</l><l>Scarcely two thousand arrow-shots, indeed</l><l>Oft scarce five hundred courses of a dart;</l><l>Although between those mountains and the sun</l><l>Lie the huge plains of ocean spread beneath</l><l>The vasty shores of ether, and intervene</l><l>A thousand lands, possessed by many a folk</l><l>And generations of wild beasts. Again,</l></div><div type="textpart" subtype="card" n="414"><l>A pool of water of but a finger's depth,</l><l>Which lies between the stones along the pave,</l><l>Offers a vision downward into earth</l><l>As far, as from the earth o'erspread on high</l><l>The gulfs of heaven; that thus thou seemest to view</l><l>Clouds down below and heavenly bodies plunged</l><l>Wondrously in heaven under earth.</l><l>Then too, when in the middle of the stream</l><l>Sticks fast our dashing horse, and down we gaze</l><l>Into the river's rapid waves, some force</l><l>Seems then to bear the body of the horse,</l><l>Though standing still, reversely from his course,</l><l>And swiftly push up-stream. And wheresoe'er</l><l>We cast our eyes across, all objects seem</l><l>Thus to be onward borne and flow along</l><l>In the same way as we. A portico,</l><l>Albeit it stands well propped from end to end</l><l>On equal columns, parallel and big,</l><l>Contracts by stages in a narrow cone,</l><l>When from one end the long, long whole is seen,-</l><l>Until, conjoining ceiling with the floor,</l><l>And the whole right side with the left, it draws</l><l>Together to a cone's nigh-viewless point.</l><l>To sailors on the main the sun he seems</l><l>From out the waves to rise, and in the waves</l><l>To set and bury his light- because indeed</l><l>They gaze on naught but water and the sky.</l><l>Again, to gazers ignorant of the sea,</l><l>Vessels in port seem, as with broken poops,</l><l>To lean upon the water, quite agog;</l><l>For any portion of the oars that's raised</l><l>Above the briny spray is straight, and straight</l><l>The rudders from above. But other parts,</l><l>Those sunk, immersed below the water-line,</l><l>Seem broken all and bended and inclined</l><l>Sloping to upwards, and turned back to float</l><l>Almost atop the water. And when the winds</l><l>Carry the scattered drifts along the sky</l><l>In the night-time, then seem to glide along</l><l>The radiant constellations 'gainst the clouds</l><l>And there on high to take far other course</l><l>From that whereon in truth they're borne. And then,</l></div><div type="textpart" subtype="card" n="447"><l>If haply our hand be set beneath one eye</l><l>And press below thereon, then to our gaze</l><l>Each object which we gaze on seems to be,</l><l>By some sensation twain- then twain the lights</l><l>Of lampions burgeoning in flowers of flame,</l><l>And twain the furniture in all the house,</l><l>Two-fold the visages of fellow-men,</l><l>And twain their bodies. And again, when sleep</l><l>Has bound our members down in slumber soft</l><l>And all the body lies in deep repose,</l><l>Yet then we seem to self to be awake</l><l>And move our members; and in night's blind gloom</l><l>We think to mark the daylight and the sun;</l><l>And, shut within a room, yet still we seem</l><l>To change our skies, our oceans, rivers, hills,</l><l>To cross the plains afoot, and hear new sounds,</l><l>Though still the austere silence of the night</l><l>Abides around us, and to speak replies,</l><l>Though voiceless. Other cases of the sort</l><l>Wondrously many do we see, which all</l><l>Seek, so to say, to injure faith in sense-</l><l>In vain, because the largest part of these</l><l>Deceives through mere opinions of the mind,</l><l>Which we do add ourselves, feigning to see</l><l>What by the senses are not seen at all.</l><l>For naught is harder than to separate</l><l>Plain facts from dubious, which the mind forthwith</l><l>Adds by itself.</l></div><div type="textpart" subtype="card" n="469"><l rend="indent">                  Again, if one suppose</l><l>That naught is known, he knows not whether this</l><l>Itself is able to be known, since he</l><l>Confesses naught to know. Therefore with him</l><l>I waive discussion- who has set his head</l><l>Even where his feet should be. But let me grant</l><l>That this he knows,- I question: whence he knows</l><l>What 'tis to know and not-to-know in turn,</l><l>And what created concept of the truth,</l><l>And what device has proved the dubious</l><l>To differ from the certain?