<GetPassage xmlns:tei="http://www.tei-c.org/ns/1.0" xmlns="http://chs.harvard.edu/xmlns/cts">
            <request>
                <requestName>GetPassage</requestName>
                <requestUrn>urn:cts:greekLit:tlg0011.tlg002.perseus-eng2:1192-1257</requestUrn>
            </request>
            <reply>
                <urn>urn:cts:greekLit:tlg0011.tlg002.perseus-eng2:1192-1257</urn>
                <passage>
                    <TEI xmlns="http://www.tei-c.org/ns/1.0"><text xml:lang="eng"><body><div type="translation" n="urn:cts:greekLit:tlg0011.tlg002.perseus-eng2" xml:lang="eng"><div type="textpart" subtype="episode"><sp n="Messenger"><l n="1192" resp="p">Dear mistress, I will tell what I witnessed and leave no
                            word of the truth unspoken. For what good would it do that should I
                            soothe you with words in which I must later be found false? </l><l n="1195" resp="p">The truth is always best. I attended your husband as
                            his guide to the furthest part of the plain, where unpitied the body of
                            Polyneices, torn by dogs, still lay. After we had prayed to the goddess
                            of the roads </l><l n="1200" resp="p">and to Pluto to restrain their anger in mercy, we
                            washed him with pure washing, and with freshly-plucked boughs we burned
                            what remains there were. Lastly we heaped a high-mounded tomb of his
                            native earth. Afterwards we turned away to enter the maiden’s
                            stoney-bedded </l><l n="1205" resp="p">bridal chamber, the caverned mansion of Hades’ bride.
                            From a distance, one of us servants heard a voice of loud wailing near
                            that bride’s unwept bed and came to tell our master Creon. And as the
                            King moved closer and closer, obscure signs rising from a bitter cry
                            surrounded him— </l><l n="1210" resp="p">he groaned and said in bitter lament, <q type="spoken">Ah, misery, am I now the prophet of evil? Am I going on the path
                                most lined with grief of all that I have walked before? My son’s
                                voice greets me. Go, my servants,</q>
                        </l><l n="1215" resp="p"><q type="spoken" rend="merge">hurry closer, and when
                                you have reached the tomb, enter the opening where the stones of the
                                mound have been torn away, up to the cell’s very mouth. See if it is
                                Haemon’s voice that I recognize, or if I am cheated by the
                            gods.</q></l></sp><milestone unit="card" n="1219"/><sp><l n="1219" resp="p">This search, at our desperate master’s word, </l><l n="1220" resp="p">we went to make, and in the furthest part of the tomb
                            we saw her hanging by the neck, fastened by a halter of fine linen
                            threads, while he was embracing her with arms thrown around her waist,
                            bewailing the loss of his bride to the spirits below, as well as his
                            father’s deeds, and his grief-filled marriage. </l><l n="1225" resp="p">But his father, when he saw him, cried aloud with a
                            dreadful cry and went in and called to him with a voice of wailing: <q type="spoken">Ah, unhappy boy, what have you done! What plan have
                                you seized on? By what misfortune have you lost your reason?</q>
                        </l><l n="1230" resp="p"><q type="spoken" rend="merge">Come out, my son, I pray
                                you, I beg you!</q> But the boy glared at him with savage eyes, spat
                            in his face, and without a word in response drew his twin-edged sword.
                            As his father rushed out in flight, he missed his aim. Then the
                            ill-fated boy was enraged with himself </l><l n="1235" resp="p">and straightway stretched himself over his sword and
                            drove it, half its length, into his side. Still conscious, he clasped
                            the maiden in his faint embrace, and, as he gasped, he shot onto her
                            pale cheek a swift stream of oozing blood. </l><l n="1240" resp="p">Corpse enfolding corpse he lay, having won his marriage
                            rites, poor boy, not here, but in Hades’ palace, and having shown to
                            mankind by how much the failure to reason wisely is the most severe of
                            all afflictions assigned to man.<stage>Eurydice departs into the
                                house.</stage>
                        </l></sp><milestone unit="card" n="1244"/><sp><speaker>Chorus</speaker><l n="1244" resp="p">What would you infer from this? The lady </l><l n="1245" resp="p">has turned back and gone without a word, either for
                            good or for evil.</l></sp><sp><speaker>Messenger</speaker><l n="1246" resp="p">I, too, am startled. Still I am nourished by the hope that
                            at the grave news of her son she thinks it unworthy to make her laments
                            before the city, but in the shelter of her home will set her handmaids
                            to mourn the house’s grief. </l><l n="1250" resp="p">For she is not unhabituated to discretion, that she
                            should err.</l></sp><sp><speaker>Chorus</speaker><l n="1251" resp="p">I do not know. But to me, in any case, a silence too strict
                            seems to promise trouble just as much as a fruitless abundance of
                            weeping.</l></sp><sp><speaker>Messenger</speaker><l n="1253" resp="p">I will find out whether she is not, in fact, hiding some
                            repressed plan in the darkness of her passionate heart. </l><l n="1255" resp="p">I will go in, since you are right—in an excess of
                            silence, too, there may be trouble.<stage>Exit Messenger.</stage></l></sp><milestone unit="card" n="1257"/><div type="textpart" subtype="anapests"><stage>Enter Creon, attended and carrying the shrouded body of Haemon, on
                            the spectators’ left.</stage><sp><speaker>Chorus</speaker><l n="1257" resp="p">Look, here is the King himself approaching, his hands
                                grasping a monument plainly signing that his—if we may say it—and no
                                one else’s,</l></sp></div></div></div></body></text></TEI>
                </passage>
            </reply>
            </GetPassage>