- since in things</l><l>He's heretofore seen naught of true. Thou'lt find</l><l>That from the senses first hath been create</l><l>Concept of truth, nor can the senses be</l><l>Rebutted. For criterion must be found</l><l>Worthy of greater trust, which shall defeat</l><l>Through own authority the false by true;</l><l>What, then, than these our senses must there be</l><l>Worthy a greater trust? Shall reason, sprung</l><l>From some false sense, prevail to contradict</l><l>Those senses, sprung as reason wholly is</l><l>From out the senses?- For lest these be true,</l><l>All reason also then is falsified.</l><l>Or shall the ears have power to blame the eyes,</l><l>Or yet the touch the ears? Again, shall taste</l><l>Accuse this touch or shall the nose confute</l><l>Or eyes defeat it? Methinks not so it is:</l><l>For unto each has been divided off</l><l>Its function quite apart, its power to each;</l><l>And thus we're still constrained to perceive</l><l>The soft, the cold, the hot apart, apart</l><l>All divers hues and whatso things there be</l><l>Conjoined with hues. Likewise the tasting tongue</l><l>Has its own power apart, and smells apart</l><l>And sounds apart are known. And thus it is</l><l>That no one sense can e'er convict another.</l><l>Nor shall one sense have power to blame itself,</l><l>Because it always must be deemed the same,</l><l>Worthy of equal trust. And therefore what</l><l>At any time unto these senses showed,</l><l>The same is true.</l></div><div type="textpart" subtype="card" n="500"><l rend="indent">And if the reason be</l><l>Unable to unravel us the cause</l><l>Why objects, which at hand were square, afar</l><l>Seemed rounded, yet it more availeth us,</l><l>Lacking the reason, to pretend a cause</l><l>For each configuration, than to let</l><l>From out our hands escape the obvious things</l><l>And injure primal faith in sense, and wreck</l><l>All those foundations upon which do rest</l><l>Our life and safety. For not only reason</l><l>Would topple down; but even our very life</l><l>Would straightaway collapse, unless we dared</l><l>To trust our senses and to keep away</l><l>From headlong heights and places to be shunned</l><l>Of a like peril, and to seek with speed</l><l>Their opposites! Again, as in a building,</l><l>If the first plumb-line be askew, and if</l><l>The square deceiving swerve from lines exact,</l><l>And if the level waver but the least</l><l>In any part, the whole construction then</l><l>Must turn out faulty- shelving and askew,</l><l>Leaning to back and front, incongruous,</l><l>That now some portions seem about to fall,</l><l>And falls the whole ere long- betrayed indeed</l><l>By first deceiving estimates: so too</l><l>Thy calculations in affairs of life</l><l>Must be askew and false, if sprung for thee</l><l>From senses false. So all that troop of words</l><l>Marshalled against the senses is quite vain.</l></div><div type="textpart" subtype="card" n="522"><l rend="indent">  And now remains to demonstrate with ease</l><l>How other senses each their things perceive.</l><l rend="indent">  Firstly, a sound and every voice is heard,</l><l>When, getting into ears, they strike the sense</l><l>With their own body. For confess we must</l><l>Even voice and sound to be corporeal,</l><l>Because they're able on the sense to strike.</l><l>Besides voice often scrapes against the throat,</l><l>And screams in going out do make more rough</l><l>The wind-pipe- naturally enough, methinks,</l><l>When, through the narrow exit rising up</l><l>In larger throng, these primal germs of voice</l><l>Have thus begun to issue forth. In sooth,</l><l>Also the door of the mouth is scraped against</l><l>[By air blown outward] from distended [cheeks].</l><l rend="indent">       .     .     .     .     .     .</l><l>And thus no doubt there is, that voice and words</l><l>Consist of elements corporeal,</l><l>With power to pain. Nor art thou unaware</l><l>Likewise how much of body's ta'en away,</l><l>How much from very thews and powers of men</l><l>May be withdrawn by steady talk, prolonged</l><l>Even from the rising splendour of the morn</l><l>To shadows of black evening,- above all</l><l>If 't be outpoured with most exceeding shouts.</l><l>Therefore the voice must be corporeal,</l><l>Since the long talker loses from his frame</l><l>A part.</l><l rend="indent">        Moreover, roughness in the sound</l><l>Comes from the roughness in the primal germs,</l><l>As a smooth sound from smooth ones is create;</l><l>Nor have these elements a form the same</l><l>When the trump rumbles with a hollow roar,</l><l>As when barbaric Berecynthian pipe</l><l>Buzzes with raucous boomings, or when swans</l><l>By night from icy shores of Helicon</l><l>With wailing voices raise their liquid dirge.</l></div><div type="textpart" subtype="card" n="549"><l rend="indent">  Thus, when from deep within our frame we force</l><l>These voices, and at mouth expel them forth,</l><l>The mobile tongue, artificer of words,</l><l>Makes them articulate, and too the lips</l><l>By their formations share in shaping them.</l><l>Hence when the space is short from starting-point</l><l>To where that voice arrives, the very words</l><l>Must too be plainly heard, distinctly marked.</l><l>For then the voice conserves its own formation,</l><l>Conserves its shape. But if the space between</l><l>Be longer than is fit, the words must be</l><l>Through the much air confounded, and the voice</l><l>Disordered in its flight across the winds-</l><l>And so it haps, that thou canst sound perceive,</l><l>Yet not determine what the words may mean;</l><l>To such degree confounded and encumbered</l><l>The voice approaches us. Again, one word,</l><l>Sent from the crier's mouth, may rouse all ears</l><l>Among the populace. And thus one voice</l><l>Scatters asunder into many voices,</l><l>Since it divides itself for separate ears,</l><l>Imprinting form of word and a clear tone.</l><l>But whatso part of voices fails to hit</l><l>The ears themselves perishes, borne beyond,</l><l>Idly diffused among the winds. A part,</l><l>Beating on solid porticoes, tossed back</l><l>Returns a sound; and sometimes mocks the ear</l><l>With a mere phantom of a word. </l></div><div type="textpart" subtype="card" n="572"><l rend="indent">  When this</l><l>Thou well hast noted, thou canst render count</l><l>Unto thyself and others why it is</l><l>Along the lonely places that the rocks</l><l>Give back like shapes of words in order like,</l><l>When search we after comrades wandering</l><l>Among the shady mountains, and aloud</l><l>Call unto them, the scattered. I have seen</l><l>Spots that gave back even voices six or seven</l><l>For one thrown forth- for so the very hills,</l><l>Dashing them back against the hills, kept on</l><l>With their reverberations. And these spots</l><l>The neighbouring country-side doth feign to be</l><l>Haunts of the goat-foot satyrs and the nymphs;</l><l>And tells ye there be fauns, by whose night noise</l><l>And antic revels yonder they declare</l><l>The voiceless silences are broken oft,</l><l>And tones of strings are made and wailings sweet</l><l>Which the pipe, beat by players' finger-tips,</l><l>Pours out; and far and wide the farmer-race</l><l>Begins to hear, when, shaking the garmentings</l><l>Of pine upon his half-beast head, god-Pan</l><l>With puckered lip oft runneth o'er and o'er</l><l>The open reeds,- lest flute should cease to pour</l><l>The woodland music! Other prodigies</l><l>And wonders of this ilk they love to tell,</l><l>Lest they be thought to dwell in lonely spots</l><l>And even by gods deserted. This is why</l><l>They boast of marvels in their story-tellings;</l><l>Or by some other reason are led on-</l><l>Greedy, as all mankind hath ever been,</l><l>To prattle fables into ears.</l></div><div type="textpart" subtype="card" n="595"><l rend="indent"> Again,</l><l>One need not wonder how it comes about</l><l>That through those places (through which eyes cannot</l><l>View objects manifest) sounds yet may pass</l><l>And assail the ears. For often we observe</l><l>People conversing, though the doors be closed;</l><l>No marvel either, since all voice unharmed</l><l>Can wind through bended apertures of things,</l><l>While idol-films decline to- for they're rent,</l><l>Unless along straight apertures they swim,</l><l>Like those in glass, through which all images</l><l>Do fly across. And yet this voice itself,</l><l>In passing through shut chambers of a house,</l><l>Is dulled, and in a jumble enters ears,</l><l>And sound we seem to hear far more than words.</l><l>Moreover, a voice is into all directions</l><l>Divided up, since off from one another</l><l>New voices are engendered, when one voice</l><l>Hath once leapt forth, outstarting into many-</l><l>As oft a spark of fire is wont to sprinkle</l><l>Itself into its several fires. And so,</l><l>Voices do fill those places hid behind,</l><l>Which all are in a hubbub round about,</l><l>Astir with sound. But idol-films do tend,</l><l>As once sent forth, in straight directions all;</l><l>Wherefore one can inside a wall see naught,</l><l>Yet catch the voices from beyond the same.</l></div><div type="textpart" subtype="card" n="615"><l rend="indent">  Nor tongue and palate, whereby we flavour feel,</l><l>Present more problems for more work of thought.</l><l>Firstly, we feel a flavour in the mouth,</l><l>When forth we squeeze it, in chewing up our food,-</l><l>As any one perchance begins to squeeze</l><l>With hand and dry a sponge with water soaked.</l><l>Next, all which forth we squeeze is spread about</l><l>Along the pores and intertwined paths</l><l>Of the loose-textured tongue. And so, when smooth</l><l>The bodies of the oozy flavour, then</l><l>Delightfully they touch, delightfully</l><l>They treat all spots, around the wet and trickling</l><l>Enclosures of the tongue. And contrariwise,</l><l>They sting and pain the sense with their assault,</l><l>According as with roughness they're supplied.</l><l>Next, only up to palate is the pleasure</l><l>Coming from flavour; for in truth when down</l><l>'Thas plunged along the throat, no pleasure is,</l><l>Whilst into all the frame it spreads around;</l><l>Nor aught it matters with what food is fed</l><l>The body, if only what thou take thou canst</l><l>Distribute well digested to the frame</l><l>And keep the stomach in a moist career.</l><l rend="indent">  Now, how it is we see some food for some,</l><l>Others for others....</l><l rend="indent">       .     .     .     .     .     .</l><l>I will unfold, or wherefore what to some</l><l>Is foul and bitter, yet the same to others</l><l>Can seem delectable to eat,- why here</l><l>So great the distance and the difference is</l><l>That what is food to one to some becomes</l><l>Fierce poison, as a certain snake there is</l><l>Which, touched by spittle of a man, will waste</l><l>And end itself by gnawing up its coil.</l><l>Again, fierce poison is the hellebore</l><l>To us, but puts the fat on goats and quails.</l><l>That thou mayst know by what devices this</l><l>Is brought about, in chief thou must recall</l><l>What we have said before, that seeds are kept</l><l>Commixed in things in divers modes. Again,</l><l>As all the breathing creatures which take food</l><l>Are outwardly unlike, and outer cut</l><l>And contour of their members bounds them round,</l><l>Each differing kind by kind, they thus consist</l><l>Of seeds of varying shape. And furthermore,</l><l>Since seeds do differ, divers too must be</l><l>The interstices and paths (which we do call</l><l>The apertures) in all the members, even</l><l>In mouth and palate too. Thus some must be</l><l>More small or yet more large, three-cornered some</l><l>And others squared, and many others round,</l><l>And certain of them many-angled too</l><l>In many modes. For, as the combination</l><l>And motion of their divers shapes demand,</l><l>The shapes of apertures must be diverse</l><l>And paths must vary according to their walls</l><l>That bound them. Hence when what is sweet to some,</l><l>Becomes to others bitter, for him to whom</l><l>'Tis sweet, the smoothest particles must needs</l><l>Have entered caressingly the palate's pores.</l><l>And, contrariwise, with those to whom that sweet</l><l>Is sour within the mouth, beyond a doubt</l><l>The rough and barbed particles have got</l><l>Into the narrows of the apertures.</l><l>Now easy it is from these affairs to know</l><l>Whatever...</l><l rend="indent">       .     .     .     .     .     .</l><l>Indeed, where one from o'er-abundant bile</l><l>Is stricken with fever, or in other wise</l><l>Feels the roused violence of some malady,</l><l>There the whole frame is now upset, and there</l><l>All the positions of the seeds are changed,-</l><l>So that the bodies which before were fit</l><l>To cause the savour, now are fit no more,</l><l>And now more apt are others which be able</l><l>To get within the pores and gender sour.</l><l>Both sorts, in sooth, are intermixed in honey-</l><l>What oft we've proved above to thee before.</l></div><div type="textpart" subtype="card" n="673"><l>Now come, and I will indicate what wise</l><l>Impact of odour on the nostrils touches.</l><l>And first, 'tis needful there be many things</l><l>From whence the streaming flow of varied odours</l><l>May roll along, and we're constrained to think</l><l>They stream and dart and sprinkle themselves about</l><l>Impartially. But for some breathing creatures</l><l>One odour is more apt, to others another-</l><l>Because of differing forms of seeds and pores.</l><l>Thus on and on along the zephyrs bees</l><l>Are led by odour of honey, vultures too</l><l>By carcasses. Again, the forward power</l><l>Of scent in dogs doth lead the hunter on</l><l>Whithersoever the splay-foot of wild beast</l><l>Hath hastened its career; and the white goose,</l><l>The saviour of the Roman citadel,</l><l>Forescents afar the odour of mankind.</l><l>Thus, diversly to divers ones is given</l><l>Peculiar smell that leadeth each along</l><l>To his own food or makes him start aback</l><l>From loathsome poison, and in this wise are</l><l>The generations of the wild preserved.</l><l rend="indent">  Yet is this pungence not alone in odours</l><l>Or in the class of flavours; but, likewise,</l><l>The look of things and hues agree not all</l><l>So well with senses unto all, but that</l><l>Some unto some will be, to gaze upon,</l><l>More keen and painful. Lo, the raving lions,</l><l>They dare not face and gaze upon the cock</l><l>Who's wont with wings to flap away the night</l><l>From off the stage, and call the beaming morn</l><l>With clarion voice- and lions straightway thus</l><l>Bethink themselves of flight, because, ye see,</l><l>Within the body of the cocks there be</l><l>Some certain seeds, which, into lions' eyes</l><l>Injected, bore into the pupils deep</l><l>And yield such piercing pain they can't hold out</l><l>Against the cocks, however fierce they be-</l><l>Whilst yet these seeds can't hurt our gaze the least,</l><l>Either because they do not penetrate,</l><l>Or since they have free exit from the eyes</l><l>As soon as penetrating, so that thus</l><l>They cannot hurt our eyes in any part</l><l>By there remaining.</l><l rend="indent">                     To speak once more of odour;</l><l>Whatever assail the nostrils, some can travel</l><l>A longer way than others. None of them,</l><l>However, 's borne so far as sound or voice-</l><l>While I omit all mention of such things</l><l>As hit the eyesight and assail the vision.</l><l>For slowly on a wandering course it comes</l><l>And perishes sooner, by degrees absorbed</l><l>Easily into all the winds of air;-</l><l>And first, because from deep inside the thing</l><l>It is discharged with labour (for the fact</l><l>That every object, when 'tis shivered, ground,</l><l>Or crumbled by the fire, will smell the stronger</l><l>Is sign that odours flow and part away</l><l>From inner regions of the things). And next,</l><l>Thou mayest see that odour is create</l><l>Of larger primal germs than voice, because</l><l>It enters not through stony walls, wherethrough</l><l>Unfailingly the voice and sound are borne;</l><l>Wherefore, besides, thou wilt observe 'tis not</l><l>So easy to trace out in whatso place</l><l>The smelling object is. For, dallying on</l><l>Along the winds, the particles cool off,</l><l>And then the scurrying messengers of things</l><l>Arrive our senses, when no longer hot.</l><l>So dogs oft wander astray, and hunt the scent.</l></div><div type="textpart" subtype="card" n="722"><l rend="indent">  Now mark, and hear what objects move the mind,</l><l>And learn, in few, whence unto intellect</l><l>Do come what come. And first I tell thee this:</l><l>That many images of objects rove</l><l>In many modes to every region round-</l><l>So thin that easily the one with other,</l><l>When once they meet, uniteth in mid-air,</l><l>Like gossamer or gold-leaf. For, indeed,</l><l>Far thinner are they in their fabric than</l><l>Those images which take a hold on eyes</l><l>And smite the vision, since through body's pores</l><l>They penetrate, and inwardly stir up</l><l>The subtle nature of mind and smite the sense.</l><l>Thus, Centaurs and the limbs of Scyllas, thus</l><l>The Cerberus-visages of dogs we see,</l><l>And images of people gone before-</l><l>Dead men whose bones earth bosomed long ago;</l><l>Because the images of every kind</l><l>Are everywhere about us borne- in part</l><l>Those which are gendered in the very air</l><l>Of own accord, in part those others which</l><l>From divers things do part away, and those</l><l>Which are compounded, made from out their shapes.</l><l>For soothly from no living Centaur is</l><l>That phantom gendered, since no breed of beast</l><l>Like him was ever; but, when images</l><l>Of horse and man by chance have come together,</l><l>They easily cohere, as aforesaid,</l><l>At once, through subtle nature and fabric thin.</l><l>In the same fashion others of this ilk</l><l>Created are. And when they're quickly borne</l><l>In their exceeding lightness, easily</l><l>(As earlier I showed) one subtle image,</l><l>Compounded, moves by its one blow the mind,</l><l>Itself so subtle and so strangely quick.</l><l rend="indent">  That these things come to pass as I record,</l><l>From this thou easily canst understand:</l><l>So far as one is unto other like,</l><l>Seeing with mind as well as with the eyes</l><l>Must come to pass in fashion not unlike.</l><l>Well, now, since I have shown that I perceive</l><l>Haply a lion through those idol-films</l><l>Such as assail my eyes, 'tis thine to know</l><l>Also the mind is in like manner moved,</l><l>And sees, nor more nor less than eyes do see</l><l>(Except that it perceives more subtle films)</l><l>The lion and aught else through idol-films.</l><l>And when the sleep has overset our frame,</l><l>The mind's intelligence is now awake,</l><l>Still for no other reason, save that these-</l><l>The self-same films as when we are awake-</l><l>Assail our minds, to such degree indeed</l><l>That we do seem to see for sure the man</l><l>Whom, void of life, now death and earth have gained</l><l>Dominion over. And nature forces this</l><l>To come to pass because the body's senses</l><l>Are resting, thwarted through the members all,</l><l>Unable now to conquer false with true;</l><l>And memory lies prone and languishes</l><l>In slumber, nor protests that he, the man</l><l>Whom the mind feigns to see alive, long since</l><l>Hath been the gain of death and dissolution.</l><l rend="indent">  And further, 'tis no marvel idols move</l><l>And toss their arms and other members round</l><l>In rhythmic time- and often in men's sleeps</l><l>It haps an image this is seen to do;</l><l>In sooth, when perishes the former image,</l><l>And other is gendered of another pose,</l><l>That former seemeth to have changed its gestures.</l><l>Of course the change must be conceived as speedy;</l><l>So great the swiftness and so great the store</l><l>Of idol-things, and (in an instant brief</l><l>As mind can mark) so great, again, the store</l><l>Of separate idol-parts to bring supplies.</l><l rend="indent">  It happens also that there is supplied</l><l>Sometimes an image not of kind the same;</l><l>But what before was woman, now at hand</l><l>Is seen to stand there, altered into male;</l><l>Or other visage, other age succeeds;</l><l>But slumber and oblivion take care</l><l>That we shall feel no wonder at the thing.</l></div><div type="textpart" subtype="card" n="777"><l rend="indent">  And much in these affairs demands inquiry,</l><l>And much, illumination- if we crave</l><l>With plainness to exhibit facts. And first,</l><l>Why doth the mind of one to whom the whim</l><l>To think has come behold forthwith that thing?</l><l>Or do the idols watch upon our will,</l><l>And doth an image unto us occur,</l><l>Directly we desire- if heart prefer</l><l>The sea, the land, or after all the sky?</l><l>Assemblies of the citizens, parades,</l><l>Banquets, and battles, these and all doth she,</l><l>Nature, create and furnish at our word?-</l><l>Maugre the fact that in same place and spot</l><l>Another's mind is meditating things</l><l>All far unlike. And what, again, of this:</l><l>When we in sleep behold the idols step,</l><l>In measure, forward, moving supple limbs,</l><l>Whilst forth they put each supple arm in turn</l><l>With speedy motion, and with eyeing heads</l><l>Repeat the movement, as the foot keeps time?</l><l>Forsooth, the idols they are steeped in art,</l><l>And wander to and fro well taught indeed,-</l><l>Thus to be able in the time of night</l><l>To make such games! Or will the truth be this:</l><l>Because in one least moment that we mark-</l><l>That is, the uttering of a single sound-</l><l>There lurk yet many moments, which the reason</l><l>Discovers to exist, therefore it comes</l><l>That, in a moment how so brief ye will,</l><l>The divers idols are hard by, and ready</l><l>Each in its place diverse? So great the swiftness,</l><l>So great, again, the store of idol-things,</l><l>And so, when perishes the former image,</l><l>And other is gendered of another pose,</l><l>The former seemeth to have changed its gestures.</l><l>And since they be so tenuous, mind can mark</l><l>Sharply alone the ones it strains to see;</l><l>And thus the rest do perish one and all,</l><l>Save those for which the mind prepares itself.</l><l>Further, it doth prepare itself indeed,</l><l>And hopes to see what follows after each-</l><l>Hence this result. For hast thou not observed</l><l>How eyes, essaying to perceive the fine,</l><l>Will strain in preparation, otherwise</l><l>Unable sharply to perceive at all?</l><l>Yet know thou canst that, even in objects plain,</l><l>If thou attendest not, 'tis just the same</l><l>As if 'twere all the time removed and far.</l><l>What marvel, then, that mind doth lose the rest,</l><l>Save those to which 'thas given up itself?</l><l>So 'tis that we conjecture from small signs</l><l>Things wide and weighty, and involve ourselves</l><l>In snarls of self-deceit.</l></div><div type="textpart" subtype="card" n="823"><head>SOME VITAL FUNCTIONS</head><l rend="indent">                           In these affairs</l><l>We crave that thou wilt passionately flee</l><l>The one offence, and anxiously wilt shun</l><l>The error of presuming the clear lights</l><l>Of eyes created were that we might see;</l><l>Or thighs and knees, aprop upon the feet,</l><l>Thuswise can bended be, that we might step</l><l>With goodly strides ahead; or forearms joined</l><l>Unto the sturdy uppers, or serving hands</l><l>On either side were given, that we might do</l><l>Life's own demands. All such interpretation</l><l>Is aft-for-fore with inverse reasoning,</l><l>Since naught is born in body so that we</l><l>May use the same, but birth engenders use:</l><l>No seeing ere the lights of eyes were born,</l><l>No speaking ere the tongue created was;</l><l>But origin of tongue came long before</l><l>Discourse of words, and ears created were</l><l>Much earlier than any sound was heard;</l><l>And all the members, so meseems, were there</l><l>Before they got their use: and therefore, they</l><l>Could not be gendered for the sake of use.</l><l>But contrariwise, contending in the fight</l><l>With hand to hand, and rending of the joints,</l><l>And fouling of the limbs with gore, was there,</l><l>O long before the gleaming spears ere flew;</l><l>And nature prompted man to shun a wound,</l><l>Before the left arm by the aid of art</l><l>Opposed the shielding targe. And, verily,</l><l>Yielding the weary body to repose,</l><l>Far ancienter than cushions of soft beds,</l><l>And quenching thirst is earlier than cups.</l><l>These objects, therefore, which for use and life</l><l>Have been devised, can be conceived as found</l><l>For sake of using. But apart from such</l><l>Are all which first were born and afterwards</l><l>Gave knowledge of their own utility-</l><l>Chief in which sort we note the senses, limbs:</l><l>Wherefore, again, 'tis quite beyond thy power</l><l>To hold that these could thus have been create</l><l>For office of utility.</l></div><div type="textpart" subtype="card" n="858"><l rend="indent">                        Likewise,</l><l>'Tis nothing strange that all the breathing creatures</l><l>Seek, even by nature of their frame, their food.</l><l>Yes, since I've taught thee that from off the things</l><l>Stream and depart innumerable bodies</l><l>In modes innumerable too; but most</l><l>Must be the bodies streaming from the living-</l><l>Which bodies, vexed by motion evermore,</l><l>Are through the mouth exhaled innumerable,</l><l>When weary creatures pant, or through the sweat</l><l>Squeezed forth innumerable from deep within.</l><l>Thus body rarefies, so undermined</l><l>In all its nature, and pain attends its state.</l><l>And so the food is taken to underprop</l><l>The tottering joints, and by its interfusion</l><l>To re-create their powers, and there stop up</l><l>The longing, open-mouthed through limbs and veins,</l><l>For eating. And the moist no less departs</l><l>Into all regions that demand the moist;</l><l>And many heaped-up particles of hot,</l><l>Which cause such burnings in these bellies of ours,</l><l>The liquid on arriving dissipates</l><l>And quenches like a fire, that parching heat</l><l>No longer now can scorch the frame. And so,</l><l>Thou seest how panting thirst is washed away</l><l>From off our body, how the hunger-pang</l><l>It, too, appeased.</l></div><div type="textpart" subtype="card" n="877"><l rend="indent">                     Now, how it comes that we,</l><l>Whene'er we wish, can step with strides ahead,</l><l>And how 'tis given to move our limbs about,</l><l>And what device is wont to push ahead</l><l>This the big load of our corporeal frame,</l><l>I'll say to thee- do thou attend what's said.</l><l>I say that first some idol-films of walking</l><l>Into our mind do fall and smite the mind,</l><l>As said before. Thereafter will arises;</l><l>For no one starts to do a thing, before</l><l>The intellect previsions what it wills;</l><l>And what it there pre-visioneth depends</l><l>On what that image is. When, therefore, mind</l><l>Doth so bestir itself that it doth will</l><l>To go and step along, it strikes at once</l><l>That energy of soul that's sown about</l><l>In all the body through the limbs and frame-</l><l>And this is easy of performance, since</l><l>The soul is close conjoined with the mind.</l><l>Next, soul in turn strikes body, and by degrees</l><l>Thus the whole mass is pushed along and moved.</l><l>Then too the body rarefies, and air,</l><l>Forsooth as ever of such nimbleness,</l><l>Comes on and penetrates aboundingly</l><l>Through opened pores, and thus is sprinkled round</l><l>Unto all smallest places in our frame.</l><l>Thus then by these twain factors, severally,</l><l>Body is borne like ship with oars and wind.</l><l>Nor yet in these affairs is aught for wonder</l><l>That particles so fine can whirl around</l><l>So great a body and turn this weight of ours;</l><l>For wind, so tenuous with its subtle body,</l><l>Yet pushes, driving on the mighty ship</l><l>Of mighty bulk; one hand directs the same,</l><l>Whatever its momentum, and one helm</l><l>Whirls it around, whither ye please; and loads,</l><l>Many and huge, are moved and hoisted high</l><l>By enginery of pulley-blocks and wheels,</l><l>With but light strain.</l></div><div type="textpart" subtype="card" n="907"><l rend="indent">                    Now, by what modes this sleep</l><l>Pours through our members waters of repose</l><l>And frees the breast from cares of mind, I'll tell</l><l>In verses sweeter than they many are;</l><l>Even as the swan's slight note is better far</l><l>Than that dispersed clamour of the cranes</l><l>Among the southwind's aery clouds. Do thou</l><l>Give me sharp ears and a sagacious mind,-</l><l>That thou mayst not deny the things to be</l><l>Whereof I'm speaking, nor depart away</l><l>With bosom scorning these the spoken truths,</l><l>Thyself at fault unable to perceive.</l><l>Sleep chiefly comes when energy of soul</l><l>Hath now been scattered through the frame, and part</l><l>Expelled abroad and gone away, and part</l><l>Crammed back and settling deep within the frame-</l><l>Whereafter then our loosened members droop.</l><l>For doubt is none that by the work of soul</l><l>Exist in us this sense, and when by slumber</l><l>That sense is thwarted, we are bound to think</l><l>The soul confounded and expelled abroad-</l><l>Yet not entirely, else the frame would lie</l><l>Drenched in the everlasting cold of death.</l><l>In sooth, where no one part of soul remained</l><l>Lurking among the members, even as fire</l><l>Lurks buried under many ashes, whence</l><l>Could sense amain rekindled be in members,</l><l>As flame can rise anew from unseen fire?</l></div><div type="textpart" subtype="card" n="929"><l rend="indent">  By what devices this strange state and new</l><l>May be occasioned, and by what the soul</l><l>Can be confounded and the frame grow faint,</l><l>I will untangle: see to it, thou, that I</l><l>Pour forth my words not unto empty winds.</l><l>In first place, body on its outer parts-</l><l>Since these are touched by neighbouring aery gusts-</l><l>Must there be thumped and strook by blows of air</l><l>Repeatedly. And therefore almost all</l><l>Are covered either with hides, or else with shells,</l><l>Or with the horny callus, or with bark.</l><l>Yet this same air lashes their inner parts,</l><l>When creatures draw a breath or blow it out.</l><l>Wherefore, since body thus is flogged alike</l><l>Upon the inside and the out, and blows</l><l>Come in upon us through the little pores</l><l>Even inward to our body's primal parts</l><l>And primal elements, there comes to pass</l><l>By slow degrees, along our members then,</l><l>A kind of overthrow; for then confounded</l><l>Are those arrangements of the primal germs</l><l>Of body and of mind. It comes to pass</l><l>That next a part of soul's expelled abroad,</l><l>A part retreateth in recesses hid,</l><l>A part, too, scattered all about the frame,</l><l>Cannot become united nor engage</l><l>In interchange of motion. Nature now</l><l>So hedges off approaches and the paths;</l><l>And thus the sense, its motions all deranged,</l><l>Retires down deep within; and since there's naught,</l><l>As 'twere, to prop the frame, the body weakens,</l><l>And all the members languish, and the arms</l><l>And eyelids fall, and, as ye lie abed,</l><l>Even there the houghs will sag and loose their powers.</l><l>Again, sleep follows after food, because</l><l>The food produces same result as air,</l><l>Whilst being scattered round through all the veins;</l><l>And much the heaviest is that slumber which,</l><l>Full or fatigued, thou takest; since 'tis then</l><l>That the most bodies disarrange themselves,</l><l>Bruised by labours hard. And in same wise,</l><l>This three-fold change: a forcing of the soul</l><l>Down deeper, more a casting-forth of it,</l><l>A moving more divided in its parts</l><l>And scattered more.</l></div></div></div></body></text></TEI>
                </passage>
            </reply>
            </GetPassage>